Short Fiction by Edgar Allan Poe (good books for 7th graders .TXT) 📕
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Edgar Allan Poe is one of the primary figures of American nineteenth-century literature. His writing was heavily influenced by Romanticism ideals of emotion and feeling, and although mostly known for his Gothic-tinged horror, his tales jump between many different genres, including science-fiction, satire, humor, mystery, and even early detective fiction.
Poe mostly wrote short stories and poems, published in magazines and periodicals like the Southern Literary Messenger and Graham’s Magazine, although he also turned his hand to essays and novels (including The Narrative of Arthur Gordon Pym of Nantucket). He was one of the first American writers to pursue writing as a career, but was better received in France than in his native country. He struggled to make ends meet and resorted to work as a literary critic. His reputation suffered a further blow after his unfortunately early death in 1849 at the age of 40, when a rival not only wrote an extremely unflattering obituary, but bought the rights to his work and published a compilation with a hit piece for an introduction. This undeserved reputation took many decades to fade, but didn’t hinder praise from other notable authors including Arthur Conan Doyle and H. P. Lovecraft.
Collected here are all of Poe’s short fiction stories, in order of their original magazine publication. Notable stories include “The Gold-Bug,” “The Black Cat,” “The Fall of the House of Usher,” “The Masque of the Red Death,” “The Pit and the Pendulum,” “The Murders in the Rue Morgue,” and many more.
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- Author: Edgar Allan Poe
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In the meantime, I instituted a rigorous private search for the corpse of Mr. Shuttleworthy, and, for good reasons, searched in quarters as divergent as possible from those to which Mr. Goodfellow conducted his party. The result was that, after some days, I came across an old dry well, the mouth of which was nearly hidden by brambles; and here, at the bottom, I discovered what I sought.
Now it so happened that I had overheard the colloquy between the two cronies, when Mr. Goodfellow had contrived to cajole his host into the promise of a box of Châteaux-Margaux. Upon this hint I acted. I procured a stiff piece of whalebone, thrust it down the throat of the corpse, and deposited the latter in an old wine box—taking care so to double the body up as to double the whalebone with it. In this manner I had to press forcibly upon the lid to keep it down while I secured it with nails; and I anticipated, of course, that as soon as these latter were removed, the top would fly off and the body up.
Having thus arranged the box, I marked, numbered, and addressed it as already told; and then writing a letter in the name of the wine merchants with whom Mr. Shuttleworthy dealt, I gave instructions to my servant to wheel the box to Mr. Goodfellow’s door, in a barrow, at a given signal from myself. For the words which I intended the corpse to speak, I confidently depended upon my ventriloquial abilities; for their effect, I counted upon the conscience of the murderous wretch.
I believe there is nothing more to be explained. Mr. Pennifeather was released upon the spot, inherited the fortune of his uncle, profited by the lessons of experience, turned over a new leaf, and led happily ever afterward a new life.
The Literary Life of Thingum Bob, Esq. Late Editor of the Goosetherumfoodle By HimselfI am now growing in years, and—since I understand that Shakespeare and Mr. Emmons are deceased—it is not impossible that I may even die. It has occurred to me, therefore, that I may as well retire from the field of Letters and repose upon my laurels. But I am ambitious of signalizing my abdication of the literary sceptre by some important bequest to posterity; and, perhaps, I cannot do a better thing than just pen for it an account of my earlier career. My name, indeed, has been so long and so constantly before the public eye, that I am not only willing to admit the naturalness of the interest which it has everywhere excited, but ready to satisfy the extreme curiosity which it has inspired. In fact, it is no more than the duty of him who achieves greatness to leave behind him, in his ascent, such landmarks as may guide others to be great. I propose, therefore, in the present paper (which I had some idea of calling “Memoranda to serve for the Literary History of America”) to give a detail of those important, yet feeble and tottering first steps, by which, at length, I attained the high road to the pinnacle of human renown.
Of one’s very remote ancestors it is superfluous to say much. My father, Thomas Bob, Esq., stood for many years at the summit of his profession, which was that of a merchant-barber, in the city of Smug. His warehouse was the resort of all the principal people of the place, and especially of the editorial corps—a body which inspires all about it with profound veneration and awe. For my own part, I regarded them as gods, and drank in with avidity the rich wit and wisdom which continuously flowed from their august mouths during the process of what is styled “lather.” My first moment of positive inspiration must be dated from that ever-memorable epoch, when the brilliant conductor of the Gad-Fly, in the intervals of the important process just mentioned, recited aloud, before a conclave of our apprentices, an inimitable poem in honor of the “Only Genuine Oil-of-Bob,” (so called from its talented inventor, my father), and for which effusion the editor of the Fly was remunerated with a regal liberality by the firm of Thomas Bob & Company, merchant-barbers.
The genius of the stanzas to the “Oil-of-Bob” first breathed into me, I say, the divine afflatus. I resolved at once to become a great man, and to commence by becoming a great poet. That very evening I fell upon my knees at the feet of my father.
“Father,” I said, “pardon me!—but I have a soul above lather. It is my firm intention to cut the shop. I would be an editor—I would be a poet—I would pen stanzas to the ‘Oil-of-Bob.’ Pardon me and aid me to be great!”
“My dear
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