Bulfinch’s Mythology by Thomas Bulfinch (best ebook reader for chromebook TXT) 📕

father, Pepin, on the throne in the year 768. This prince, though the hero of numerous romantic legends, appears greater in history than in fiction. Whether we regard him as a warrior or as a legislator, as a patron of learning or as the civilizer of a barbarous nation, he is entitled to our warmest admiration. Such he is in history; but the romancers represent him as often weak and passionate, the victim of treacherous counsellors, and at the mercy of turbulent barons, on whose prowess he depends for the maintenance of his throne. The historical representation is doubtless the true one, for it is handed down in trustworthy records, and is confirmed by the events of the age. At the height of his power, the French empire extended over what we now call France, Germany, Switzerland, Holland, Belgium, and great part of Italy.

In the year 800 Charlemagne, being in Rome, whither he had gone with a numerous army to protect the Pope, was crowned by the Pontiff Emperor of the West. On Christmas day Charles entered the Church of St. Peter, as if merely to take his part in the celebration of the mass with the rest of the congregation. When he approached the altar and stooped in the act of prayer the Pope stepped forward and placed a crown of gold upon his head; and immediately the Roman people shouted, “Life and victory to Charles the August, crowned by God the great and pacific Emperor of the Romans.” The Pope then prostrated himself before him, and paid him reverence, according to the custom established in the times of the ancient Emperors, and concluded the ceremony by anointing him with consecrated oil.

Charlemagne’s wars were chiefly against the pagan and barbarous people, who, under the name of Saxons, inhabited the countries now called Hanover and Holland. He also led expeditions against the Saracens of Spain; but his wars with the Saracens were not carried on, as the romances assert, in France, but on the soil of Spain. He entered Spain by the Eastern Pyrenees, and made an easy conquest of Barcelona and Pampeluna. But Saragossa refused to open her gates to him, and Charles ended by negotiating and accepting a vast sum of gold as the price of his return over the Pyrenees.

On his way back, he marched with his whole army through the gorges of the mountains by way of the valleys of Engui, Eno, and Roncesvalles. The chief of this region had waited upon Charlemagne, on his advance, as a faithful vassal of the monarchy; but now, on the return of the Franks, he had called together all the wild mountaineers who acknowledged him as their chief, and they occupied the heights of the mountains under which the army had to pass. The main body of the troops met with no obstruction, and received no intimation of danger; but the rearguard, which was considerably behind, and encumbered with its plunder, was overwhelmed by the mountaineers in the pass of Roncesvalles, and slain to a man. Some of the bravest of the Frankish chiefs perished on this occasion, among whom is mentioned Roland or Orlando, governor of the marches or frontier of Brittany. His name became famous in after times, and the disaster of Roncesvalles and death of Roland became eventually the most celebrated episode in the vast cycle of romance.

Though after this there were hostile encounters between the armies of Charlemagne and the Saracens, they were of small account, and generally on the soil of Spain. Thus the historical foundation for the stories of the romancers is but scanty, unless we suppose the events of an earlier and of a later age to be incorporated with those of Charlemagne’s own time.

There is, however, a pretended history, which for a long time was admitted as authentic, and attributed to Turpin, Archbishop of Rheims, a real personage of the time of Charlemagne. Its title is History of Charles the Great and Orlando. It is now unhesitatingly considered as a collection of popular traditions, produced by some credulous and unscrupulous monk, who thought to give dignity to his romance by ascribing its authorship to a well-known and eminent individual. It introduces its pretended author, Bishop Turpin, in this manner:

“Turpin, Archbishop of Rheims, the friend and secretary of Charles the Great, excellently skilled in sacred and profane literature, of a genius equally adapted to prose and verse, the advocate of the poor, beloved of God in his life and conversation, who often fought the Saracens, hand to hand, by the Emperor’s side, he relates the acts of Charles the Great in one book, and flourished under Charles and his son Louis, to the year of our Lord eight hundred and thirty.”

The titles of some of Archbishop Turpin’s chapters will show the nature of his history. They are these: “Of the Walls of Pampeluna, that fell of themselves.” “Of the War of the holy Facundus, where the Spears grew.” (Certain of the Christians fixed their spears in the evening, erect in the ground, before the castle; and found them, in the morning, covered with bark and branches.) “How the Sun stood still for Three Days, and of the Slaughter of Four Thousand Saracens.”

Turpin’s history has perhaps been the source of the marvellous adventures which succeeding poets and romancers have accumulated around the names of Charlemagne and his Paladins, or Peers. But Ariosto and the other Italian poets have drawn from different sources, and doubtless often from their own invention, numberless other stories which they attribute to the same heroes, not hesitating to quote as their authority “the good Turpin,” though his history contains no trace of them; and the more outrageous the improbability, or rather the impossibility, of their narrations, the more attentive are they to cite “the Archbishop,” generally adding their testimonial to his unquestionable veracity.

The principal Italian poets who have sung the adventures of the peers of Charlemagne are Pulci, Boiardo, and Ariosto. The characters of Orlando, Rinaldo, Astolpho,