The Forsyte Saga by John Galsworthy (acx book reading txt) 📕
Description
Between 1906 and 1921 John Galsworthy published three novels chronicling the Forsyte family, a fictional upper-middle class family at the end of the Victorian era: The Man of Property, In Chancery, and To Let. In 1922 Galsworthy wrote two interconnecting short stories to bind the three novels together and published the whole as The Forsyte Saga.
While the novels follow the Forsyte family at large, the action centers around Soames Forsyte—the scion of a nouveau-riche London tea merchant—his wife Irene, and their unhappy marriage. Soames and his sprawling family are portrayed as stereotypes of unhappy gilded-age wealth, their family having entered the industrial revolution poor farmers and emerged as wealthy bourgeoise. Their rise was powered by their capacity to acquire, won at the expense of their capacity for almost anything else.
Thematically, the saga focuses on the mores of the wealthy upper-middle class, which was still a newish feature in the class landscape of England at the time; duty, honor, and love; and the rapidly growing differences across generations occurring in a period of war and social change. The characters are complex and nuanced, and the situations they find themselves in—both of their own making, and of the making of society around them—provide a rich field for analyzing the close of the Victorian age, the dawn of the Edwardian age, and the societal frameworks that were forged in that frisson.
Galsworthy went on to win the Nobel Prize for Literature in 1932 for The Forsyte Saga, one of the rare occasions in which the Swedish Academy has awarded a prize for a specific work instead of for a lifetime of work.
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- Author: John Galsworthy
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Val looked at him suspiciously, but something kindly and direct in the heavy diabolism of his companion disarmed him for the moment.
“Any time you like to come on my yacht, I’ll give her a small cruise.”
“Thanks,” said Val, in arms again, “she hates the sea.”
“So do I,” said Monsieur Profond.
“Then why do you yacht?”
The Belgian’s eyes smiled. “Oh! I don’t know. I’ve done everything; it’s the last thing I’m doin’.”
“It must be damned expensive. I should want more reason than that.”
Monsieur Prosper Profond raised his eyebrows, and puffed out a heavy lower lip.
“I’m an easy-goin’ man,” he said.
“Were you in the War?” asked Val.
“Ye-es. I’ve done that too. I was gassed; it was a small bit unpleasant.” He smiled with a deep and sleepy air of prosperity, as if he had caught it from his name.
Whether his saying “small” when he ought to have said “little” was genuine mistake or affectation Val could not decide; the fellow was evidently capable of anything.
Among the ring of buyers round the Mayfly filly who had won her race, Monsieur Profond said:
“You goin’ to bid?”
Val nodded. With this sleepy Satan at his elbow, he felt in need of faith. Though placed above the ultimate blows of Providence by the forethought of a grandfather who had tied him up a thousand a year to which was added the thousand a year tied up for Holly by her grandfather, Val was not flush of capital that he could touch, having spent most of what he had realised from his South African farm on his establishment in Sussex. And very soon he was thinking: “Dash it! she’s going beyond me!” His limit—six hundred—was exceeded; he dropped out of the bidding. The Mayfly filly passed under the hammer at seven hundred and fifty guineas. He was turning away vexed when the slow voice of Monsieur Profond said in his ear:
“Well, I’ve bought that small filly, but I don’t want her; you take her and give her to your wife.”
Val looked at the fellow with renewed suspicion, but the good humour in his eyes was such that he really could not take offence.
“I made a small lot of money in the War,” began Monsieur Profond in answer to that look. “I ’ad armament shares. I like to give it away. I’m always makin’ money. I want very small lot myself. I like my friends to ’ave it.”
“I’ll buy her of you at the price you gave,” said Val with sudden resolution.
“No,” said Monsieur Profond. “You take her. I don’ want her.”
“Hang it! one doesn’t—”
“Why not?” smiled Monsieur Profond. “I’m a friend of your family.”
“Seven hundred and fifty guineas is not a box of cigars,” said Val impatiently.
“All right; you keep her for me till I want her, and do what you like with her.”
“So long as she’s yours,” said Val. “I don’t mind that.”
“That’s all right,” murmured Monsieur Profond, and moved away.
Val watched; he might be “a good devil,” but then again he might not. He saw him rejoin George Forsyte, and thereafter saw him no more.
He spent those nights after racing at his mother’s house in Green Street.
Winifred Dartie at sixty-two was marvellously preserved, considering the three-and-thirty years during which she had put up with Montague Dartie, till almost happily released by a French staircase. It was to her a vehement satisfaction to have her favourite son back from South Africa after all this time, to feel him so little changed, and to have taken a fancy to his wife. Winifred, who in the late seventies, before her marriage, had been in the vanguard of freedom, pleasure, and fashion, confessed her youth outclassed by the donzellas of the day. They seemed, for instance, to regard marriage as an incident, and Winifred sometimes regretted that she had not done the same; a second, third, fourth incident might have secured her a partner of less dazzling inebriety; though, after all, he had left her Val, Imogen, Maud, Benedict (almost a colonel and unharmed by the War)—none of whom had been divorced as yet. The steadiness of her children often amazed one who remembered their father; but, as she was fond of believing, they were really all Forsytes, favouring herself, with the exception, perhaps, of Imogen. Her brother’s “little girl” Fleur frankly puzzled Winifred. The child was as restless as any of these modern young women—“She’s a small flame in a draught,” Prosper Profond had said one day after dinner—but she did not flap, or talk at the top of her voice. The steady Forsyteism in Winifred’s own character instinctively resented the feeling in the air, the modern girl’s habits and her motto: “All’s much of a muchness! Spend, tomorrow we shall be poor!” She found it a saving grace in Fleur that, having set her heart on a thing, she had no change of heart until she got it—though—what happened after, Fleur was, of course, too young to have made evident. The child was a “very pretty little thing,” too, and quite a credit to take about, with her mother’s French taste and gift for wearing clothes; everybody turned to look at Fleur—great consideration to Winifred, a lover of the style and distinction which had so cruelly deceived her in the case of Montague Dartie.
In discussing her with Val, at breakfast on Saturday morning, Winifred dwelt on the family skeleton.
“That little affair of your father-in-law and your Aunt Irene, Val—it’s old as the hills, of course, Fleur need know nothing about it—making a fuss. Your Uncle Soames is very particular about that. So you’ll be careful.”
“Yes! But it’s dashed awkward—Holly’s young half-brother is coming to live with us while he learns farming. He’s there already.”
“Oh!” said Winifred. “That is a gaff! What is he like?”
“Only saw him once—at Robin Hill, when we were home in 1909; he was naked and painted blue and yellow in stripes—a jolly little chap.”
Winifred thought that “rather nice,” and added comfortably: “Well, Holly’s sensible;
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