The Forsyte Saga by John Galsworthy (acx book reading txt) 📕
Description
Between 1906 and 1921 John Galsworthy published three novels chronicling the Forsyte family, a fictional upper-middle class family at the end of the Victorian era: The Man of Property, In Chancery, and To Let. In 1922 Galsworthy wrote two interconnecting short stories to bind the three novels together and published the whole as The Forsyte Saga.
While the novels follow the Forsyte family at large, the action centers around Soames Forsyte—the scion of a nouveau-riche London tea merchant—his wife Irene, and their unhappy marriage. Soames and his sprawling family are portrayed as stereotypes of unhappy gilded-age wealth, their family having entered the industrial revolution poor farmers and emerged as wealthy bourgeoise. Their rise was powered by their capacity to acquire, won at the expense of their capacity for almost anything else.
Thematically, the saga focuses on the mores of the wealthy upper-middle class, which was still a newish feature in the class landscape of England at the time; duty, honor, and love; and the rapidly growing differences across generations occurring in a period of war and social change. The characters are complex and nuanced, and the situations they find themselves in—both of their own making, and of the making of society around them—provide a rich field for analyzing the close of the Victorian age, the dawn of the Edwardian age, and the societal frameworks that were forged in that frisson.
Galsworthy went on to win the Nobel Prize for Literature in 1932 for The Forsyte Saga, one of the rare occasions in which the Swedish Academy has awarded a prize for a specific work instead of for a lifetime of work.
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- Author: John Galsworthy
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“I don’t know what I should have done without you, my dear boy.”
He reached his house at midnight. The weather had changed, was mild again, as though, having finished its work and sent a Forsyte to his last account, it could relax. A second telegram, received at dinnertime, had confirmed the good news of Annette, and, instead of going in, Soames passed down through the garden in the moonlight to his houseboat. He could sleep there quite well. Bitterly tired, he lay down on the sofa in his fur coat and fell asleep. He woke soon after dawn and went on deck. He stood against the rail, looking west where the river swept round in a wide curve under the woods. In Soames, appreciation of natural beauty was curiously like that of his farmer ancestors, a sense of grievance if it wasn’t there, sharpened, no doubt, and civilised, by his researches among landscape painting. But dawn has power to fertilise the most matter-of-fact vision, and he was stirred. It was another world from the river he knew, under that remote cool light; a world into which man had not entered, an unreal world, like some strange shore sighted by discovery. Its colour was not the colour of convention, was hardly colour at all; its shapes were brooding yet distinct; its silence stunning; it had no scent. Why it should move him he could not tell, unless it were that he felt so alone in it, bare of all relationship and all possessions. Into such a world his father might be voyaging, for all resemblance it had to the world he had left. And Soames took refuge from it in wondering what painter could have done it justice. The white-grey water was like—like the belly of a fish! Was it possible that this world on which he looked was all private property, except the water—and even that was tapped! No tree, no shrub, not a blade of grass, not a bird or beast, not even a fish that was not owned. And once on a time all this was jungle and marsh and water, and weird creatures roamed and sported without human cognizance to give them names; rotting luxuriance had rioted where those tall, carefully planted woods came down to the water, and marsh-misted reeds on that far side had covered all the pasture. Well! they had got it under, kennelled it all up, labelled it, and stowed it in lawyers’ offices. And a good thing too! But once in a way, as now, the ghost of the past came out to haunt and brood and whisper to any human who chanced to be awake: “Out of my unowned loneliness you all came, into it some day you will all return.”
And Soames, who felt the chill and the eeriness of that world—new to him and so very old: the world, unowned, visiting the scene of its past—went down and made himself tea on a spirit-lamp. When he had drunk it, he took out writing materials and wrote two paragraphs:
“On the 20th instant at his residence in Park Lane, James Forsyte, in his ninety-first year. Funeral at noon on the 24th at Highgate. No flowers by request.”
“On the 20th instant at the Shelter; Mapledurham, Annette, wife of Soames Forsyte, of a daughter.” And underneath on the blotting-paper he traced the word “son.”
It was eight o’clock in an ordinary autumn world when he went across to the house. Bushes across the river stood round and bright-coloured out of a milky haze; the wood-smoke went up blue and straight; and his doves cooed, preening their feathers in the sunlight.
He stole up to his dressing-room, bathed, shaved, put on fresh linen and dark clothes.
Madame Lamotte was beginning her breakfast when he went down.
She looked at his clothes, said, “Don’t tell me!” and pressed his hand. “Annette is prettee well. But the doctor say she can never have no more children. You knew that?” Soames nodded. “It’s a pity. Mais la petite est adorable. Du café?”
Soames got away from her as soon as he could. She offended him—solid, matter-of-fact, quick, clear—French. He could not bear her vowels, her r’s; he resented the way she had looked at him, as if it were his fault that Annette could never bear him a son! His fault! He even resented her cheap adoration of the daughter he had not yet seen.
Curious how he jibbed away from sight of his wife and child!
One would have thought he must have rushed up at the first moment. On the contrary, he had a sort of physical shrinking from it—fastidious possessor that he was. He was afraid of what Annette was thinking of him, author of her agonies, afraid of the look of the baby, afraid of showing his disappointment with the present and—the future.
He spent an hour walking up and down the drawing-room before he could screw his courage up to mount the stairs and knock on the door of their room.
Madame Lamotte opened it.
“Ah! At last you come! Elle vous attend!” She passed him, and Soames went in with his noiseless step, his jaw firmly set, his eyes furtive.
Annette was very pale and very pretty lying there. The baby was hidden away somewhere; he could not see it. He went up to the bed, and with sudden emotion bent and kissed her forehead.
“Here you are then, Soames,” she said. “I am not so bad now. But I suffered terribly, terribly. I am glad I cannot have any more. Oh! how I suffered!”
Soames stood silent, stroking her hand; words of endearment, of sympathy, absolutely would not come; the thought passed through him: “An English girl wouldn’t have said that!” At this moment he knew with certainty that he would
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