Five Children and It by E. Nesbit (classic books for 12 year olds .TXT) 📕
Description
Initially published in The Strand Magazine, which explains its episodic nature, Five Children and It was later collected into a book. Like many of E. Nesbit’s works, it has proven popular with children and adults to this day. It has been adapted into a TV series, a musical, a film, and even an anime series.
In this story, five siblings encounter an ancient magical creature in a gravel pit. The Psammead, as it calls itself, grants each of them a wish per day, with the restriction that it ends at sunset. As expected, all of the children’s wishes go comically wrong, and it’s up to them to solve the problems they created.
E. Nesbit’s enduring popularity is due in large part to the way she addresses children. Like Lewis Carrol and Kenneth Grahame, she engages children seriously, tapping into their imagination without any condescension. C. S. Lewis admired her, and the grumpy (but kind) sand-sorcerer Psamathos in Roverandom, a story J. R. R. Tolkien wrote for his own children, bears a striking resemblance to the Psammead—indeed, an early version of the story featured the creature itself!
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- Author: E. Nesbit
Read book online «Five Children and It by E. Nesbit (classic books for 12 year olds .TXT) 📕». Author - E. Nesbit
Then Uncle Richard took them on the beautiful Medway in a boat, and then they all had tea at a beautiful pastrycook’s, and when they reached home it was far too late to have any wishes that day.
They did not tell Uncle Richard anything about the Psammead. I do not know why. And they do not know why. But I daresay you can guess.
The day after Uncle Richard had behaved so handsomely was a very hot day indeed. The people who decide what the weather is to be, and put its orders down for it in the newspapers every morning, said afterwards that it was the hottest day there had been for years. They had ordered it to be “warmer—some showers,” and warmer it certainly was. In fact it was so busy being warmer that it had no time to attend to the order about showers, so there weren’t any.
Have you ever been up at five o’clock on a fine summer morning? It is very beautiful. The sunlight is pinky and yellowy, and all the grass and trees are covered with dew-diamonds. And all the shadows go the opposite way to the way they do in the evening, which is very interesting and makes you feel as though you were in a new other world.
Anthea awoke at five. She had made herself wake, and I must tell you how it is done, even if it keeps you waiting for the story to go on.
You get into bed at night, and lie down quite flat on your little back with your hands straight down by your sides. Then you say “I must wake up at five” (or six, or seven, or eight, or nine, or whatever the time is that you want), and as you say it you push your chin down on to your chest and then bang your head back on the pillow. And you do this as many times as there are ones in the time you want to wake up at. (It is quite an easy sum.) Of course everything depends on your really wanting to get up at five (or six, or seven, or eight, or nine); if you don’t really want to, it’s all of no use. But if you do—well, try it and see. Of course in this, as in doing Latin proses or getting into mischief, practice makes perfect.
Anthea was quite perfect.
At the very moment when she opened her eyes she heard the black-and-gold clock down in the dining-room strike eleven. So she knew it was three minutes to five. The black-and-gold clock always struck wrong, but it was all right when you knew what it meant. It was like a person talking a foreign language. If you know the language it is just as easy to understand as English. And Anthea knew the clock language. She was very sleepy, but she jumped out of bed and put her face and hands into a basin of cold water. This is a fairy charm that prevents your wanting to get back into bed again. Then she dressed, and folded up her nightgown. She did not tumble it together by the sleeves, but folded it by the seams from the hem, and that will show you the kind of well-brought-up little girl she was.
Then she took her shoes in her hand and crept softly down the stairs. She opened the dining-room window and climbed out. It would have been just as easy to go out by the door, but the window was more romantic, and less likely to be noticed by Martha.
“I will always get up at five,” she said to herself. “It was quite too awfully pretty for anything.”
Her heart was beating very fast, for she was carrying out a plan quite her own. She could not be sure that it was a good plan, but she was quite sure that it would not be any better if she were to tell the others about it. And she had a feeling that, right or wrong, she would rather go through with it alone. She put on her shoes under the iron verandah, on the red-and-yellow shining tiles, and then she ran straight to the sandpit, and found the Psammead’s place, and dug it out; it was very cross indeed.
“It’s too bad,” it said, fluffing up its fur like pigeons do their feathers at Christmas time. “The weather’s arctic, and it’s the middle of the night.”
“I’m so sorry,” said Anthea gently, and she took off her white pinafore and covered the Sand-fairy up with it, all but its head, its bat’s ears, and its eyes that were like a snail’s eyes.
“Thank you,” it said, “that’s better. What’s the wish this morning?”
“I don’t know,” said she; “that’s just it. You see we’ve been very unlucky, so far. I wanted to talk to you about it. But—would you mind not giving me any wishes till after breakfast? It’s so hard to talk to anyone if they jump out at you with wishes you don’t really want!”
“You shouldn’t say you wish for things if you don’t wish for them. In the old days people almost always knew whether it was Megatherium or Ichthyosaurus they really wanted for dinner.”
“I’ll try not,” said Anthea, “but I do wish—”
“Look out!” said the Psammead in a warning voice,
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