The Woman in White by Wilkie Collins (portable ebook reader txt) 📕
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The Woman in White tells the story of Walter Hartright, a young and impoverished drawing teacher who falls in love with his aristocratic pupil, Laura Fairlie. He cannot hope to marry her, however, and she is married off against her will to a baronet, Sir Percival Glyde, who is seeking her fortune. The terms of her marriage settlement prevent Glyde accessing her money while she lives, so together with his deceptively charming and cunning friend, Count Fosco, they hatch an unscrupulous deception to do so nonetheless. In an early 19th Century version of “identity theft,” they contrive to fake Laura’s death and confine her to a mental asylum. Their plot is eventually uncovered and exposed by Hartright with the help of Laura’s resourceful half-sister, Marian Halcombe.
The Woman in White was the most popular of Wilkie Collins’ novels in the genre then known as “sensation fiction.” It has never been out of print and is frequently included in lists of the best novels of all time. Published initially in serial form in 1859–60, it achieved an early and remarkable following, probably because of the strength of its characters, in particular the smooth and charming but utterly wicked villain Count Fosco, and the intelligent and steadfast Marian Halcombe opposed to him.
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- Author: Wilkie Collins
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“You come here on business, sir?” he said. “I am at a loss to know what that business can possibly be.”
The unconcealed curiosity, with which he looked hard in my face while he spoke, convinced me that I had passed unnoticed by him at the Opera. He had seen Pesca first, and from that moment till he left the theatre he had evidently seen nothing else. My name would necessarily suggest to him that I had not come into his house with other than a hostile purpose towards himself, but he appeared to be utterly ignorant thus far of the real nature of my errand.
“I am fortunate in finding you here tonight,” I said. “You seem to be on the point of taking a journey?”
“Is your business connected with my journey?”
“In some degree.”
“In what degree? Do you know where I am going to?”
“No. I only know why you are leaving London.”
He slipped by me with the quickness of thought, locked the door, and put the key in his pocket.
“You and I, Mr. Hartright, are excellently well acquainted with one another by reputation,” he said. “Did it, by any chance, occur to you when you came to this house that I was not the sort of man you could trifle with?”
“It did occur to me,” I replied. “And I have not come to trifle with you. I am here on a matter of life and death, and if that door which you have locked was open at this moment, nothing you could say or do would induce me to pass through it.”
I walked farther into the room, and stood opposite to him on the rug before the fireplace. He drew a chair in front of the door, and sat down on it, with his left arm resting on the table. The cage with the white mice was close to him, and the little creatures scampered out of their sleeping-place as his heavy arm shook the table, and peered at him through the gaps in the smartly painted wires.
“On a matter of life and death,” he repeated to himself. “Those words are more serious, perhaps, than you think. What do you mean?”
“What I say.”
The perspiration broke out thickly on his broad forehead. His left hand stole over the edge of the table. There was a drawer in it, with a lock, and the key was in the lock. His finger and thumb closed over the key, but did not turn it.
“So you know why I am leaving London?” he went on. “Tell me the reason, if you please.” He turned the key, and unlocked the drawer as he spoke.
“I can do better than that,” I replied. “I can show you the reason, if you like.”
“How can you show it?”
“You have got your coat off,” I said. “Roll up the shirtsleeve on your left arm, and you will see it there.”
The same livid leaden change passed over his face which I had seen pass over it at the theatre. The deadly glitter in his eyes shone steady and straight into mine. He said nothing. But his left hand slowly opened the table-drawer, and softly slipped into it. The harsh grating noise of something heavy that he was moving unseen to me sounded for a moment, then ceased. The silence that followed was so intense that the faint ticking nibble of the white mice at their wires was distinctly audible where I stood.
My life hung by a thread, and I knew it. At that final moment I thought with his mind, I felt with his fingers—I was as certain as if I had seen it of what he kept hidden from me in the drawer.
“Wait a little,” I said. “You have got the door locked—you see I don’t move—you see my hands are empty. Wait a little. I have something more to say.”
“You have said enough,” he replied, with a sudden composure so unnatural and so ghastly that it tried my nerves as no outbreak of violence could have tried them. “I want one moment for my own thoughts, if you please. Do you guess what I am thinking about?”
“Perhaps I do.”
“I am thinking,” he remarked quietly, “whether I shall add to the disorder in this room by scattering your brains about the fireplace.”
If I had moved at that moment, I saw in his face that he would have done it.
“I advise you to read two lines of writing which I have about me,” I rejoined, “before you finally decide that question.”
The proposal appeared to excite his curiosity. He nodded his head. I took Pesca’s acknowledgment of the receipt of my letter out of my pocketbook, handed it to him at arm’s length, and returned to my former position in front of the fireplace.
He read the lines aloud: “Your letter is received. If I don’t hear from you before the time you mention, I will break the seal when the clock strikes.”
Another man in his position would have needed some explanation of those words—the Count felt no such necessity. One reading of the note showed him the precaution that I had taken as plainly as if he had been present at the time when I adopted it. The expression of his face changed on the instant, and his hand came out of the drawer empty.
“I don’t lock up my drawer, Mr. Hartright,” he said, “and I don’t say that I may not scatter your brains about the fireplace yet. But I am a just man even to my enemy, and I will acknowledge beforehand that they are cleverer brains than I thought them. Come to the point, sir! You want something of me?”
“I do, and I mean to have it.”
“On conditions?”
“On no conditions.”
His hand dropped into the drawer again.
“Bah! we are travelling in a circle,” he said, “and those clever brains of yours are in danger again. Your tone is deplorably imprudent, sir—moderate it on the spot! The risk of shooting you on the place where you stand is less to me than
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