The Forsyte Saga by John Galsworthy (acx book reading txt) 📕
Description
Between 1906 and 1921 John Galsworthy published three novels chronicling the Forsyte family, a fictional upper-middle class family at the end of the Victorian era: The Man of Property, In Chancery, and To Let. In 1922 Galsworthy wrote two interconnecting short stories to bind the three novels together and published the whole as The Forsyte Saga.
While the novels follow the Forsyte family at large, the action centers around Soames Forsyte—the scion of a nouveau-riche London tea merchant—his wife Irene, and their unhappy marriage. Soames and his sprawling family are portrayed as stereotypes of unhappy gilded-age wealth, their family having entered the industrial revolution poor farmers and emerged as wealthy bourgeoise. Their rise was powered by their capacity to acquire, won at the expense of their capacity for almost anything else.
Thematically, the saga focuses on the mores of the wealthy upper-middle class, which was still a newish feature in the class landscape of England at the time; duty, honor, and love; and the rapidly growing differences across generations occurring in a period of war and social change. The characters are complex and nuanced, and the situations they find themselves in—both of their own making, and of the making of society around them—provide a rich field for analyzing the close of the Victorian age, the dawn of the Edwardian age, and the societal frameworks that were forged in that frisson.
Galsworthy went on to win the Nobel Prize for Literature in 1932 for The Forsyte Saga, one of the rare occasions in which the Swedish Academy has awarded a prize for a specific work instead of for a lifetime of work.
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- Author: John Galsworthy
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“To the Hammam,” said Soames.
Curious that on so warm a summer day, heat should be so comforting! Crossing into the hot room he met George Forsyte coming out, red and glistening.
“Hallo!” said George; “what are you training for? You’ve not got much superfluous.”
Buffoon! Soames passed him with his sideway smile. Lying back, rubbing his skin uneasily for the first signs of perspiration, he thought: “Let them laugh! I won’t feel anything! I can’t stand violence! It’s not good for me!”
VII A Summer NightSoames left dead silence in the little study. “Thank you for that good lie,” said Jolyon suddenly. “Come out—the air in here is not what it was!”
In front of a long high southerly wall on which were trained peach-trees the two walked up and down in silence. Old Jolyon had planted some cupressus-trees, at intervals, between this grassy terrace and the dipping meadow full of buttercups and ox-eyed daisies; for twelve years they had flourished, till their dark spiral shapes had quite a look of Italy. Birds fluttered softly in the wet shrubbery; the swallows swooped past, with a steel-blue sheen on their swift little bodies; the grass felt springy beneath the feet, its green refreshed; butterflies chased each other. After that painful scene the quiet of Nature was wonderfully poignant. Under the sun-soaked wall ran a narrow strip of garden-bed full of mignonette and pansies, and from the bees came a low hum in which all other sounds were set—the mooing of a cow deprived of her calf, the calling of a cuckoo from an elm-tree at the bottom of the meadow. Who would have thought that behind them, within ten miles, London began—that London of the Forsytes, with its wealth, its misery; its dirt and noise; its jumbled stone isles of beauty, its grey sea of hideous brick and stucco? That London which had seen Irene’s early tragedy, and Jolyon’s own hard days; that web; that princely workhouse of the possessive instinct!
And while they walked Jolyon pondered those words: “I hope you’ll treat him as you treated me.” That would depend on himself. Could he trust himself? Did Nature permit a Forsyte not to make a slave of what he adored? Could beauty be confided to him? Or should she not be just a visitor, coming when she would, possessed for moments which passed, to return only at her own choosing? “We are a breed of spoilers!” thought Jolyon, “close and greedy; the bloom of life is not safe with us. Let her come to me as she will, when she will, not at all if she will not. Let me be just her standby, her perching-place; never—never her cage!”
She was the chink of beauty in his dream. Was he to pass through the curtains now and reach her? Was the rich stuff of many possessions, the close encircling fabric of the possessive instinct walling in that little black figure of himself, and Soames—was it to be rent so that he could pass through into his vision, find there something not of the senses only? “Let me,” he thought, “ah! let me only know how not to grasp and destroy!”
But at dinner there were plans to be made. Tonight she would go back to the hotel, but tomorrow he would take her up to London. He must instruct his solicitor—Jack Herring. Not a finger must be raised to hinder the process of the Law. Damages exemplary, judicial strictures, costs, what they liked—let it go through at the first moment, so that her neck might be out of chancery at last! Tomorrow he would see Herring—they would go and see him together. And then—abroad, leaving no doubt, no difficulty about evidence, making the lie she had told into the truth. He looked round at her; and it seemed to his adoring eyes that more than a woman was sitting there. The spirit of universal beauty, deep, mysterious, which the old painters, Titian, Giorgione, Botticelli, had known how to capture and transfer to the faces of their women—this flying beauty seemed to him imprinted on her brow, her hair, her lips, and in her eyes.
“And this is to be mine!” he thought. “It frightens me!”
After dinner they went out on to the terrace to have coffee. They sat there long, the evening was so lovely, watching the summer night come very slowly on. It was still warm and the air smelled of lime blossom—early this summer. Two bats were flighting with the faint mysterious little noise they make. He had placed the chairs in front of the study window, and moths flew past to visit the discreet light in there. There was no wind, and not a whisper in the old oak-tree twenty yards away! The moon rose from behind the copse, nearly full; and the two lights struggled, till moonlight conquered, changing the colour and quality of all the garden, stealing along the flagstones, reaching their feet, climbing up, changing their faces.
“Well,” said Jolyon at last, “you’ll be tired, dear; we’d better start. The maid will show you Holly’s room,” and he rang the study bell. The maid who came handed him a telegram. Watching her take Irene away, he thought: “This must have come an hour or more ago, and she didn’t bring it out to us! That shows! Well, we’ll be hung for a sheep soon!” And, opening the telegram, he read:
“Jolyon Forsyte, Robin Hill.—Your son passed painlessly away on June 20th. Deep sympathy”—some name unknown to him.
He dropped it, spun round, stood motionless. The moon shone in on him; a moth flew in his face. The first day of all that he had not thought almost ceaselessly of Jolly. He went blindly towards the window, struck against the old armchair—his father’s—and sank down on to the arm of
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