Bleak House by Charles Dickens (best ebook reader for laptop .txt) 📕
Description
Bleak House, completed by Dickens in 1853, tells several interlocking story-lines and features a host of colorful characters. Though very difficult to summarise, the novel centers around the decades-long legal case of Jarndyce and Jarndyce, involving the fair distribution of assets of a valuable estate. The case is mired in the legal quagmire of the Court of Chancery, whose byzantine and sluggish workings Dickens spares no effort to expose and condemn. Dickens also exposes the miserable condition of the poor, living in squalid, pestilential circumstances.
The novel’s heroine is Esther Summerson, whose parentage is unclear and who has been brought up by a cold and strict godmother, who tells her only: “Your mother, Esther, is your disgrace, and you were hers.” On the death of her godmother, she is given an education through the unexpected intervention of a Mr. Jarndyce of Bleak House, whom she has never met. When she comes of age, she is appointed as a companion to Ada, one of two young people who are “wards of Chancery,” whose fates depend on the outcome of the legal struggle and who are taken into guardianship by Mr. Jarndyce. The other ward Richard, despite Mr. Jarndyce’s frequent warnings, eventually goes astray by pinning all his hopes on a successful outcome of Jarndyce and Jarndyce.
We are also introduced to Sir Leicester and Lady Dedlock, and to their cunning and suspicious lawyer, Mr. Tulkinghorn. He uncovers evidence that Lady Dedlock is not all she seems and determines to remorselessly pursue every lead to expose her secrets.
The novel has a curious construction in that the first-person narrative of Esther, written in the past tense, is interleaved with many chapters written from the omniscient viewpoint and in the present tense.
Several prominent critics such as G. K. Chesterton consider Bleak House to be Dickens’ finest novel, and it is often ranked among the best English-language novels of all time.
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- Author: Charles Dickens
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Mr. Tulkinghorn had listened gravely to this complaint and inquires when the stationer has finished, “And that’s all, is it, Snagsby?”
“Why yes, sir, that’s all,” says Mr. Snagsby, ending with a cough that plainly adds, “and it’s enough too—for me.”
“I don’t know what Mademoiselle Hortense may want or mean, unless she is mad,” says the lawyer.
“Even if she was, you know, sir,” Mr. Snagsby pleads, “it wouldn’t be a consolation to have some weapon or another in the form of a foreign dagger planted in the family.”
“No,” says the other. “Well, well! This shall be stopped. I am sorry you have been inconvenienced. If she comes again, send her here.”
Mr. Snagsby, with much bowing and short apologetic coughing, takes his leave, lightened in heart. Mr. Tulkinghorn goes upstairs, saying to himself, “These women were created to give trouble the whole earth over. The mistress not being enough to deal with, here’s the maid now! But I will be short with this jade at least!”
So saying, he unlocks his door, gropes his way into his murky rooms, lights his candles, and looks about him. It is too dark to see much of the Allegory overhead there, but that importunate Roman, who is for ever toppling out of the clouds and pointing, is at his old work pretty distinctly. Not honouring him with much attention, Mr. Tulkinghorn takes a small key from his pocket, unlocks a drawer in which there is another key, which unlocks a chest in which there is another, and so comes to the cellar-key, with which he prepares to descend to the regions of old wine. He is going towards the door with a candle in his hand when a knock comes.
“Who’s this? Aye, aye, mistress, it’s you, is it? You appear at a good time. I have just been hearing of you. Now! What do you want?”
He stands the candle on the chimneypiece in the clerk’s hall and taps his dry cheek with the key as he addresses these words of welcome to Mademoiselle Hortense. That feline personage, with her lips tightly shut and her eyes looking out at him sideways, softly closes the door before replying.
“I have had great deal of trouble to find you, sir.”
“Have you!”
“I have been here very often, sir. It has always been said to me, he is not at home, he is engage, he is this and that, he is not for you.”
“Quite right, and quite true.”
“Not true. Lies!”
At times there is a suddenness in the manner of Mademoiselle Hortense so like a bodily spring upon the subject of it that such subject involuntarily starts and fails back. It is Mr. Tulkinghorn’s case at present, though Mademoiselle Hortense, with her eyes almost shut up (but still looking out sideways), is only smiling contemptuously and shaking her head.
“Now, mistress,” says the lawyer, tapping the key hastily upon the chimneypiece. “If you have anything to say, say it, say it.”
“Sir, you have not use me well. You have been mean and shabby.”
“Mean and shabby, eh?” returns the lawyer, rubbing his nose with the key.
“Yes. What is it that I tell you? You know you have. You have attrapped me—catched me—to give you information; you have asked me to show you the dress of mine my Lady must have wore that night, you have prayed me to come in it here to meet that boy. Say! Is it not?” Mademoiselle Hortense makes another spring.
“You are a vixen, a vixen!” Mr. Tulkinghorn seems to meditate as he looks distrustfully at her, then he replies, “Well, wench, well. I paid you.”
“You paid me!” she repeats with fierce disdain. “Two sovereign! I have not change them, I refuse them, I despise them, I throw them from me!” Which she literally does, taking them out of her bosom as she speaks and flinging them with such violence on the floor that they jerk up again into the light before they roll away into corners and slowly settle down there after spinning vehemently.
“Now!” says Mademoiselle Hortense, darkening her large eyes again. “You have paid me? Eh, my God, oh yes!”
Mr. Tulkinghorn rubs his head with the key while she entertains herself with a sarcastic laugh.
“You must be rich, my fair friend,” he composedly observes, “to throw money about in that way!”
“I am rich,” she returns. “I am very rich in hate. I hate my Lady, of all my heart. You know that.”
“Know it? How should I know it?”
“Because you have known it perfectly before you prayed me to give you that information. Because you have known perfectly that I was en-r-r-r-raged!” It appears impossible for mademoiselle to roll the letter “r” sufficiently in this word, notwithstanding that she assists her energetic delivery by clenching both her hands and setting all her teeth.
“Oh! I knew that, did I?” says Mr. Tulkinghorn, examining the wards of the key.
“Yes, without doubt. I am not blind. You have made sure of me because you knew that. You had reason! I det-est her.” Mademoiselle folds her arms and throws this last remark at him over one of her shoulders.
“Having said this, have you anything else to say, mademoiselle?”
“I am not yet placed. Place me well. Find me a good condition! If you cannot, or do not choose to do that, employ me to pursue her, to chase her, to disgrace and to dishonour her. I will help you well, and with a good will. It is what you do. Do I not know that?”
“You appear to know a good deal,” Mr. Tulkinghorn retorts.
“Do I not? Is it that I am so weak as to believe, like a child, that I come here in that dress to rec-eive that boy only to decide a little bet, a wager? Eh, my God, oh yes!” In this reply, down to the word “wager” inclusive, mademoiselle has been ironically polite and tender, then as suddenly dashed into the bitterest and most defiant scorn, with her black eyes in one and the same moment
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