An American Tragedy by Theodore Dreiser (i can read book club .TXT) 📕
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Clyde Griffith’s parents are poor street-preachers, but Clyde doesn’t “believe,” and finds their work demeaning. At fifteen he gets a job and starts to ease out of their lives, eventually landing in some trouble that causes him to flee the town where they live. Two years later, Clyde meets his well-off uncle, who owns a large factory in upstate New York. Clyde talks his way into a job at the factory, and soon finds himself supervising a roomful of women. All alone, generally shunned by his uncle’s family, and starved for companionship, he breaks the factory’s rules and begins a relationship with a young woman who works for him. But Clyde has visions of marrying a high-society woman, and fortune smiles on him in the form of the daughter of one of his uncle’s neighbors. Soon Clyde finds himself in a love triangle of his own making, and one from which he seems incapable of extracting himself.
A newspaperman before he became a novelist, Theodore Dreiser collected crime stories for years of young men in relationships with young women of poorer means, where the young men found a richer, prettier girl who would go with him, and often took extreme measures to escape from the first girl. An American Tragedy, based on one of the most infamous of those real-life stories, is a study in lazy ambition, the very real class system in America, and how easy it is to drift into evil. It is populated with poor people who desire nothing more than to be rich, rich people whose only concern is to keep up with their neighbors and not be associated with the “wrong element,” and elements of both who care far more about appearances than reality. It offers further evidence that the world may be very different from 100 years ago, but the people in it are very much the same.
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- Author: Theodore Dreiser
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And then that evening at sundown, on the west shore of this same lake, on an open sward that was as smooth as any well-kept lawn, the entire company settled, in five different colored tents ranged about a fire like an Indian village, with cooks’ and servants’ tents in the distance. And the half dozen canoes beached like bright fish along the grassy shore of the lake. And then supper around an open fire. And Baggott and Harriet and Stuart and Grant, after furnishing music for the others to dance by, organizing by the flare of a large gasoline lamp, a poker game. And the others joining in singing ribald camping and college songs, no one of which Clyde knew, yet in which he tried to join. And shouts of laughter. And bets as to who would be the first to catch the first fish, to shoot the first squirrel or partridge, to win the first race. And lastly, solemn plans for moving the camp at least ten miles farther east, after breakfast, on the morrow where was an ideal beach, and where they would be within five miles of the Metissic Inn, and where they could dine and dance to their heart’s content.
And then the silence and the beauty of this camp at night, after all had presumably gone to bed. The stars! The mystic, shadowy water, faintly rippling in a light wind, the mystic, shadowy pines conferring in the light breezes, the cries of night birds and owls—too disturbing to Clyde to be listened to with anything but inward distress. The wonder and glory of all this—if only—if only he were not stalked after, as by a skeleton, by the horror not only of what he had done in connection with Roberta but the danger and the power of the law that deemed him a murderer! And then Sondra, the others having gone to bed—or off into the shadow—stealing out for a few last words and kisses under the stars. And he whispering to her how happy he was, how grateful for all her love and faith, and at one point almost tempted to ask whether in case it should ever appear that he was not as good as she now seemed to imagine him, she would still love him a little—not hate him entirely—yet refraining for fear that after that exhibition of terror the preceding night she might connect his present mood with that, or somehow with the horrible, destructive secret that was gnawing at his vitals.
And then afterwards, lying in the four-cot tent with Baggott, Harriet and Grant, listening nervously for hours for any prowling steps that might mean—that might mean—God—what might they not mean even up here?—the law! arrest! exposure! Death. And waking twice in the night out of dread, destructive dreams—and feeling as though—and fearing—that he had cried out in his sleep.
But then the glory of the morning once more—with its rotund and yellow sun rising over the waters of the lake—and in a cove across the lake wild ducks paddling about. And after a time Grant and Stuart and Harley, half-clad and with guns and a great show of fowling skill, foolishly setting forth in canoes in the hope of bagging some of the game with long distance shots, yet getting nothing, to the merriment of all the others. And the boys and girls, stealing out in bright-colored bathing suits and silken beach robes to the water, there to plunge gayly in and shout and clatter concerning the joy of it all. And breakfast at nine, with afterwards the gayety and beauty of the bright flotilla of canoes making eastward along the southern lake shore, banjos, guitars and mandolins strumming and voices raised in song, jest, laughter.
“Whatever matter wissum sweet today? Face all dark. Cantum be happy out here wis Sondra and all these nicey good-baddies?”
And Clyde as instantly realizing that he must pretend to be gay and carefree.
And then Harley Baggott and Grant and Harriet at about noon announcing that there—just ahead—was the fine beach they had in mind—the Ramshorn, a spit of Land commanding from its highest point all the length and breadth of the lake. And with room on the shore below for all the tents and paraphernalia of the company. And then, throughout this warm, pleasant Sunday afternoon, the usual program of activities—lunching, swimming, dancing, walking, card-playing, music. And Clyde and Sondra, like other couples, stealing off—Sondra with a mandolin—to a concealed rock far to the east of the camp, where in the shade of the pines they could lie—Sondra in Clyde’s arms—and talk of the things they were certain to do later, even though, as she now announced, Mrs. Finchley was declaring that after this particular visit of Clyde’s her daughter was to have nothing more to do with him in any such intimate social way as this particular trip gave opportunity for. He was too poor—too nondescript a relative of the Griffiths. (It was so that Sondra, yet in a more veiled way, described her mother as talking.) Yet adding: “How ridiculous, sweetum! But don’t you mind. I just laughed and agreed because I don’t want to aggravate her just now. But I did ask her how I was to avoid meeting you here or anywhere now since you are as popular as you are. My sweetum is so good-looking. Everybody thinks so—even the boys.”
At this very hour, on the veranda of the Silver Inn at Sharon, District Attorney Mason, with his assistant Burton Burleigh, Coroner Heit and Earl Newcomb, and the redoubtable Sheriff Slack,
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