Sunshine Sketches of a Little Town by Stephen Leacock (the false prince TXT) 📕
Description
Sunshine Sketches of a Little Town is Stephen Leacock’s humourous and affectionate account of small-town life in the fictional town of Mariposa. Written in 1912, it is drawn from his experiences living in Orillia, Ontario.
The book is a series of funny and satirical anecdotes that illustrate the inner workings of life in Mariposa—from business to politics to steamboat disasters. The town is populated by many archetypal characters including the shrewd businessman Mr. Smith, the lovelorn bank teller Mr. Pupkin, and the mathematically challenged Rev. Mr. Drone.
During his lifetime, Stephen Leacock was very popular in much of the English-speaking world as a writer and humourist. Sunshine Sketches is considered one of his most notable and enduring works. In Canada, the Stephen Leacock Medal for Humour is named in his honour. The medal is an annual award for the best Canadian book of literary humour published in the previous year.
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- Author: Stephen Leacock
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So presently they both knew that they were blocked out of one another’s houses for some time to come, and Dr. Gallagher walked forward and told Mr. Smith, who had never studied Greek, about Champlain crossing the rock divide.
Mr. Smith turned his head and looked at the divide for half a second and then said he had crossed a worse one up north back of the Wahnipitae and that the flies were Hades—and then went on playing freezeout poker with the two juniors in Duff’s bank.
So Dr. Gallagher realized that that’s always the way when you try to tell people things, and that as far as gratitude and appreciation goes one might as well never read books or travel anywhere or do anything.
In fact, it was at this very moment that he made up his mind to give the arrows to the Mariposa Mechanics’ Institute—they afterwards became, as you know, the Gallagher Collection. But, for the time being, the doctor was sick of them and wandered off round the boat and watched Henry Mullins showing George Duff how to make a John Collins without lemons, and finally went and sat down among the Mariposa band and wished that he hadn’t come.
So the boat steamed on and the sun rose higher and higher, and the freshness of the morning changed into the full glare of noon, and they went on to where the lake began to narrow in at its foot, just where the Indian’s Island is, all grass and trees and with a log wharf running into the water. Below it the Lower Ossawippi runs out of the lake, and quite near are the rapids, and you can see down among the trees the red brick of the power house and hear the roar of the leaping water.
The Indian’s Island itself is all covered with trees and tangled vines, and the water about it is so still that it’s all reflected double and looks the same either way up. Then when the steamer’s whistle blows as it comes into the wharf, you hear it echo among the trees of the island, and reverberate back from the shores of the lake.
The scene is all so quiet and still and unbroken, that Miss Cleghorn—the sallow girl in the telephone exchange, that I spoke of—said she’d like to be buried there. But all the people were so busy getting their baskets and gathering up their things that no one had time to attend to it.
I mustn’t even try to describe the landing and the boat crunching against the wooden wharf and all the people running to the same side of the deck and Christie Johnson calling out to the crowd to keep to the starboard and nobody being able to find it. Everyone who has been on a Mariposa excursion knows all about that.
Nor can I describe the day itself and the picnic under the trees. There were speeches afterwards, and Judge Pepperleigh gave such offence by bringing in Conservative politics that a man called Patriotus Canadiensis wrote and asked for some of the invaluable space of the Mariposa Times-Herald and exposed it.
I should say that there were races too, on the grass on the open side of the island, graded mostly according to ages—races for boys under thirteen and girls over nineteen and all that sort of thing. Sports are generally conducted on that plan in Mariposa. It is realized that a woman of sixty has an unfair advantage over a mere child.
Dean Drone managed the races and decided the ages and gave out the prizes; the Wesleyan minister helped, and he and the young student, who was relieving in the Presbyterian Church, held the string at the winning point.
They had to get mostly clergymen for the races because all the men had wandered off, somehow, to where they were drinking lager beer out of two kegs stuck on pine logs among the trees.
But if you’ve ever been on a Mariposa excursion you know all about these details anyway.
So the day wore on and presently the sun came through the trees on a slant and the steamer whistle blew with a great puff of white steam and all the people came straggling down to the wharf and pretty soon the Mariposa Belle had floated out on to the lake again and headed for the town, twenty miles away.
I suppose you have often noticed the contrast there is between an excursion on its way out in the morning and what it looks like on the way home.
In the morning everybody is so restless and animated and moves to and fro all over the boat and asks questions. But coming home, as the afternoon gets later and the sun sinks beyond the hills, all the people seem to get so still and quiet and drowsy.
So it was with the people on the Mariposa Belle. They sat there on the benches and the deck chairs in little clusters, and listened to the regular beat of the propeller and almost dozed off asleep as they sat. Then when the sun set and the dusk drew on, it grew almost dark on the deck and so still that you could hardly tell there was anyone on board.
And if you had looked at the steamer from the shore or from one of the islands, you’d have seen the row of lights from the cabin windows shining on the water and the red glare of the burning hemlock from the funnel, and you’d have heard the soft thud of the propeller miles away over the lake.
Now and then, too, you could have heard them singing on the steamer—the voices of the girls and the men blended into unison by the distance, rising and falling
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