The Woman in White by Wilkie Collins (portable ebook reader txt) 📕
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The Woman in White tells the story of Walter Hartright, a young and impoverished drawing teacher who falls in love with his aristocratic pupil, Laura Fairlie. He cannot hope to marry her, however, and she is married off against her will to a baronet, Sir Percival Glyde, who is seeking her fortune. The terms of her marriage settlement prevent Glyde accessing her money while she lives, so together with his deceptively charming and cunning friend, Count Fosco, they hatch an unscrupulous deception to do so nonetheless. In an early 19th Century version of “identity theft,” they contrive to fake Laura’s death and confine her to a mental asylum. Their plot is eventually uncovered and exposed by Hartright with the help of Laura’s resourceful half-sister, Marian Halcombe.
The Woman in White was the most popular of Wilkie Collins’ novels in the genre then known as “sensation fiction.” It has never been out of print and is frequently included in lists of the best novels of all time. Published initially in serial form in 1859–60, it achieved an early and remarkable following, probably because of the strength of its characters, in particular the smooth and charming but utterly wicked villain Count Fosco, and the intelligent and steadfast Marian Halcombe opposed to him.
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- Author: Wilkie Collins
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The extraordinary mixture of prompt decision, farsighted cunning, and mountebank bravado in this speech, staggered me for a moment—and only for a moment. The one question to consider was, whether I was justified or not in possessing myself of the means of establishing Laura’s identity at the cost of allowing the scoundrel who had robbed her of it to escape me with impunity. I knew that the motive of securing the just recognition of my wife in the birthplace from which she had been driven out as an impostor, and of publicly erasing the lie that still profaned her mother’s tombstone, was far purer, in its freedom from all taint of evil passion, than the vindictive motive which had mingled itself with my purpose from the first. And yet I cannot honestly say that my own moral convictions were strong enough to decide the struggle in me by themselves. They were helped by my remembrance of Sir Percival’s death. How awfully, at the last moment, had the working of the retribution there been snatched from my feeble hands! What right had I to decide, in my poor mortal ignorance of the future, that this man, too, must escape with impunity because he escaped me? I thought of these things—perhaps with the superstition inherent in my nature, perhaps with a sense worthier of me than superstition. It was hard, when I had fastened my hold on him at last, to loosen it again of my own accord—but I forced myself to make the sacrifice. In plainer words, I determined to be guided by the one higher motive of which I was certain, the motive of serving the cause of Laura and the cause of Truth.
“I accept your conditions,” I said. “With one reservation on my part.”
“What reservation may that be?” he asked.
“It refers to the sealed letter,” I answered. “I require you to destroy it unopened in my presence as soon as it is placed in your hands.”
My object in making this stipulation was simply to prevent him from carrying away written evidence of the nature of my communication with Pesca. The fact of my communication he would necessarily discover, when I gave the address to his agent in the morning. But he could make no use of it on his own unsupported testimony—even if he really ventured to try the experiment—which need excite in me the slightest apprehension on Pesca’s account.
“I grant your reservation,” he replied, after considering the question gravely for a minute or two. “It is not worth dispute—the letter shall be destroyed when it comes into my hands.”
He rose, as he spoke, from the chair in which he had been sitting opposite to me up to this time. With one effort he appeared to free his mind from the whole pressure on it of the interview between us thus far. “Ouf!” he cried, stretching his arms luxuriously, “the skirmish was hot while it lasted. Take a seat, Mr. Hartright. We meet as mortal enemies hereafter—let us, like gallant gentlemen, exchange polite attentions in the meantime. Permit me to take the liberty of calling for my wife.”
He unlocked and opened the door. “Eleanor!” he called out in his deep voice. The lady of the viperish face came in. “Madame Fosco—Mr. Hartright,” said the Count, introducing us with easy dignity. “My angel,” he went on, addressing his wife, “will your labours of packing up allow you time to make me some nice strong coffee? I have writing business to transact with Mr. Hartright—and I require the full possession of my intelligence to do justice to myself.”
Madame Fosco bowed her head twice—once sternly to me, once submissively to her husband, and glided out of the room.
The Count walked to a writing-table near the window, opened his desk, and took from it several quires of paper and a bundle of quill pens. He scattered the pens about the table, so that they might lie ready in all directions to be taken up when wanted, and then cut the paper into a heap of narrow slips, of the form used by professional writers for the press. “I shall make this a remarkable document,” he said, looking at me over his shoulder. “Habits of literary composition are perfectly familiar to me. One of the rarest of all the intellectual accomplishments that a man can possess is the grand faculty of arranging his ideas. Immense privilege! I possess it. Do you?”
He marched backwards and forwards in the room, until the coffee appeared, humming to himself, and marking the places at which obstacles occurred in the arrangement of his ideas, by striking his forehead from time to time with the palm of his hand. The enormous audacity with which he seized on the situation in which I placed him, and made it the pedestal on which his vanity mounted for the one cherished purpose of self-display, mastered my astonishment by main force. Sincerely as I loathed the man, the prodigious strength of his character, even in its most trivial aspects, impressed me in spite of myself.
The coffee was brought in by Madame Fosco. He kissed her hand in grateful acknowledgment, and escorted her to the door; returned, poured out a cup of coffee for himself, and took it to the writing-table.
“May I offer you some coffee, Mr. Hartright?” he said, before he sat down.
I declined.
“What! you think I shall poison you?” he said gaily. “The English intellect is sound, so far as it goes,” he continued, seating himself at the table; “but it
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