Bleak House by Charles Dickens (best ebook reader for laptop .txt) 📕
Description
Bleak House, completed by Dickens in 1853, tells several interlocking story-lines and features a host of colorful characters. Though very difficult to summarise, the novel centers around the decades-long legal case of Jarndyce and Jarndyce, involving the fair distribution of assets of a valuable estate. The case is mired in the legal quagmire of the Court of Chancery, whose byzantine and sluggish workings Dickens spares no effort to expose and condemn. Dickens also exposes the miserable condition of the poor, living in squalid, pestilential circumstances.
The novel’s heroine is Esther Summerson, whose parentage is unclear and who has been brought up by a cold and strict godmother, who tells her only: “Your mother, Esther, is your disgrace, and you were hers.” On the death of her godmother, she is given an education through the unexpected intervention of a Mr. Jarndyce of Bleak House, whom she has never met. When she comes of age, she is appointed as a companion to Ada, one of two young people who are “wards of Chancery,” whose fates depend on the outcome of the legal struggle and who are taken into guardianship by Mr. Jarndyce. The other ward Richard, despite Mr. Jarndyce’s frequent warnings, eventually goes astray by pinning all his hopes on a successful outcome of Jarndyce and Jarndyce.
We are also introduced to Sir Leicester and Lady Dedlock, and to their cunning and suspicious lawyer, Mr. Tulkinghorn. He uncovers evidence that Lady Dedlock is not all she seems and determines to remorselessly pursue every lead to expose her secrets.
The novel has a curious construction in that the first-person narrative of Esther, written in the past tense, is interleaved with many chapters written from the omniscient viewpoint and in the present tense.
Several prominent critics such as G. K. Chesterton consider Bleak House to be Dickens’ finest novel, and it is often ranked among the best English-language novels of all time.
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- Author: Charles Dickens
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“Indeed it is not so, sir,” said Ada. “He is poor.”
“No, really?” returned Mr. Skimpole with his bright smile. “You surprise me.”
“And not being the richer for trusting in a rotten reed,” said my guardian, laying his hand emphatically on the sleeve of Mr. Skimpole’s dressing-gown, “be you very careful not to encourage him in that reliance, Harold.”
“My dear good friend,” returned Mr. Skimpole, “and my dear Miss Summerson, and my dear Miss Clare, how can I do that? It’s business, and I don’t know business. It is he who encourages me. He emerges from great feats of business, presents the brightest prospects before me as their result, and calls upon me to admire them. I do admire them—as bright prospects. But I know no more about them, and I tell him so.”
The helpless kind of candour with which he presented this before us, the lighthearted manner in which he was amused by his innocence, the fantastic way in which he took himself under his own protection and argued about that curious person, combined with the delightful ease of everything he said exactly to make out my guardian’s case. The more I saw of him, the more unlikely it seemed to me, when he was present, that he could design, conceal, or influence anything; and yet the less likely that appeared when he was not present, and the less agreeable it was to think of his having anything to do with anyone for whom I cared.
Hearing that his examination (as he called it) was now over, Mr. Skimpole left the room with a radiant face to fetch his daughters (his sons had run away at various times), leaving my guardian quite delighted by the manner in which he had vindicated his childish character. He soon came back, bringing with him the three young ladies and Mrs. Skimpole, who had once been a beauty but was now a delicate high-nosed invalid suffering under a complication of disorders.
“This,” said Mr. Skimpole, “is my Beauty daughter, Arethusa—plays and sings odds and ends like her father. This is my Sentiment daughter, Laura—plays a little but don’t sing. This is my Comedy daughter, Kitty—sings a little but don’t play. We all draw a little and compose a little, and none of us have any idea of time or money.”
Mrs. Skimpole sighed, I thought, as if she would have been glad to strike out this item in the family attainments. I also thought that she rather impressed her sigh upon my guardian and that she took every opportunity of throwing in another.
“It is pleasant,” said Mr. Skimpole, turning his sprightly eyes from one to the other of us, “and it is whimsically interesting to trace peculiarities in families. In this family we are all children, and I am the youngest.”
The daughters, who appeared to be very fond of him, were amused by this droll fact, particularly the Comedy daughter.
“My dears, it is true,” said Mr. Skimpole, “is it not? So it is, and so it must be, because like the dogs in the hymn, ‘it is our nature to.’ Now, here is Miss Summerson with a fine administrative capacity and a knowledge of details perfectly surprising. It will sound very strange in Miss Summerson’s ears, I dare say, that we know nothing about chops in this house. But we don’t, not the least. We can’t cook anything whatever. A needle and thread we don’t know how to use. We admire the people who possess the practical wisdom we want, but we don’t quarrel with them. Then why should they quarrel with us? Live and let live, we say to them. Live upon your practical wisdom, and let us live upon you!”
He laughed, but as usual seemed quite candid and really to mean what he said.
“We have sympathy, my roses,” said Mr. Skimpole, “sympathy for everything. Have we not?”
“Oh, yes, papa!” cried the three daughters.
“In fact, that is our family department,” said Mr. Skimpole, “in this hurly-burly of life. We are capable of looking on and of being interested, and we do look on, and we are interested. What more can we do? Here is my Beauty daughter, married these three years. Now I dare say her marrying another child, and having two more, was all wrong in point of political economy, but it was very agreeable. We had our little festivities on those occasions and exchanged social ideas. She brought her young husband home one day, and they and their young fledglings have their nest upstairs. I dare say at some time or other Sentiment and Comedy will bring their husbands home and have their nests upstairs too. So we get on, we don’t know how, but somehow.”
She looked very young indeed to be the mother of two children, and I could not help pitying both her and them. It was evident that the three daughters had grown up as they could and had had just as little haphazard instruction as qualified them to be their father’s playthings in his idlest hours. His pictorial tastes were consulted, I observed, in their respective styles of wearing their hair, the Beauty daughter being in the classic manner, the Sentiment daughter luxuriant and flowing, and the Comedy daughter in the arch style, with a good deal of sprightly forehead, and vivacious little curls dotted about the corners of her eyes. They were dressed to correspond, though in a most untidy and negligent way.
Ada and I conversed with these young ladies and found them wonderfully like their father. In the meanwhile Mr. Jarndyce (who had been rubbing his head to a great extent, and hinted at a change in the wind) talked with Mrs. Skimpole in a corner, where we could not help hearing the chink of money. Mr. Skimpole had
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