The Beautiful and Damned by F. Scott Fitzgerald (best time to read books txt) 📕
Description
Anthony Patch, the grandson of a wealthy businessman, spends his youth in idle relaxation expecting to inherit his grandfather’s fortune. But when he meets Gloria, a vibrant young flapper, the two feel an irresistible attraction and quickly get married despite their clashing personalities.
The two embark on a lifestyle of Jazz Age living: hard partying, profligate spending, and generally living the high life. But Anthony’s prohibitionist grandfather soon finds out and disowns Anthony, sending their lifestyle crashing down from its former heights to intolerable indignity.
Like Fitzgerald’s previous novel, This Side of Paradise, and his next novel, The Great Gatsby, The Beautiful and Damned documents the life of the idle rich in America’s Jazz Age. Both Anthony and Gloria’s characters explore the problem of what one is left to do when one has no other purpose in life. Because Anthony’s expecting a large inheritance, his ambition is muzzled and he feels no need to embark on a career or participate in the betterment of society. Gloria’s main purpose in life was to find a husband; once she’s done that, what’s left except spending money and partying?
The relationship between Anthony and Gloria is the explosive propellant that drives the plot. The two are clearly a poor match for each other. While Anthony is an aimless aesthete who expects to inherit wealth and power, Gloria is a self-absorbed socialite mostly banking on her undisputed beauty. Their mutual selfishness leads to constant conflict, and eventually, to mutual dislike. But despite that, the two remain together, locked in to their self-absorption, lack of ambition, and obsession with the past, as Anthony descends into alcoholism and Gloria into desperate middle age.
Anthony and Gloria are fairly transparent fictionalizations of Fitzgerald himself and his wife Zelda. Their relationship was famously tumultuous, and parallels Anthony and Gloria’s highs and lows. Fitzgerald himself was born to upper-middle-class wealth and led a aimless youth before turning to the army and to writing; in his later years, he considered himself nothing more than a middling success and turned to writing for Hollywood before totally embracing the alcoholism he had courted since his college days, and that would finally kill him. Zelda, for her part, was a socialite and the canonical “flapper.” Beautiful and bubbly, she enabled the legendarily hard-partying lifestyle that fueled their bitter fights. Her mercurial disposition later led her to being committed to an asylum for schizophrenia. Even the cover illustration of the book’s first edition features a couple meant to resemble Fitzgerald and Zelda.
Today, The Beautiful and Damned is not just a glittering record of Jazz Age excess, it’s a nuanced character study of how expectation can ruin ambition, and how relationships aren’t always easy to endure—or to dissolve.
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- Author: F. Scott Fitzgerald
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This octopus was strong enough to wind a sinuous tentacle about Richard Caramel. The year after his graduation it called him into the slums of New York to muck about with bewildered Italians as secretary to an “Alien Young Men’s Rescue Association.” He labored at it over a year before the monotony began to weary him. The aliens kept coming inexhaustibly—Italians, Poles, Scandinavians, Czechs, Armenians—with the same wrongs, the same exceptionally ugly faces and very much the same smells, though he fancied that these grew more profuse and diverse as the months passed. His eventual conclusions about the expediency of service were vague, but concerning his own relation to it they were abrupt and decisive. Any amiable young man, his head ringing with the latest crusade, could accomplish as much as he could with the débris of Europe—and it was time for him to write.
He had been living in a downtown Y.M.C.A., but when he quit the task of making sow-ear purses out of sows’ ears, he moved uptown and went to work immediately as a reporter for The Sun. He kept at this for a year, doing desultory writing on the side, with little success, and then one day an infelicitous incident peremptorily closed his newspaper career. On a February afternoon he was assigned to report a parade of Squadron A. Snow threatening, he went to sleep instead before a hot fire, and when he woke up did a smooth column about the muffled beats of the horses’ hoofs in the snow … This he handed in. Next morning a marked copy of the paper was sent down to the City Editor with a scrawled note: “Fire the man who wrote this.” It seemed that Squadron A had also seen the snow threatening—had postponed the parade until another day.
A week later he had begun The Demon Lover. …
In January, the Monday of the months, Richard Caramel’s nose was blue constantly, a sardonic blue, vaguely suggestive of the flames licking around a sinner. His book was nearly ready, and as it grew in completeness it seemed to grow also in its demands, sapping him, overpowering him, until he walked haggard and conquered in its shadow. Not only to Anthony and Maury did he pour out his hopes and boasts and indecisions, but to anyone who could be prevailed upon to listen. He called on polite but bewildered publishers, he discussed it with his casual vis-à-vis at the Harvard Club; it was even claimed by Anthony that he had been discovered, one Sunday night, debating the transposition of Chapter Two with a literary ticket-collector in the chill and dismal recesses of a Harlem subway station. And latest among his confidantes was Mrs. Gilbert, who sat with him by the hour and alternated between Bilphism and literature in an intense crossfire.
“Shakespeare was a Bilphist,” she assured him through a fixed smile. “Oh, yes! He was a Bilphist. It’s been proved.”
At this Dick would look a bit blank.
“If you’ve read Hamlet you can’t help but see.”
“Well, he—he lived in a more credulous age—a more religious age.”
But she demanded the whole loaf:
“Oh, yes, but you see Bilphism isn’t a religion. It’s the science of all religions.” She smiled defiantly at him. This was the bon mot of her belief. There was something in the arrangement of words which grasped her mind so definitely that the statement became superior to any obligation to define itself. It is not unlikely that she would have accepted any idea encased in this radiant formula—which was perhaps not a formula; it was the reductio ad absurdum of all formulas.
Then eventually, but gorgeously, would come Dick’s turn.
“You’ve heard of the new poetry movement. You haven’t? Well, it’s a lot of young poets that are breaking away from the old forms and doing a lot of good. Well, what I was going to say was that my book is going to start a new prose movement, a sort of renaissance.”
“I’m sure it will,” beamed Mrs. Gilbert. “I’m sure it will. I went to Jenny Martin last Tuesday, the palmist, you know, that everyone’s mad about. I told her my nephew was engaged upon a work and she said she knew I’d be glad to hear that his success would be extraordinary. But she’d never seen you or known anything about you—not even your name.”
Having made the proper noises to express his amazement at this astounding phenomenon, Dick waved her theme by him as though he were an arbitrary traffic policeman, and, so to speak, beckoned forward his own traffic.
“I’m absorbed, Aunt Catherine,” he assured her, “I really am. All my friends are joshing me—oh, I see the humor in it and I don’t care. I think a person ought to be able to take joshing. But I’ve got a sort of conviction,” he concluded gloomily.
“You’re an ancient soul, I always say.”
“Maybe I am.” Dick had reached the stage where he no longer fought, but submitted. He must be an ancient soul, he fancied grotesquely; so old as to be absolutely rotten. However, the reiteration of the phrase still somewhat embarrassed him and sent uncomfortable shivers up his back. He changed the subject.
“Where is my distinguished cousin Gloria?”
“She’s on the go somewhere, with someone.”
Dick paused, considered, and then, screwing up his face into what was evidently begun as a smile but ended as a terrifying frown, delivered a comment.
“I think my friend Anthony Patch is in love with her.”
Mrs. Gilbert started, beamed half a second too
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