Antony and Cleopatra by William Shakespeare (i am reading a book TXT) đź“•
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Antony and Cleopatra begins two years after Julius Ceasar. Mark Antony was supposed to be in Egypt to conduct government affairs on behalf of the Roman Empire. Instead, he fell in love with the beautiful Queen Cleopatra, became her lover, and abandoned his duties to his wife and country. A messenger arrives bearing news that Antony’s wife and brother are dead after attempting to kill Octavius Caesar, and one of Ceasar’s generals, Pompey, is gathering an army against the Roman leaders. Mark Antony has no choice but to return to Rome. When Antony returns to the capital, he argues with Ceasar over his loyalty to the empire and the other triumvirs. The only way that Antony can prove his fidelity to Caesar is to marry his sister, Octavia. The news of this marriage makes its way back to Egypt and its queen.
The play was published in 1606 after the great success of Macbeth. This Standard Ebooks production is based on William George Clark and William Aldis Wright’s 1887 Victoria edition, which is taken from the Globe edition.
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- Author: William Shakespeare
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By William Shakespeare.
Table of Contents Titlepage Imprint Dramatis Personae Antony and Cleopatra Act I Scene I Scene II Scene III Scene IV Scene V Act II Scene I Scene II Scene III Scene IV Scene V Scene VI Scene VII Act III Scene I Scene II Scene III Scene IV Scene V Scene VI Scene VII Scene VIII Scene IX Scene X Scene XI Scene XII Scene XIII Act IV Scene I Scene II Scene III Scene IV Scene V Scene VI Scene VII Scene VIII Scene IX Scene X Scene XI Scene XII Scene XIII Scene XIV Scene XV Act V Scene I Scene II Colophon Uncopyright ImprintThis ebook is the product of many hours of hard work by volunteers for Standard Ebooks, and builds on the hard work of other literature lovers made possible by the public domain.
This particular ebook is based on a transcription produced for the Massachusetts Institute of Technology and on digital scans available at the HathiTrust Digital Library.
The writing and artwork within are believed to be in the U.S. public domain, and Standard Ebooks releases this ebook edition under the terms in the CC0 1.0 Universal Public Domain Dedication. For full license information, see the Uncopyright at the end of this ebook.
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Dramatis PersonaeMark Antony, triumvir
Octavius Caesar, triumvir
M. Aemilius Lepidus, triumvir
Sextus Pompeius
Domitius Enobarbus, friend to Antony
Ventidius, friend to Antony
Eros, friend to Antony
Scarus, friend to Antony
Dercetas, friend to Antony
Demetrius, friend to Antony
Philo, friend to Antony
Mecaenas, friend to Caesar
Agrippa, friend to Caesar
Dolabella, friend to Caesar
Proculeius, friend to Caesar
Thyreus, friend to Caesar
Gallus, friend to Caesar
Menas, friend to Pompey
Menecrates, friend to Pompey
Varrius, friend to Pompey
Taurus, lieutenant-general to Caesar
Canidius, lieutenant-general to Antony
Silius, an officer in Ventidius’s army
Euphronius, an ambassador from Antony to Caesar
Alexas, attendant on Ceopatra
Mardian, a eunuch, attendant on Ceopatra
Seleucus, attendant on Ceopatra
Diomedes, attendant on Ceopatra
A Soothsayer
A clown
Cleopatra, Queen of Egypt
Octavia, sister to Caesar and wife to Antony
Charmian, attendant on Cleopatra
Iras, attendant on Cleopatra
Officers, soldiers, messengers, and other attendants
Scene: In several parts of the Roman empire.
Antony and Cleopatra Act I Scene IAlexandria. A room in Cleopatra’s palace.
Enter Demetrius and Philo. PhiloNay, but this dotage of our general’s
O’erflows the measure: those his goodly eyes,
That o’er the files and musters of the war
Have glow’d like plated Mars, now bend, now turn,
The office and devotion of their view
Upon a tawny front: his captain’s heart,
Which in the scuffles of great fights hath burst
The buckles on his breast, reneges all temper,
And is become the bellows and the fan
To cool a gipsy’s lust.
Look, where they come:
Take but good note, and you shall see in him.
The triple pillar of the world transform’d
Into a strumpet’s fool: behold and see.
Nay, hear them, Antony:
Fulvia perchance is angry; or, who knows
If the scarce-bearded Caesar have not sent
His powerful mandate to you, “Do this, or this;
Take in that kingdom, and enfranchise that;
Perform’t, or else we damn thee.”
Perchance! nay, and most like:
You must not stay here longer, your dismission
Is come from Caesar; therefore hear it, Antony.
Where’s Fulvia’s process? Caesar’s I would say? both?
Call in the messengers. As I am Egypt’s queen,
Thou blushest, Antony; and that blood of thine
Is Caesar’s homager: else so thy cheek pays shame
When shrill-tongued Fulvia scolds. The messengers!
Let Rome in Tiber melt, and the wide arch
Of the ranged empire fall! Here is my space.
Kingdoms are clay: our dungy earth alike
Feeds beast as man: the nobleness of life
Is to do thus; when such a mutual pair Embracing.
And such a twain can do’t, in which I bind,
On pain of punishment, the world to weet
We stand up peerless.
Excellent falsehood!
Why did he marry Fulvia, and not love her?
I’ll seem the fool I am not; Antony
Will be himself.
But stirr’d by Cleopatra.
Now, for the love of Love and her soft hours,
Let’s not confound the time with conference harsh:
There’s not a minute of our lives should stretch
Without some pleasure now. What sport to-night?
Fie, wrangling queen!
Whom every thing becomes, to chide, to laugh,
To weep; whose every passion fully strives
To make itself, in thee, fair and admired!
No messenger, but thine; and all alone
To-night we’ll wander through the streets and note
The qualities of people. Come, my queen;
Last night you did desire it: speak not to us. Exeunt Antony and Cleopatra with their train.
Sir, sometimes, when he is not Antony,
He comes too short of that great property
Which still should go with Antony.
I am full sorry
That he approves the common liar, who
Thus speaks of him at Rome: but I will hope
Of better deeds to-morrow. Rest you happy! Exeunt.
The same. Another room.
Enter Charmian, Iras, Alexas, and a Soothsayer. Charmian Lord Alexas, sweet Alexas, most any thing Alexas,
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