Sanine by Mikhail Artsybashev (ebook pdf reader for pc .TXT) 📕
Description
Vladimir Sanine has arrived back to the family home where his mother and younger sister live, after several years away. While deciding what to do with his life, he meets up with a circle of friends and acquaintances, old and new, and spends his time as many carefree young adults do: in a whirl of parties, politics, picnics, and philosophical talk. But the freedoms of early twentieth century Russia are still held back by the structures of historical conduct, and their carefree attitudes erode when put in conflict with society’s expectations.
In Sanine, Artsybashev describes a group of young adults in a time of great uncertainty, with ongoing religious and political upheaval a daily occurrence. A big focus of the critical response when it was published was on the portrayal of sexuality of the youths, something genuinely new and shocking for most readers.
Artsybashev considered his writing to be influenced by the Russian greats (Chekhov, Dostoevsky, and Tolstoy) but also by the individual anarchism of the philosopher Max Stirner. Sanine was originally written in 1903, but publication was delayed until 1907 due to problems with censorship. Even publication didn’t stop Artsybashev’s problems, as by 1908 the novel was banned as “pornographic.” This edition is based on the 1915 translation by Percy Pinkerton.
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- Author: Mikhail Artsybashev
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Novikoff thought that his life was a failure, but it never occurred to him to end it, since to live on was futile. On the contrary, now that his life had become a torture to him, he considered that it was his duty to devote it to others, putting his own happiness aside. Without being able to account for it, he had a vague desire to throw up everything and go to St. Petersburg where he could renew his connection with “the party” and rush headlong to death. This was a fine, lofty thought, so he believed, and the knowledge that it was his lessened his grief, and even gladdened him. He became grand in his own eyes, crowned as with a shining aureole, and his sadly reproachful attitude towards Lida almost moved him to tears.
Then he suddenly felt bored. Yourii went on painting, and gave him no attention whatever. Novikoff got up lazily and approached the picture. It was still unfinished, and for that reason produced the effect of a somewhat powerful sketch. Yourii had got as far as he could go. Novikoff thought it was wonderful, as with open mouth he gazed in childish admiration at the artist.
“Well?” said Yourii, stepping backwards.
Personally, he thought it the most interesting picture that he had ever seen, though certainly it had defects both obvious and considerable. Why he was of this opinion he could not tell, but if Novikoff had thought the picture a bad one, he would have felt thoroughly hurt and annoyed. However, Novikoff murmured ecstatically,
“Ve … ry fine indeed!”
Yourii felt as if he were a genius despising his own work. He sighed and flung down his brush which stained the edge of the couch, and he moved away without looking at the picture.
“Ah! my friend!” he exclaimed. He was on the point of confessing to himself and to Novikoff the doubt which destroyed his pleasure in succeeding, as he felt that he could never do anything with what was now a promising sketch. However, after a moment of reflection he merely said:
“All that is of no use at all!”
Novikoff thought that this was pose on his friend’s part, and mindful of his own bitter disappointment he inwardly observed:
“That’s true.”
Then after a while he asked:
“How do you mean that it is of no use?”
To this question Yourii could give no exact answer, and he remained silent. Novikoff examined the picture once more, and then lay down on the sofa.
“I read your article in the Krai,” he said. “It was pretty hot.”
“The deuce take it!” replied Yourii, angrily, yet unable to account for his anger, as he remembered Semenoff’s words. “What good will it do? It won’t stop executions and robberies and violence; they will go on just as before. Articles won’t help matters. For what purpose, pray? To be read by two or three idiots! Much good that is! After all, what business is it of mine? And why dash one’s brains out against a wall?”
Passing before his eyes, Yourii seemed to see the early years of his political activity; the secret meetings, propaganda, risks and reverses, his own enthusiasm and the profound apathy of those whom he was so eager to save. He walked up and down the room, gesticulating.
“Then, it is not worth while doing anything,” drawled Novikoff, and, thinking of Sanine, he added,
“Egoists, that’s all you are!”
“No, it’s not!” replied Yourii vehemently, influenced by his memories of the past and by the dusk that gave a grey look to all things in the room.
“If one speaks of Humanity, of what good are all our efforts in the cause of constitutions or of revolutions if one cannot even approximately estimate what humanity really requires? Perhaps in this liberty of which we dream lie the germs of future degeneracy, and man, having realized his ideal, will go back, walking once more on all fours? Thus, all would have to be recommenced. And if I care for nothing but myself, what then? What do I gain by it? The most I could do would be to get fame by my talents and achievements, intoxicated by the respect of my inferiors, that is to say by the respect of those whom I do not esteem and whose veneration ought to be valueless to me. And then? To go on living, living, until the grave—nothing after that! And the crown of laurels would fit my skull so closely, that I should soon find it irksome!”
“Always about himself!” muttered Novikoff, mockingly.
Yourii did not hear him, being morbidly pleased with his own eloquence. There was a beautiful gloom about his utterances, so he thought; they seemed to ennoble him, to heighten his sense of self-respect.
“At the worst, I should become a genius misjudged, a ridiculous dreamer, a theme for humorous tales, a foolish individual, of no use to anybody!”
“Aha!” cried Novikoff, as he rose from the couch, “Of no use to anybody. You admit that yourself, then?”
“How absurd you are!” exclaimed Yourii, “do you really think that I don’t know for what to live and in what to believe? Possibly I should gladly submit to crucifixion if I believed that
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