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his arrangements. The drivers, who came to ask a pourboire, vexed him, because Serézha had no change, and Peter Ivánovich was on the point of sending once more for the landlord, but the happy thought that others, too, ought to be happy on that evening helped him out of that predicament. He took two three-rouble bills, and, sticking one bill into the hand of one of the drivers, he said, “This is for you” (Peter Ivánovich was in the habit of saying “you” to all without exception, unless to a member of his family); “and this is for you,” he said, transferring the other bill from the palm of his hand to that of the driver, in some such manner as people do when paying a doctor for a visit. After attending to all these things, he was taken to the bathhouse.

Sónya, who was sitting on the divan, put her hand under her head and burst out laughing.

“Oh, how nice it is, mamma! Oh, how nice!”

Then she placed her feet on the divan, stretched herself, adjusted herself, and fell into the sound, calm sleep of a healthy girl of eighteen years of age, after six weeks on the road. Natálya Nikoláevna, who was still busy taking out things in her sleeping-room, heard, no doubt with her maternal ear, that Sónya was not stirring, and went out to take a look at her. She took a pillow and, raising the girl’s reddened, dishevelled head with her large white hand, placed her on the pillow. Sónya drew a deep, deep sigh, shrugged her shoulders, and put her head on the pillow, without saying “Merci,” as though that had all been done of its own accord.

“Not on that bed, not on that, Gavrílovna, Kátya,” Natálya Nikoláevna immediately turned to the maids who were making a bed, and with one hand, as though in passing, she adjusted the straying hair of her daughter. Without stopping and without hurrying, Natálya Nikoláevna dressed herself, and upon the arrival of her husband and her son everything was ready: the trunks were no longer in the rooms; in Pierre’s sleeping-room everything was arranged as it had been for several decades in Irkútsk: the morning-gown, the pipe, the tobacco-pouch, the sugared water, the Gospel, which he read at night, and even the image stuck to the rich wallpaper in the rooms of Chevalier, who never used such adornments, but on that evening they appeared in all the rooms of the third division of the hotel.

Having dressed herself, Natálya Nikoláevna adjusted her collar and cuffs, which, in spite of the journey, were still clean, combed herself, and seated herself opposite the table. Her beautiful black eyes gazed somewhere into the distance: she looked and rested herself. She seemed to be resting, not from the unpacking alone, nor from the road, nor from the oppressive years⁠—she seemed to be resting from her whole life, and the distance into which she was gazing, and in which she saw living and beloved faces, was that rest which she was wishing for. Whether it was an act of love, which she had done for her husband, or the love which she had experienced for her children when they were young, or whether it was a heavy loss, or a peculiarity of her character⁠—everyone who looked at that woman could not help seeing that nothing could be expected from her, that she had long ago given all of herself to life, and that nothing was left of her. All that there was left was something worthy of respect, something beautiful and sad, as a reminiscence, as the moonlight. She could not be imagined otherwise than surrounded by all the comforts of life. It was impossible for her ever to be hungry, or to eat eagerly, or to have on soiled clothes, or to stumble, or to forget to clear her nose. It was a physical impossibility. Why it was so, I do not know, but every motion of hers was dignity, grace, gentleness toward all those who could enjoy her sight.

“Sie pflegen und weben
Himmlische Rosen ins irdische Leben.”

She knew those verses and loved them, but was not guided by them. All her nature was an expression of that thought; all her life was this one unconscious weaving of invisible roses in the lives of those with whom she came in contact. She had followed her husband to Siberia only because she loved him; she had not thought what she could do for him, and instinctively had done everything. She had made his bed, had put away his things, had prepared his dinner and his tea, and, above all, had always been where he was, and no woman could have given more happiness to her husband.

In the drawing-room the samovar was boiling on the round table. Natálya Nikoláevna sat near it. Sónya wrinkled her face and smiled under her mother’s hand, which was tickling her, when father and son, with wrinkled fingertips and glossy cheeks and foreheads (the father’s bald spot was particularly glistening), with fluffy white and black hair, and with beaming countenances, entered the room.

“It has grown brighter since you have come in,” said Natálya Nikoláevna. “O Lord, how white you are!”

She had been saying that each Saturday, for several decades, and each Saturday Pierre experienced bashfulness and delight, whenever he heard that. They seated themselves at the table; there was an odour of tea and of the pipe, and there were heard the voices of the parents, the children, and the servants, who received their cups in the same room. They recalled everything funny that had happened on the road, admired Sónya’s hairdressing, and laughed. Geographically they were all transferred a distance of five thousand versts, into an entirely different, strange milieu, but morally they were that evening still at home, just such as the peculiar, long, solitary family life had made them to be. It will not be so tomorrow. Peter Ivánovich seated himself near the samovar,

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