Short Fiction by Robert Sheckley (interesting novels in english txt) 📕
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Robert Sheckley was one of science fiction’s most prolific short story writers. Though less known today than he was in his heyday, he was a giant of his time and was nominated for the Hugo and Nebula awards.
Even though many of his stories deal with serious topics, they are most widely remembered for their comedic wit. His writing was compared to that of Douglas Adams, who held Sheckley in high regard: “He’s a very, very funny writer. He’s also a stylist. Very few science fiction writers write English well. Robert Sheckley can.” Sheckley was also well-respected by Kingsley Amis who, in his book New Maps of Hell: A Survey of Science Fiction, included Sheckley in a list with Frederik Pohl and Arthur C. Clarke, and said their volumes should “be reviewed as general fiction, not tucked away, as one writer has put it, in something called ‘Spaceman’s Realm’ between the kiddy section and dog stories.”
Sheckley wrote about and pioneered many science fiction concepts, such as in his story “Watchbird,” where he explores the ability to detect murder before it happens—three years before Philip K. Dick’s “The Minority Report.” Or in “Ask a Foolish Question,” a story about an all-knowing Answerer to whom people pose the ultimate question of life—twenty-six years before Douglas Adams’ The Hitchhiker’s Guide to the Galaxy. Alongside these two stories, this collection includes all of his public domain short fiction ordered by date of first publication.
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- Author: Robert Sheckley
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“Fine. All right, Soldier,” O’Donnell told the operator. “Carry out your orders.”
The scientists gasped in unison. The operator manipulated the controls and the blob began to overtake the dot. Micheals started across the room.
“Stop,” the general said, and his strong, commanding voice stopped Micheals. “I know what I’m doing. I had that ship especially built.”
The blob overtook the dot on the radar screen.
“I told you this was a personal matter,” O’Donnell said. “I swore to destroy that leech. We can never have any security while it lives.” He smiled. “Shall we look at the sky?”
The general strolled to the door, followed by the scientists.
“Push the button, Soldier!”
The operator did. For a moment, nothing happened. Then the sky lit up!
A bright star hung in space. Its brilliance filled the night, grew, and started to fade.
“What did you do?” Micheals gasped.
“That rocket was built around a hydrogen bomb,” O’Donnell said, his strong face triumphant. “I set it off at the contact moment.” He called to the operator again. “Is there anything showing on the radar?”
“Not a speck, sir.”
“Men,” the general said, “I have met the enemy and he is mine. Let’s have some more champagne.”
But Micheals found that he was suddenly ill.
It had been shrinking from the expenditure of energy, when the great explosion came. No thought of containing it. The leech’s cells held for the barest fraction of a second, and then spontaneously overloaded.
The leech was smashed, broken up, destroyed. It was split into a thousand particles, and the particles were split a million times more.
The particles were thrown out on the wave front of the explosion, and they split further, spontaneously.
Into spores.
The spores closed into dry, hard, seemingly lifeless specks of dust, billions of them, scattered, drifting. Unconscious, they floated in the emptiness of space.
Billions of them, waiting to be fed.
Writing ClassEddie McDermott paused at the door, then caught his breath and tiptoed into the classroom and to his seat. Mort Eddison, his best friend, looked at him reprovingly; the class had been in session for almost fifteen minutes, and one just didn’t come late to Professor Carner’s lecture. Especially on the first day.
Eddie breathed easier as he saw that Professor Carner’s back was to the class as he completed a diagram on the blackboard.
“Now then,” Carner said. “Suppose you were writing about the—ah—the Venusian Threngener, which, as you know, has three legs. How would you describe it?”
One of the students raised his hand. “I’d call it a three-legged monstrosity, spawned in the deepest hells of—”
“No,” Carner said quietly. “That kind of writing might have been all right in the earliest days of our subject. But remember: You are no longer dealing with a simple, credulous audience. To achieve the proper effects nowadays, you must underplay! Understand? Underplay! Now, someone else?”
Mort raised his hand, threw a glance at Eddie, and said: “How about, ‘this tri-pedal blob of orange protoplasm, octopus like in its gropings—’ ”
“That’s better,” Carner said. “Tri-pedal is very nice, very exact. But must you compare it to an octopus?”
“Why not?” Mort asked.
“An octopus,” the professor said, “is a well-known form of Earth life. It inspires no terror, no wonder. You might better compare the Threngener to another strange monster; a Callistan Eddel-splayer, for example.” He smiled winningly at the class.
Eddie frowned and scratched his blonde crewcut. He had liked it better the first way. But Carner should know, of course. He was one of the best-known writers in the entire field, and he had done the college a favor by agreeing to teach the course. Eddie remembered reading some of Carner’s stuff. It had scared the living daylights out of him when he was younger. That description of Saturnian brains immobilizing Earth-confederation ships, for example. That had been a great yarn.
The trouble is, Eddie thought, I’m just not interested. He had had serious doubts about this course. Actually, he had signed up only because Mort had insisted.
“Any questions at this point?” Carner asked. One of the students—a serious-looking fellow wearing black horn-rimmed glasses—raised his hand.
“Suppose,” he asked, “suppose you were writing a story speculating on an interstellar combine formed with the purpose of taking over Earth? Would it be permissible, for greater contrast, to make Earth’s enemies black-hearted villains?”
A political thinker, Eddie thought with a sneer. He glanced hopefully at the clock.
“It wouldn’t be advisable.” Carner sat casually on the corner of his desk. “Make them human also; show the reader that these aliens—whether they have one head or five—have emotions understandable to them. Let them feel joy and pain. Show them as being misguided. Pure evil in your characters has gone out of fashion.”
“But could I make their leader pure evil?” the young man asked, busily jotting down everything Carner had said.
“I suppose so,” Carner said thoughtfully. “But give him motivations also. By the way, in dealing with that sort of story—the panoramic kind—remember not to oversimplify the aliens’ problems. If they amass an army of twenty million, all have to be fed. If the rulers of fifty scattered star systems meet in conclave, remember that different star systems have different languages, and different races have different nervous systems. Bear in mind also, that there would be little logical reason for attacking earth; the galaxy is filled with so many stars and planets, what is the necessity of fighting for one?”
The horn-rimmed fellow nodded dubiously, writing his notes with tremendous speed. Eddie stifled a yawn. He preferred to think of his villains as pure unadulterated evil; it made characterization so much easier. And he was getting tremendously bored.
Carner answered questions for the next half hour. He told them not to describe Venus as a “jungle-choked green hell,” never, never to call the moon “pockmarked,” “smallpox pitted,” or “scarred from centuries of meteoric bombardment.”
“All this has been said,” he explained. “Millions of times. Do not use cliches.”
He went on to explain that the red spot of Jupiter need not be called a malevolent red eye, that Saturn’s rings don’t
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