Short Fiction by Selma Lagerlöf (android based ebook reader txt) đ
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Selma Lagerlöf was a Swedish author, who, starting in 1891 with The Story of Gösta Berling, wrote a series of novels and short stories that soon garnered both national and international praise. This led to her winning the 1909 Nobel Prize for Literature âin appreciation of the lofty idealism, vivid imagination, and spiritual perception that characterize her writings,â the first woman to do so. She happily wrote for both adults and children, but the same feeling of romantic infatuation with the spiritual mysteries of life runs through all of her work, often anchored to her childhood home of VĂ€rmland in middle Sweden.
The collection brings together the available public domain translations into English, in chronological order of their original publication. The subjects are many, and include Swedish folk-stories, Biblical legends, and tales of robbers, kings and queens, fishermen, and saints. They were translated by Pauline Bancroft Flach, Jessie Brochner, and Velma Swanston Howard.
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- Author: Selma Lagerlöf
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Where he was tramping it was light summer-night. The sun had not yet come up, but its being away made no difference, for it was as light as day all the same.
Still the light was not quite what it is in the daytime. Everything had a different color. The sky was perfectly white, the trees and the growths on the ground were grayish, but everything was as distinctly visible as in the daytime, and when Lars Larsson paused on any of the numerous bridges and looked down into the stream, he could distinguish every ripple on the water.
âWhen I see a stream like this in the wilderness,â he thought, âI am reminded of my own life. As persistent as this stream have I been in forcing my way past all that has obstructed my path. Father has been my rock ahead, and mother tried to hold me back and bury me between moss-tufts, but I stole past both of them and got out in the world. Hay-ho, hi, hi! I think mother is still sitting at home and weeping for me. But what do I care! She might have known that I should amount to something some day, instead of trying to oppose me!â
Impatiently he tore some leaves from a branch and threw them into the river.
âLook! thus have I torn myself loose from everything at home,â he said, as he watched the leaves borne away by the water. âI am just wondering if mother knows that Iâm the best musician in VĂ€rmland?â he remarked as he went farther.
He walked on rapidly until he came across the stream again. Then he stopped and looked into the water.
Here the river went along in a struggling rapid, creating a terrible racket. As it was night, one heard from the stream sounds quite different from those of the daytime, and the musician was perfectly astonished when he stood still and listened. There was no bird song in the trees and no music in the pines and no rustling in the leaves. No wagon wheels creaked in the road and no cowbells tinkled in the wood. One heard only the rapid; but because all the other things were hushed, it could be heard so much better than during the day. It sounded as though everything thinkable and unthinkable was rioting and clamoring in the depths of the stream. First, it sounded as if someone were sitting down there and grinding grain between stones, and then it sounded as though goblets were clinking in a drinking-bout; and again there was a murmuring, as when the congregation had left the church and were standing on the church knoll after the service, talking earnestly together.
âI suppose this, too, is a kind of music,â thought the fiddler, âalthough I canât find anything much in it! I think the air that I composed the other day was much more worth listening to.â
But the longer Lars Larsson listened to the music of the rapid, the better he thought it sounded.
âI believe you are improving,â he said to the rapid. âIt must have dawned upon you that the best musician in VĂ€rmland is listening to you!â
The instant he had made this remark, he fancied he heard a couple of clear metallic sounds, as when someone picks a violin string to hear if it is in tune.
âBut see, hark! The Water-Sprite himself has arrived. I can hear how he begins to thrum on the violin. Let us hear now if you can play better than I!â said Lars Larsson, laughing. âBut I canât stand here all night waiting for you to begin,â he called to the water. âNow I must be going; but I promise you that I will also stop at the next bridge and listen, to hear if you can cope with me.â
He went farther and, as the stream in its winding course ran into the wood, he began thinking once more of his home.
âI wonder how the little brooklet that runs by our house is getting on? I should like to see it again. I ought to go home once in a while, to see if mother is suffering want and hardship since fatherâs death. But busy as I am, it is almost impossible. As busy as I am just now, I say, I canât look after anything but the fiddle. There is hardly an evening in the week that I am at liberty.â
In a little while he met the stream again, and his thoughts were turned to something else. At this crossing the river did not come rushing on in a noisy rapid, but glided ahead rather quietly. It lay perfectly black and shiny under the night-gray forest trees, and carried with it one and another patch of snow-white scum from the rapids above.
When the musician came down upon the bridge and heard no sound from the stream but a soft swish now and then, he began to laugh.
âI might have known that the Water-Sprite wouldnât care to come to the meeting,â he shouted. âTo be sure, I have always heard that he is considered an excellent performer, but one who lies still forever in a brook and never hears anything new canât know very much! He perceives, no doubt, that here stands one who knows more about music than he, therefore he
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