The Ambassadors by Henry James (read people like a book .TXT) 📕

no little confronted dinner, no pink lights, no whiff of vague sweetness, as a preliminary: one of the results of which was that at present, mildly rueful, though with a sharpish accent, he actually asked himself why there hadn’t. There was much the same difference in his impression of the noticed state of his companion, whose dress was “cut down,” as he believed the term to be, in respect to shoulders and bosom, in a manner quite other than Mrs. Newsome’s, and who wore round her throat a broad red velvet band with an antique jewel⁠—he was rather complacently sure it was antique⁠—attached to it in front. Mrs. Newsome’s dress was never in any degree “cut down,” and she never wore round her throat a broad red velvet band: if she had, moreover, would it ever have served so to carry on and complicate, as he now almost felt, his vision?

It would have been absurd of him to trace into ramifications the effect of the ribbon from which Miss Gostrey’s trinket depended, had he not for the hour, at the best, been so given over to uncontrolled perceptions. What was it but an uncontrolled perception that his friend’s velvet band somehow added, in her appearance, to the value of every other item⁠—to that of her smile and of the way she carried her head, to that of her complexion, of her lips, her teeth, her eyes, her hair? What, certainly, had a man conscious of a man’s work in the world to do with red velvet bands? He wouldn’t for anything have so exposed himself as to tell Miss Gostrey how much he liked hers, yet he had none the less not only caught himself in the act⁠—frivolous, no doubt, idiotic, and above all unexpected⁠—of liking it: he had in addition taken it as a starting-point for fresh backward, fresh forward, fresh lateral flights. The manner in which Mrs. Newsome’s throat was encircled suddenly represented for him, in an alien order, almost as many things as the manner in which Miss Gostrey’s was. Mrs. Newsome wore, at operatic hours, a black silk dress⁠—very handsome, he knew it was “handsome”⁠—and an ornament that his memory was able further to identify as a ruche. He had his association indeed with the ruche, but it was rather imperfectly romantic. He had once said to the wearer⁠—and it was as “free” a remark as he had ever made to her⁠—that she looked, with her ruff and other matters, like Queen Elizabeth; and it had after this in truth been his fancy that, as a consequence of that tenderness and an acceptance of the idea, the form of this special tribute to the “frill” had grown slightly more marked. The connection, as he sat there and let his imagination roam, was to strike him as vaguely pathetic; but there it all was, and pathetic was doubtless in the conditions the best thing it could possibly be. It had assuredly existed at any rate; for it seemed now to come over him that no gentleman of his age at Woollett could ever, to a lady of Mrs. Newsome’s, which was not much less than his, have embarked on such a simile.

All sorts of things in fact now seemed to come over him, comparatively few of which his chronicler can hope for space to mention. It came over him for instance that Miss Gostrey looked perhaps like Mary Stuart: Lambert Strether had a candour of fancy which could rest for an instant gratified in such an antithesis. It came over him that never before⁠—no, literally never⁠—had a lady dined with him at a public place before going to the play. The publicity of the place was just, in the matter, for Strether, the rare strange thing; it affected him almost as the achievement of privacy might have affected a man of a different experience. He had married, in the faraway years, so young as to have missed the time natural in Boston for taking girls to the Museum; and it was absolutely true of hint that⁠—even after the close of the period of conscious detachment occupying the centre of his life, the grey middle desert of the two deaths, that of his wife and that, ten years later, of his boy⁠—he had never taken anyone anywhere. It came over him in especial⁠—though the monition had, as happened, already sounded, fitfully gleamed, in other forms⁠—that the business he had come out on hadn’t yet been so brought home to him as by the sight of the people about him. She gave him the impression, his friend, at first, more straight than he got it for himself⁠—gave it simply by saying with offhand illumination: “Oh yes, they’re types!”⁠—but after he had taken it he made to the full his own use of it; both while he kept silence for the four acts and while he talked in the intervals. It was an evening, it was a world of types, and this was a connection above all in which the figures and faces in the stalls were interchangeable with those on the stage.

He felt as if the play itself penetrated him with the naked elbow of his neighbour, a great stripped handsome red-haired lady who conversed with a gentleman on her other side in stray dissyllables which had for his ear, in the oddest way in the world, so much sound that he wondered they hadn’t more sense; and he recognised by the same law, beyond the footlights, what he was pleased to take for the very flush of English life. He had distracted drops in which he couldn’t have said if it were actors or auditors who were most true, and the upshot of which, each time, was the consciousness of new contacts. However he viewed his job it was “types” he should have to tackle. Those before him and around him were not as the types of Woollett, where, for that matter, it had begun to seem to him that there must only