The Woman in White by Wilkie Collins (portable ebook reader txt) 📕
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The Woman in White tells the story of Walter Hartright, a young and impoverished drawing teacher who falls in love with his aristocratic pupil, Laura Fairlie. He cannot hope to marry her, however, and she is married off against her will to a baronet, Sir Percival Glyde, who is seeking her fortune. The terms of her marriage settlement prevent Glyde accessing her money while she lives, so together with his deceptively charming and cunning friend, Count Fosco, they hatch an unscrupulous deception to do so nonetheless. In an early 19th Century version of “identity theft,” they contrive to fake Laura’s death and confine her to a mental asylum. Their plot is eventually uncovered and exposed by Hartright with the help of Laura’s resourceful half-sister, Marian Halcombe.
The Woman in White was the most popular of Wilkie Collins’ novels in the genre then known as “sensation fiction.” It has never been out of print and is frequently included in lists of the best novels of all time. Published initially in serial form in 1859–60, it achieved an early and remarkable following, probably because of the strength of its characters, in particular the smooth and charming but utterly wicked villain Count Fosco, and the intelligent and steadfast Marian Halcombe opposed to him.
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- Author: Wilkie Collins
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He dropped into a chair, and turning away from me, hid his face in his hands. I gently opened the door so as not to disturb him, and spoke my few parting words in low tones, which he might hear or not, as he pleased.
“I will keep the memory of tonight in my heart of hearts,” I said. “You shall never repent the trust you have reposed in me. May I come to you tomorrow? May I come as early as nine o’clock?”
“Yes, Walter,” he replied, looking up at me kindly, and speaking in English once more, as if his one anxiety now was to get back to our former relations towards each other. “Come to my little bit of breakfast before I go my ways among the pupils that I teach.”
“Good night, Pesca.”
“Good night, my friend.”
VIMy first conviction as soon as I found myself outside the house, was that no alternative was left me but to act at once on the information I had received—to make sure of the Count that night, or to risk the loss, if I only delayed till the morning, of Laura’s last chance. I looked at my watch—it was ten o’clock.
Not the shadow of a doubt crossed my mind of the purpose for which the Count had left the theatre. His escape from us, that evening, was beyond all question the preliminary only to his escape from London. The mark of the Brotherhood was on his arm—I felt as certain of it as if he had shown me the brand; and the betrayal of the Brotherhood was on his conscience—I had seen it in his recognition of Pesca.
It was easy to understand why that recognition had not been mutual. A man of the Count’s character would never risk the terrible consequences of turning spy without looking to his personal security quite as carefully as he looked to his golden reward. The shaven face, which I had pointed out at the Opera, might have been covered by a beard in Pesca’s time—his dark brown hair might be a wig—his name was evidently a false one. The accident of time might have helped him as well—his immense corpulence might have come with his later years. There was every reason why Pesca should not have known him again—every reason also why he should have known Pesca, whose singular personal appearance made a marked man of him, go where he might.
I have said that I felt certain of the purpose in the Count’s mind when he escaped us at the theatre. How could I doubt it, when I saw, with my own eyes, that he believed himself, in spite of the change in his appearance, to have been recognised by Pesca, and to be therefore in danger of his life? If I could get speech of him that night, if I could show him that I, too knew of the mortal peril in which he stood, what result would follow? Plainly this. One of us must be master of the situation—one of us must inevitably be at the mercy of the other.
I owed it to myself to consider the chances against me before I confronted them. I owed it to my wife to do all that lay in my power to lessen the risk.
The chances against me wanted no reckoning up—they were all merged in one. If the Count discovered, by my own avowal, that the direct way to his safety lay through my life, he was probably the last man in existence who would shrink from throwing me off my guard and taking that way, when he had me alone within his reach. The only means of defence against him on which I could at all rely to lessen the risk, presented themselves, after a little careful thinking, clearly enough. Before I made any personal acknowledgment of my discovery in his presence, I must place the discovery itself where it would be ready for instant use against him, and safe from any attempt at suppression on his part. If I laid the mine under his feet before I approached him, and if I left instructions with a third person to fire it on the expiration of a certain time, unless directions to the contrary were previously received under my own hand, or from my own lips—in that event the Count’s security was absolutely dependent upon mine, and I might hold the vantage ground over him securely, even in his own house.
This idea occurred to me when I was close to the new lodgings which we had taken on returning from the seaside. I went in without disturbing anyone, by the help of my key. A light was in the hall, and I stole up with it to my workroom to make my preparations, and absolutely to commit myself to an interview with the Count, before either Laura or Marian could have the slightest suspicion of what I intended to do.
A letter addressed to Pesca represented the surest measure of precaution which it was now possible for me to take. I wrote as follows—
“The man whom I pointed out to you at the Opera is a member of the Brotherhood, and has been false to his trust. Put both these assertions to the test instantly. You know the name he goes by in England. His address is No. 5 Forest Road, St. John’s Wood. On the love you once bore me, use the power entrusted to you without mercy and without delay against that man. I have risked all and lost all—and the forfeit of my failure has been paid with my life.”
I signed and dated these lines, enclosed them in an envelope, and sealed it up. On the outside I wrote this direction: “Keep the enclosure unopened until nine o’clock tomorrow morning. If you do not hear from me, or see me, before
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