Villette by Charlotte Brontë (free e reader .TXT) 📕
Description
Charlotte Brontë’s last novel, Villette, is thought to be most closely modelled on her own experiences teaching in a pensionnat in Brussels, the place on which the fictional town of Villette is based. In the novel, first published in 1853, we follow the protagonist Lucy Snowe from the time she is fourteen and lives with her godmother in rural England, through her family tragedies and departure for the town of Villette where she finds work at a French boarding school. People from her past reappear in dramatic ways, she makes new connections, and she learns the stories and secrets of the people around her. Through it all, the reader is made privy to Lucy’s thoughts, feelings, and journey of self-discovery.
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- Author: Charlotte Brontë
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“Voilà pour la prière du soir!” said she, and rose. Through her interpreter, she desired me to depart now, and come back on the morrow; but this did not suit me: I could not bear to return to the perils of darkness and the street. With energy, yet with a collected and controlled manner, I said, addressing herself personally, and not the maîtresse: “Be assured, madame, that by instantly securing my services, your interests will be served and not injured: you will find me one who will wish to give, in her labour, a full equivalent for her wages; and if you hire me, it will be better that I should stay here this night: having no acquaintance in Villette, and not possessing the language of the country, how can I secure a lodging?”
“It is true,” said she; “but at least you can give a reference?”
“None.”
She inquired after my luggage: I told her when it would arrive. She mused. At that moment a man’s step was heard in the vestibule, hastily proceeding to the outer door. (I shall go on with this part of my tale as if I had understood all that passed; for though it was then scarce intelligible to me, I heard it translated afterwards).
“Who goes out now?” demanded Madame Beck, listening to the tread.
“M. Paul,” replied the teacher. “He came this evening to give a reading to the first class.”
“The very man I should at this moment most wish to see. Call him.”
The teacher ran to the salon door. M. Paul was summoned. He entered: a small, dark and spare man, in spectacles.
“Mon cousin,” began Madame, “I want your opinion. We know your skill in physiognomy; use it now. Read that countenance.”
The little man fixed on me his spectacles: A resolute compression of the lips, and gathering of the brow, seemed to say that he meant to see through me, and that a veil would be no veil for him.
“I read it,” he pronounced.
“Et qu’en dites vous?”
“Mais—bien des choses,” was the oracular answer.
“Bad or good?”
“Of each kind, without doubt,” pursued the diviner.
“May one trust her word?”
“Are you negotiating a matter of importance?”
“She wishes me to engage her as bonne or gouvernante; tells a tale full of integrity, but gives no reference.”
“She is a stranger?”
“An Englishwoman, as one may see.”
“She speaks French?”
“Not a word.”
“She understands it?”
“No.”
“One may then speak plainly in her presence?”
“Doubtless.”
He gazed steadily. “Do you need her services?”
“I could do with them. You know I am disgusted with Madame Svini.”
Still he scrutinized. The judgment, when it at last came, was as indefinite as what had gone before it.
“Engage her. If good predominates in that nature, the action will bring its own reward; if evil—eh bien! ma cousine, ce sera toujours une bonne oeuvre.” And with a bow and a “bon soir,” this vague arbiter of my destiny vanished.
And Madame did engage me that very night—by God’s blessing I was spared the necessity of passing forth again into the lonesome, dreary, hostile street.
VIII Madame BeckBeing delivered into the charge of the maîtresse, I was led through a long narrow passage into a foreign kitchen, very clean but very strange. It seemed to contain no means of cooking—neither fireplace nor oven; I did not understand that the great black furnace which filled one corner, was an efficient substitute for these. Surely pride was not already beginning its whispers in my heart; yet I felt a sense of relief when, instead of being left in the kitchen, as I half anticipated, I was led forward to a small inner room termed a “cabinet.” A cook in a jacket, a short petticoat and sabots, brought my supper: to wit—some meat, nature unknown, served in an odd and acid, but pleasant sauce; some chopped potatoes, made savoury with, I know not what: vinegar and sugar, I think; a tartine, or slice of bread and butter, and a baked pear. Being hungry, I ate and was grateful.
After the prière du soir, Madame herself came to have another look at me. She desired me to follow her upstairs. Through a series of the queerest little dormitories—which, I heard afterwards, had once been nuns’ cells: for the premises were in part of ancient date—and through the oratory—a long, low, gloomy room, where a crucifix hung, pale, against the wall, and two tapers kept dim vigils—she conducted me to an apartment where three children were asleep in three tiny beds. A heated stove made the air of this room oppressive; and, to mend matters, it was scented with an odour rather strong than delicate: a perfume, indeed, altogether surprising and unexpected under the circumstances, being like the combination of smoke with some spirituous essence—a smell, in short, of whisky.
Beside a table, on which flared the remnant of a candle guttering to waste in the socket, a coarse woman, heterogeneously clad in a broad striped showy silk dress, and a stuff apron, sat in a chair fast asleep. To complete the picture, and leave no doubt as to the state of matters, a bottle and an empty glass stood at the sleeping beauty’s elbow.
Madame contemplated this remarkable tableau with great calm; she neither smiled nor scowled; no impress of anger, disgust, or surprise, ruffled the equality of her grave aspect; she did not even wake the woman! Serenely pointing to a fourth bed, she intimated that it was to be mine; then, having extinguished the candle and substituted for it a night-lamp, she glided through an inner door, which she left ajar—the entrance to her own chamber,
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