Little Dorrit by Charles Dickens (suggested reading .TXT) 📕
Description
Little Dorrit, like many of Charles Dickens’ novels, was originally published in serial form over a period of about 18 months, before appearing in book form in 1857.
The novel focuses on the experiences of its protagonist Arthur Clenham, who has spent some twenty years in China helping his father run the family business there. After his father dies, Arthur returns home to London. His mother gives him little in the way of welcome. She is a cold, bitter woman who has brought Arthur up under a strict religious regime concentrating on the punitive aspects of the Old Testament. Despite this upbringing, or perhaps in reaction to it, Arthur is a kind, considerate man. He is intrigued by a slight young woman he encounters working as a part-time seamstress for his mother, whom his mother calls simply “Little Dorrit.” Arthur senses some mystery about her mother’s employment of Little Dorrit, and proceeds to investigate.
There are several subplots and a whole host of characters. Compared to some of Dickens’ work, Little Dorrit features a good deal of intrigue and tension. There are also some strong strands of humor, in the form of the fictional “Circumlocution Office,” whose sole remit is “How Not To Do It,” and which stands in the way of any improvement of British life. Also very amusing are the rambling speeches of Flora, a woman with whom Arthur was enamored before he left for China, but whose shallowness he now perceives only too well.
Little Dorrit has been adapted for the screen many times, and by the BBC in 2010 in a limited television series which featured Claire Foy as Little Dorrit, Matthew Macfayden as Arthur Clenham, and Andy Serkis as the villain Rigaud.
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- Author: Charles Dickens
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He put his hands to the back of the wheeled chair, and muttering to himself, slowly wheeled his mistress back to her cabinet. “Now,” he resumed, standing behind her: “in case I should go away leaving things half done, and so should be wanted again when you come to the other half and get into one of your flights, has Arthur told you what he means to do about the business?”
“He has relinquished it.”
“In favour of nobody, I suppose?”
Mrs. Clennam glanced at her son, leaning against one of the windows. He observed the look and said, “To my mother, of course. She does what she pleases.”
“And if any pleasure,” she said after a short pause, “could arise for me out of the disappointment of my expectations that my son, in the prime of his life, would infuse new youth and strength into it, and make it of great profit and power, it would be in advancing an old and faithful servant. Jeremiah, the captain deserts the ship, but you and I will sink or float with it.”
Jeremiah, whose eyes glistened as if they saw money, darted a sudden look at the son, which seemed to say, “I owe you no thanks for this; you have done nothing towards it!” and then told the mother that he thanked her, and that Affery thanked her, and that he would never desert her, and that Affery would never desert her. Finally, he hauled up his watch from its depths, and said, “Eleven. Time for your oysters!” and with that change of subject, which involved no change of expression or manner, rang the bell.
But Mrs. Clennam, resolved to treat herself with the greater rigour for having been supposed to be unacquainted with reparation, refused to eat her oysters when they were brought. They looked tempting; eight in number, circularly set out on a white plate on a tray covered with a white napkin, flanked by a slice of buttered French roll, and a little compact glass of cool wine and water; but she resisted all persuasions, and sent them down again—placing the act to her credit, no doubt, in her Eternal Daybook.
This refection of oysters was not presided over by Affery, but by the girl who had appeared when the bell was rung; the same who had been in the dimly-lighted room last night. Now that he had an opportunity of observing her, Arthur found that her diminutive figure, small features, and slight spare dress, gave her the appearance of being much younger than she was. A woman, probably of not less than two-and-twenty, she might have been passed in the street for little more than half that age. Not that her face was very youthful, for in truth there was more consideration and care in it than naturally belonged to her utmost years; but she was so little and light, so noiseless and shy, and appeared so conscious of being out of place among the three hard elders, that she had all the manner and much of the appearance of a subdued child.
In a hard way, and in an uncertain way that fluctuated between patronage and putting down, the sprinkling from a watering-pot and hydraulic pressure, Mrs. Clennam showed an interest in this dependent. Even in the moment of her entrance, upon the violent ringing of the bell, when the mother shielded herself with that singular action from the son, Mrs. Clennam’s eyes had had some individual recognition in them, which seemed reserved for her. As there are degrees of hardness in the hardest metal, and shades of colour in black itself, so, even in the asperity of Mrs. Clennam’s demeanour towards all the rest of humanity and towards Little Dorrit, there was a fine gradation.
Little Dorrit let herself out to do needlework. At so much a day—or at so little—from eight to eight, Little Dorrit was to be hired. Punctual to the moment, Little Dorrit appeared; punctual to the moment, Little Dorrit vanished. What became of Little Dorrit between the two eights was a mystery.
Another of the moral phenomena of Little Dorrit. Besides her consideration money, her daily contract included meals. She had an extraordinary repugnance to dining in company; would never do so, if it were possible to escape. Would always plead that she had this bit of work to begin first, or that bit of work to finish first; and would, of a certainty, scheme and plan—not very cunningly, it would seem, for she deceived no one—to dine alone. Successful in this, happy in carrying off her plate anywhere, to make a table of her lap, or a box, or the ground, or even as was supposed, to stand on tiptoe, dining moderately at a mantel-shelf; the great anxiety of Little Dorrit’s day was set at rest.
It was not easy to make out Little Dorrit’s face; she was so retiring, plied her needle in such removed corners, and started away so scared if encountered on the stairs. But it seemed to be a pale transparent face, quick in expression, though not beautiful in feature, its soft hazel eyes excepted. A delicately bent head, a tiny form, a quick little pair of busy hands, and a shabby dress—it must needs have been very shabby to look at all so, being so neat—were Little Dorrit as she sat at work.
For these particulars or generalities concerning Little Dorrit, Mr. Arthur was indebted in the course of the day to his own eyes and to Mrs. Affery’s tongue. If Mrs. Affery had had any will or way of her own, it would probably have been unfavourable to Little Dorrit. But as “them two clever ones”—Mrs. Affery’s perpetual reference, in whom her personality was swallowed up—were agreed to accept Little Dorrit as a matter of course, she had nothing for it but to follow suit. Similarly, if the two clever ones had agreed to
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