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“I state the fact. Why, I could tell you a story⁠—with Lady Dedlock’s permission.”

Her head concedes it, and Volumnia is enchanted. A story! Oh, he is going to tell something at last! A ghost in it, Volumnia hopes?

“No. Real flesh and blood.” Mr. Tulkinghorn stops for an instant and repeats with some little emphasis grafted upon his usual monotony, “Real flesh and blood, Miss Dedlock. Sir Leicester, these particulars have only lately become known to me. They are very brief. They exemplify what I have said. I suppress names for the present. Lady Dedlock will not think me ill-bred, I hope?”

By the light of the fire, which is low, he can be seen looking towards the moonlight. By the light of the moon Lady Dedlock can be seen, perfectly still.

“A townsman of this Mr. Rouncewell, a man in exactly parallel circumstances as I am told, had the good fortune to have a daughter who attracted the notice of a great lady. I speak of really a great lady, not merely great to him, but married to a gentleman of your condition, Sir Leicester.”

Sir Leicester condescendingly says, “Yes, Mr. Tulkinghorn,” implying that then she must have appeared of very considerable moral dimensions indeed in the eyes of an iron-master.

“The lady was wealthy and beautiful, and had a liking for the girl, and treated her with great kindness, and kept her always near her. Now this lady preserved a secret under all her greatness, which she had preserved for many years. In fact, she had in early life been engaged to marry a young rake⁠—he was a captain in the army⁠—nothing connected with whom came to any good. She never did marry him, but she gave birth to a child of which he was the father.”

By the light of the fire he can be seen looking towards the moonlight. By the moonlight, Lady Dedlock can be seen in profile, perfectly still.

“The captain in the army being dead, she believed herself safe; but a train of circumstances with which I need not trouble you led to discovery. As I received the story, they began in an imprudence on her own part one day when she was taken by surprise, which shows how difficult it is for the firmest of us (she was very firm) to be always guarded. There was great domestic trouble and amazement, you may suppose; I leave you to imagine, Sir Leicester, the husband’s grief. But that is not the present point. When Mr. Rouncewell’s townsman heard of the disclosure, he no more allowed the girl to be patronized and honoured than he would have suffered her to be trodden underfoot before his eyes. Such was his pride, that he indignantly took her away, as if from reproach and disgrace. He had no sense of the honour done him and his daughter by the lady’s condescension; not the least. He resented the girl’s position, as if the lady had been the commonest of commoners. That is the story. I hope Lady Dedlock will excuse its painful nature.”

There are various opinions on the merits, more or less conflicting with Volumnia’s. That fair young creature cannot believe there ever was any such lady and rejects the whole history on the threshold. The majority incline to the debilitated cousin’s sentiment, which is in few words⁠—“no business⁠—Rouncewell’s fernal townsman.” Sir Leicester generally refers back in his mind to Wat Tyler and arranges a sequence of events on a plan of his own.

There is not much conversation in all, for late hours have been kept at Chesney Wold since the necessary expenses elsewhere began, and this is the first night in many on which the family have been alone. It is past ten when Sir Leicester begs Mr. Tulkinghorn to ring for candles. Then the stream of moonlight has swelled into a lake, and then Lady Dedlock for the first time moves, and rises, and comes forward to a table for a glass of water. Winking cousins, bat-like in the candle glare, crowd round to give it; Volumnia (always ready for something better if procurable) takes another, a very mild sip of which contents her; Lady Dedlock, graceful, self-possessed, looked after by admiring eyes, passes away slowly down the long perspective by the side of that nymph, not at all improving her as a question of contrast.

XLI In Mr. Tulkinghorn’s Room

Mr. Tulkinghorn arrives in his turret-room a little breathed by the journey up, though leisurely performed. There is an expression on his face as if he had discharged his mind of some grave matter and were, in his close way, satisfied. To say of a man so severely and strictly self-repressed that he is triumphant would be to do him as great an injustice as to suppose him troubled with love or sentiment or any romantic weakness. He is sedately satisfied. Perhaps there is a rather increased sense of power upon him as he loosely grasps one of his veinous wrists with his other hand and holding it behind his back walks noiselessly up and down.

There is a capacious writing-table in the room on which is a pretty large accumulation of papers. The green lamp is lighted, his reading-glasses lie upon the desk, the easy-chair is wheeled up to it, and it would seem as though he had intended to bestow an hour or so upon these claims on his attention before going to bed. But he happens not to be in a business mind. After a glance at the documents awaiting his notice⁠—with his head bent low over the table, the old man’s sight for print or writing being defective at night⁠—he opens the French window and steps out upon the leads. There he again walks slowly up and down in the same attitude, subsiding, if a man so cool may have any need to subside, from the story he has related downstairs.

The time was once when men as knowing as Mr. Tulkinghorn would walk on turret-tops in the starlight and look up into the sky

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