Mrs. Dalloway by Virginia Woolf (romantic love story reading .TXT) 📕

that only; about everything. And he couldn’t see her; couldn’t explain to her; couldn’t have it out. There were always people about⁠—she’d go on as if nothing had happened. That was the devilish part of her⁠—this coldness, this woodenness, something very profound in her, which he had felt again this morning talking to her; an impenetrability. Yet Heaven knows he loved her. She had some queer power of fiddling on one’s nerves, turning one’s nerves to fiddle-strings, yes.

He had gone in to dinner rather late, from some idiotic idea of making himself felt, and had sat down by old Miss Parry⁠—Aunt Helena⁠—Mr. Parry’s sister, who was supposed to preside. There she sat in her white Cashmere shawl, with her head against the window⁠—a formidable old lady, but kind to him, for he had found her some rare flower, and she was a great botanist, marching off in thick boots with a black collecting-box slung between her shoulders. He sat down beside her, and couldn’t speak. Everything seemed to race past him; he just sat there, eating. And then halfway through dinner he made himself look across at Clarissa for the first time. She was talking to a young man on her right. He had a sudden revelation. “She will marry that man,” he said to himself. He didn’t even know his name.

For of course it was that afternoon, that very afternoon, that Dalloway had come over; and Clarissa called him “Wickham”; that was the beginning of it all. Somebody had brought him over; and Clarissa got his name wrong. She introduced him to everybody as Wickham. At last he said “My name is Dalloway!”⁠—that was his first view of Richard⁠—a fair young man, rather awkward, sitting on a deck-chair, and blurting out “My name is Dalloway!” Sally got hold of it; always after that she called him “My name is Dalloway!”

He was a prey to revelations at that time. This one⁠—that she would marry Dalloway⁠—was blinding⁠—overwhelming at the moment. There was a sort of⁠—how could he put it?⁠—a sort of ease in her manner to him; something maternal; something gentle. They were talking about politics. All through dinner he tried to hear what they were saying.

Afterwards he could remember standing by old Miss Parry’s chair in the drawing-room. Clarissa came up, with her perfect manners, like a real hostess, and wanted to introduce him to someone⁠—spoke as if they had never met before, which enraged him. Yet even then he admired her for it. He admired her courage; her social instinct; he admired her power of carrying things through. “The perfect hostess,” he said to her, whereupon she winced all over. But he meant her to feel it. He would have done anything to hurt her after seeing her with Dalloway. So she left him. And he had a feeling that they were all gathered together in a conspiracy against him⁠—laughing and talking⁠—behind his back. There he stood by Miss Parry’s chair as though he had been cut out of wood, he talking about wild flowers. Never, never had he suffered so infernally! He must have forgotten even to pretend to listen; at last he woke up; he saw Miss Parry looking rather disturbed, rather indignant, with her prominent eyes fixed. He almost cried out that he couldn’t attend because he was in Hell! People began going out of the room. He heard them talking about fetching cloaks; about its being cold on the water, and so on. They were going boating on the lake by moonlight⁠—one of Sally’s mad ideas. He could hear her describing the moon. And they all went out. He was left quite alone.

“Don’t you want to go with them?” said Aunt Helena⁠—old Miss Parry!⁠—she had guessed. And he turned round and there was Clarissa again. She had come back to fetch him. He was overcome by her generosity⁠—her goodness.

“Come along,” she said. “They’re waiting.”

He had never felt so happy in the whole of his life! Without a word they made it up. They walked down to the lake. He had twenty minutes of perfect happiness. Her voice, her laugh, her dress (something floating, white, crimson), her spirit, her adventurousness; she made them all disembark and explore the island; she startled a hen; she laughed; she sang. And all the time, he knew perfectly well, Dalloway was falling in love with her; she was falling in love with Dalloway; but it didn’t seem to matter. Nothing mattered. They sat on the ground and talked⁠—he and Clarissa. They went in and out of each other’s minds without any effort. And then in a second it was over. He said to himself as they were getting into the boat, “She will marry that man,” dully, without any resentment; but it was an obvious thing. Dalloway would marry Clarissa.

Dalloway rowed them in. He said nothing. But somehow as they watched him start, jumping on to his bicycle to ride twenty miles through the woods, wobbling off down the drive, waving his hand and disappearing, he obviously did feel, instinctively, tremendously, strongly, all that; the night; the romance; Clarissa. He deserved to have her.

For himself, he was absurd. His demands upon Clarissa (he could see it now) were absurd. He asked impossible things. He made terrible scenes. She would have accepted him still, perhaps, if he had been less absurd. Sally thought so. She wrote him all that summer long letters; how they had talked of him; how she had praised him, how Clarissa burst into tears! It was an extraordinary summer⁠—all letters, scenes, telegrams⁠—arriving at Bourton early in the morning, hanging about till the servants were up; appalling tête-à-têtes with old Mr. Parry at breakfast; Aunt Helena formidable but kind; Sally sweeping him off for talks in the vegetable garden; Clarissa in bed with headaches.

The final scene, the terrible scene which he believed had mattered more than anything in the whole of his life (it might be an exaggeration⁠—but still so it did seem now) happened at three o’clock in the