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being hurt. In short, he was more self-conscious than a man of thirty-five is expected to be. He looked older than his years and not very strong. His black hair, which still hung in a triangle over his pale forehead, was thin at the crown, and there were fine, relentless lines about his eyes. His back, with its high, sharp shoulders, looked like the back of an overworked German professor off on his holiday. His face was intelligent, sensitive, unhappy.

That evening after supper, Carl and Alexandra were sitting by the clump of castor beans in the middle of the flower garden. The gravel paths glittered in the moonlight, and below them the fields lay white and still.

“Do you know, Alexandra,” he was saying, “I’ve been thinking how strangely things work out. I’ve been away engraving other men’s pictures, and you’ve stayed at home and made your own.” He pointed with his cigar toward the sleeping landscape. “How in the world have you done it? How have your neighbors done it?”

“We hadn’t any of us much to do with it, Carl. The land did it. It had its little joke. It pretended to be poor because nobody knew how to work it right; and then, all at once, it worked itself. It woke up out of its sleep and stretched itself, and it was so big, so rich, that we suddenly found we were rich, just from sitting still. As for me, you remember when I began to buy land. For years after that I was always squeezing and borrowing until I was ashamed to show my face in the banks. And then, all at once, men began to come to me offering to lend me money⁠—and I didn’t need it! Then I went ahead and built this house. I really built it for Emil. I want you to see Emil, Carl. He is so different from the rest of us!”

“How different?”

“Oh, you’ll see! I’m sure it was to have sons like Emil, and to give them a chance, that father left the old country. It’s curious, too; on the outside Emil is just like an American boy⁠—he graduated from the State University in June, you know⁠—but underneath he is more Swedish than any of us. Sometimes he is so like father that he frightens me; he is so violent in his feelings like that.”

“Is he going to farm here with you?”

“He shall do whatever he wants to,” Alexandra declared warmly. “He is going to have a chance, a whole chance; that’s what I’ve worked for. Sometimes he talks about studying law, and sometimes, just lately, he’s been talking about going out into the sand hills and taking up more land. He has his sad times, like father. But I hope he won’t do that. We have land enough, at last!” Alexandra laughed.

“How about Lou and Oscar? They’ve done well, haven’t they?”

“Yes, very well; but they are different, and now that they have farms of their own I do not see so much of them. We divided the land equally when Lou married. They have their own way of doing things, and they do not altogether like my way, I am afraid. Perhaps they think me too independent. But I have had to think for myself a good many years and am not likely to change. On the whole, though, we take as much comfort in each other as most brothers and sisters do. And I am very fond of Lou’s oldest daughter.”

“I think I liked the old Lou and Oscar better, and they probably feel the same about me. I even, if you can keep a secret,”⁠—Carl leaned forward and touched her arm, smiling⁠—“I even think I liked the old country better. This is all very splendid in its way, but there was something about this country when it was a wild old beast that has haunted me all these years. Now, when I come back to all this milk and honey, I feel like the old German song, ‘Wo bist du, wo bist du, mein geliebtest Land?’⁠—Do you ever feel like that, I wonder?”

“Yes, sometimes, when I think about father and mother and those who are gone; so many of our old neighbors.” Alexandra paused and looked up thoughtfully at the stars. “We can remember the graveyard when it was wild prairie, Carl, and now⁠—”

“And now the old story has begun to write itself over there,” said Carl softly. “Isn’t it queer: there are only two or three human stories, and they go on repeating themselves as fiercely as if they had never happened before; like the larks in this country, that have been singing the same five notes over for thousands of years.”

“Oh, yes! The young people, they live so hard. And yet I sometimes envy them. There is my little neighbor, now; the people who bought your old place. I wouldn’t have sold it to anyone else, but I was always fond of that girl. You must remember her, little Marie Tovesky, from Omaha, who used to visit here? When she was eighteen she ran away from the convent school and got married, crazy child! She came out here a bride, with her father and husband. He had nothing, and the old man was willing to buy them a place and set them up. Your farm took her fancy, and I was glad to have her so near me. I’ve never been sorry, either. I even try to get along with Frank on her account.”

“Is Frank her husband?”

“Yes. He’s one of these wild fellows. Most Bohemians are good-natured, but Frank thinks we don’t appreciate him here, I guess. He’s jealous about everything, his farm and his horses and his pretty wife. Everybody likes her, just the same as when she was little. Sometimes I go up to the Catholic church with Emil, and it’s funny to see Marie standing there laughing and shaking hands with people, looking so excited and gay, with Frank sulking behind

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