Vanity Fair by William Makepeace Thackeray (best thriller novels to read TXT) 📕
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Vanity Fair is perhaps Thackeray’s most famous novel. First serialized over the course of 19 volumes in Punch Magazine and first printed as a single volume in 1849, the novel cemented Thackeray’s literary fame and kept him busy with frequent revisions and even lecture circuits.
The story is framed as a puppet play, narrated by an unreliable narrator, that presents the story of Becky Sharp and Emmy Sedley and the people in their lives as they struggle through the Napoleonic Wars. The story itself, like many other Thackeray novels, is a satire of the lives of the Victorian English of a certain class. Thackeray packed the novel with allusions, many of which were difficult even for his contemporary readers; part of the heavy revisions he later made were making the allusions more accessible to his evolving audience.
As part of his satirical bent, Thackeray made a point to make each character flawed, so that there are no “heroes” in the book—hence the subtitle “A Novel Without a Hero.” Thackeray’s goal was not only to entertain, but to instruct; to that end, he wanted the reader to look within themselves after finishing the unhappy conclusion, in which there’s no hint as to how society might be able to improve on the evils shadowed in the events of novel.
Vanity Fair received glowing praise by its critical contemporaries, and remains a popular book well into modern times, having been adapted repeatedly for film, radio, and television.
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- Author: William Makepeace Thackeray
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The before-mentioned Tom Eaves (who has no part in this history, except that he knew all the great folks in London, and the stories and mysteries of each family) had further information regarding my Lady Steyne, which may or may not be true. “The humiliations,” Tom used to say, “which that woman has been made to undergo, in her own house, have been frightful; Lord Steyne has made her sit down to table with women with whom I would rather die than allow Mrs. Eaves to associate—with Lady Crackenbury, with Mrs. Chippenham, with Madame de la Cruchecassee, the French secretary’s wife (from every one of which ladies Tom Eaves—who would have sacrificed his wife for knowing them—was too glad to get a bow or a dinner) with the reigning favourite in a word. And do you suppose that that woman, of that family, who are as proud as the Bourbons, and to whom the Steynes are but lackeys, mushrooms of yesterday (for after all, they are not of the Old Gaunts, but of a minor and doubtful branch of the house); do you suppose, I say (the reader must bear in mind that it is always Tom Eaves who speaks) that the Marchioness of Steyne, the haughtiest woman in England, would bend down to her husband so submissively if there were not some cause? Pooh! I tell you there are secret reasons. I tell you that, in the emigration, the Abbe de la Marche who was here and was employed in the Quiberoon business with Puisaye and Tinteniac, was the same Colonel of Mousquetaires Gris with whom Steyne fought in the year ’86—that he and the Marchioness met again—that it was after the Reverend Colonel was shot in Brittany that Lady Steyne took to those extreme practices of devotion which she carries on now; for she is closeted with her director every day—she is at service at Spanish Place, every morning, I’ve watched her there—that is, I’ve happened to be passing there—and depend on it, there’s a mystery in her case. People are not so unhappy unless they have something to repent of,” added Tom Eaves with a knowing wag of his head; “and depend on it, that woman would not be so submissive as she is if the Marquis had not some sword to hold over her.”
So, if Mr. Eaves’s information be correct, it is very likely that this lady, in her high station, had to submit to many a private indignity and to hide many secret griefs under a calm face. And let us, my brethren who have not our names in the Red Book, console ourselves by thinking comfortably how miserable our betters may be, and that Damocles, who sits on satin cushions and is served on gold plate, has an awful sword hanging over his head in the shape of a bailiff, or an hereditary disease, or a family secret, which peeps out every now and then from the embroidered arras in a ghastly manner, and will be sure to drop one day or the other in the right place.
In comparing, too, the poor man’s situation with that of the great, there is (always according to Mr. Eaves) another source of comfort for the former. You who have little or no patrimony to bequeath or to inherit, may be on good terms with your father or your son, whereas the heir of a great prince, such as my Lord Steyne, must naturally be angry at being kept out of his kingdom, and eye the occupant of it with no very agreeable glances. “Take it as a rule,” this sardonic old Eaves would say, “the fathers and elder sons of all great families hate each other. The Crown Prince is always in opposition to the crown or hankering after it. Shakespeare knew the world, my good sir, and when he describes Prince Hal (from whose family the Gaunts pretend to be descended, though they are no more related to John of Gaunt than you are) trying on his father’s coronet, he gives you a natural description of all heirs apparent. If you were heir to a dukedom and a thousand pounds a day, do you mean to say you would not wish for possession? Pooh! And it stands to reason that every great man, having experienced this feeling towards his father, must be aware that his son entertains it towards himself; and so they can’t but be suspicious and hostile.
“Then again, as to the feeling of elder towards younger sons. My dear sir, you ought to know that every elder brother looks upon the cadets of the house as his natural enemies, who deprive him of so much ready money which ought to be his by right. I have often heard George Mac Turk, Lord Bajazet’s eldest son, say that if he had his will when he came to the title, he would do what the sultans do, and clear the estate by chopping off all his younger brothers’ heads at once; and so the case is, more or less, with them all. I tell you they are all Turks in their hearts. Pooh! sir, they know the world.” And here, haply, a great man coming up, Tom Eaves’s hat would drop off his head, and he would rush forward with a bow and a grin, which showed that he knew the world too—in the Tomeavesian way, that is. And having laid out every shilling of his fortune on an
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