Short Fiction by O. Henry (librera reader txt) ๐
Description
William Sydney Porter, known to readers as O. Henry, was a true raconteur. As a draftsman, a bank teller, a newspaper writer, a fugitive from justice in Central America, and a writer living in New York City, he told stories at each stop and about each stop. His stories are known for their vivid characters who come to life, and sometimes death, in only a few pages. But the most famous characteristic of O. Henryโs stories are the famous โtwistโ endings, where the outcome comes as a surprise both to the characters and the readers. O. Henryโs work was widely recognized and lauded, so much so that a few years after his death an award was founded in his name to recognize the best American short story (now stories) of the year.
This collection gathers all of his available short stories that are in the U.S. public domain. They were published in various popular magazines of the time, as well as in the Houston Post, where they were not attributed to him until many years after his death.
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- Author: O. Henry
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One hundred in the shade kept the vicinity somewhat depeopled. This quarter of the town was a ragged edge; its denizens the bubbling froth of five nations; its architecture tent, jacal, and โdobe; its distractions the hurdy-gurdy and the informal contribution to the sudden strangerโs store of experience. Beyond this dishonourable fringe upon the old townโs jowl rose a dense mass of trees, surmounting and filling a little hollow. Through this bickered a small stream that perished down the sheer and disconcerting side of the great canon of the Rio Bravo del Norte.
In this sordid spot was condemned to remain for certain hours the impotent transport of the Queen of the Serpent Tribe.
The front door of the car was open. Its forward end was curtained off into a small reception-room. Here the admiring and propitiatory reporters were wont to sit and transpose the music of Seรฑorita Alvaritaโs talk into the more florid key of the press. A picture of Abraham Lincoln hung against a wall; one of a cluster of schoolgirls grouped upon stone steps was in another place; a third was Easter lilies in a blood-red frame. A neat carpet was under foot. A pitcher, sweating cold drops, and a glass stood on a fragile stand. In a willow rocker, reading a newspaper, sat Alvarita.
Spanish, you would say; Andalusian, or, better still, Basque; that compound, like the diamond, of darkness and fire. Hair, the shade of purple grapes viewed at midnight. Eyes, long, dusky, and disquieting with their untroubled directness of gaze. Face, haughty and bold, touched with a pretty insolence that gave it life. To hasten conviction of her charm, but glance at the stacks of handbills in the corner, green, and yellow, and white. Upon them you see an incompetent presentment of the seรฑorita in her professional garb and pose. Irresistible, in black lace and yellow ribbons, she faces you; a blue racer is spiralled upon each bare arm; coiled twice about her waist and once about her neck, his horrid head close to hers, you perceive Kuku, the great eleven-foot Asian python.
A hand drew aside the curtain that partitioned the car, and a middle-eged, faded woman holding a knife and a half-peeled potato looked in and said:
โAlviry, are you right busy?โ
โIโm reading the home paper, ma. What do you think! that pale, tow-weaded Matilda Price got the most votes in the News for the prettiest girl in Gallipoโ โlees.โ
โShush! She wouldnโt of done it if youโd been home, Alviry. Lord knows, I hope weโll be there before fallโs over. Iโm tired gallopinโ round the world playinโ we are dagoes, and givinโ snake shows. But that ainโt what I wanted to say. That there biggest snakeโs gone again. Iโve looked all over the car and canโt find him. He must have been gone an hour. I remember hearinโ somethinโ rustlinโ along the floor, but I thought it was you.โ
โOh, blame that old rascal!โ exclaimed the Queen, throwing down her paper. โThis is the third time heโs got away. George never will fasten down the lid to his box properly. I do believe heโs afraid of Kuku. Now Iโve got to go hunt him.โ
โBetter hurry; somebody might hurt him.โ
The Queenโs teeth showed in a gleaming, contemptuous smile. โNo danger. When they see Kuku outside they simply scoot away and buy bromides. Thereโs a crick over between here and the river. That old scampโd swap his skin any time for a drink of running water. I guess Iโll find him there, all right.โ
A few minutes later Alvarita stopped upon the forward platform, ready for her quest. Her handsome black skirt was shaped to the most recent proclamation of fashion. Her spotless shirtwaist gladdened the eye in that desert of sunshine, a swelling oasis, cool and fresh. A manโs split-straw hat sat firmly on her coiled, abundant hair. Beneath her serene, round, impudent chin a manโs four-in-hand tie was jauntily knotted about a manโs high, stiff collar. A parasol she carried, of white silk, and its fringe was lace, yellowly genuine.
I will grant Gallipolis as to her costume, but firmly to Seville or Valladolid I am held by her eyes; castanets, balconies, mantillas, serenades, ambuscades, escapadesโ โall these their dark depths guaranteed.
โAinโt you afraid to go out alone, Alviry?โ queried the Queen-mother anxiously. โThereโs so many rough people about. Mebbe youโd betterโ โโ
โI never saw anything I was afraid of yet, ma. โSpecially people. And men in particular. Donโt you fret. Iโll trot along back as soon as I find that runaway scamp.โ
The dust lay thick upon the bare ground near the tracks. Alvaritaโs eye soon discovered the serrated trail of the escaped python. It led across the depot grounds and away down a smaller street in the direction of the little canon, as predicted by her. A stillness and lack of excitement in the neighbourhood encouraged the hope that, as yet, the inhabitants were unaware that so formidable a guest traversed their highways. The heat had driven them indoors, whence outdrifted occasional shrill laughs, or the depressing whine of a maltreated concertina. In the shade a few Mexican children, like vivified stolid idols in clay, stared from their play, vision-struck and silent, as Alvarita came and went. Here and there a woman peeped from a door and stood dumb, reduced to silence by the aspect of the white silk parasol.
A hundred yards and the limits of the town were passed, scattered chaparral succeeding, and then a noble grove, overflowing the bijou canon. Through this a small bright stream meandered. Park-like it was, with a kind of cockney ruralness further endorsed by the waste papers and
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