The Life and Opinions of Tristram Shandy, Gentleman by Laurence Sterne (pdf e book reader txt) 📕

last ten years gave him fame, flirting, wandering, and other pleasures and diversions to his heart’s content; and his debts only troubled those he left behind him. He delighted in his daughter; he was able to get rid of his wife, when he was more than usually fatigatus et aegrotus of her, with singular ease. During the unknown, or almost unknown, middle of his life he had friends of the kind most congenial to him; and both in his time of preparation and his time of production in literature, he was able to indulge his genius in a way by no means common with men of letters. If his wish to die in a certain manner and circumstance was only bravado⁠—and borrowed bravado⁠—still it was granted; and it is quite certain that to him an old age of real illness would have been unmitigated torture. Even if we admit the ghastly stories of the fate of his remains, there was very little reason why anyone should not have anticipated Mr. Swinburne’s words on the morrow of Sterne’s death and said, “Oh! brother, the gods were good to you,” though even then he might have said it with a sort of mental reservation on the question whether Sterne had been very good to the gods.

Nemesis, for the purpose of adjusting things, played him the exceptionally savage trick of using the intervention of his idolised daughter. Little or nothing seems to be known of “Lydia Sterne de Medalle,” as she was pleased to sign herself; “Mrs. Medalle,” as her bluff British contemporaries call her. But that she must have been either a very silly, a very stupid, or an excessively callous person, appears certain. It would seem, indeed, to require a combination of the flightiness and lack of taste which her father too often displayed, with the stolidity which (from rather unfair inference through Mrs. Shandy) is sometimes supposed to have characterised her mother, to prompt or permit a daughter to publish such a collection of letters as those which were first given to the world in 1775. Charity, not unsupported by probability, has trusted that Madame de Medalle could not read Latin, but she certainly could read English; and only an utterly corrupted heart, or an incurably dense or featherbrained head, could hide from her the fact that not a few of the English letters she published were damaging to her father’s character. Her alleged excuse⁠—that her mother, who was then dead, had desired her, if any letters should be published under her father’s name, to publish these, and that the “Yorick and Eliza” correspondence had appeared⁠—is utterly insufficient. For Mrs. Sterne, of whose conduct we know nothing unfavourable, and one or two things decidedly to her credit, could only have meant “such of these as will put your father in a favourable light,” else she would have published them herself. Yet though Lydia could, while taking no editorial trouble whatever, go out of her way to make a silly missish apology for publishing a passage in which her charms and merits are celebrated, she seems never to have given a thought to what she was doing in other ways. Nor were Sterne’s misfortunes in this way over with the publication of these things; for the subsequently discovered Fourmentelle correspondence sunk him, with precise judges, a little deeper. No doubt Tristram Shandy, the Sentimental Journey, and the curious stories or traditions about their author, were not exactly calculated to give Sterne a very high reputation with grave authorities. But it is these unlucky letters which put him almost hopelessly out of court. Even the slight relenting of fortune which gave him at last, in Mr. Percy Fitzgerald, a biographer very good-natured, very indefatigable, and with a natural genius for detecting undiscovered facts and documents, only made matters worse in some ways. And the consequence is, that it has become a commonplace and almost a necessity to make up for praising Sterne’s genius by damning his character. Johnson, while declining to deny him ability, seems to have been too much disgusted to talk freely about him; Scott’s natural kindliness, warm admiration for my Uncle Toby, and total freedom from squeamish prudery, seem yet to have left him ill at ease and tongue-tied in discussing Sterne; Thackeray, as is well known, exceeded all measure in denouncing him; and his chief recent critical biographer, Mr. Traill, who is probably as free from cant, Britannic or other, as any man who ever wrote in English, speaks his mind in the most unsparing fashion.

For my own part, I do not hesitate to say that I do not think letters of this kind ought to be published at all; and though it may seem paradoxical or foolish, I am by no means sure that, if they are published, they ought to be admitted as evidence. That which is not written for the public, is no business of the public’s; and I never read letters of this kind, published for the first time, without feeling like an eavesdropper.1 Unluckily, the evidence furnished by the letters fits in only too well with that furnished by the published works, by his favourite cronies and companions, and by his general reputation, so that “what the prisoner says” must, no doubt, “be used against him.”

It may be doubted whether it was accident or his usual deliberate fantasticality that made Sterne, in the well-known summary of his life which (very late in it) he drew up for his daughter, devote almost the whole space to his childhood. Perhaps it may be accounted for, reasonably enough, by supposing that of his later years he thought his daughter knew quite as much as he wished her to know, while of the middle period he had little or nothing to tell. In fact, of the two earlier divisions we still know very little but what he has chosen to tell us in one of the most characteristic and not the least charming excursions of his pen. Laurence Sterne was, with two sisters,