Green Meadow Stories by Thornton W. Burgess (good short books .txt) 📕
Description
Thornton W. Burgess was an American naturalist and the author of dozens of books for children, the most enduring of which are Old Mother West Wind and The Burgess Bird Book for Children. Burgess was a passionate twentieth-century conservationist who dedicated his life to teaching children and their families about the importance of the natural life of the northern North American forest.
The Green Meadow Stories compilation is made up of four distinct but entwined tales: those of Happy Jack Squirrel, Mrs. Peter Rabbit, Bowser the Hound, and Old Granny Fox. Through the adventures of these focal characters readers are introduced to the wider territory of the Green Meadows, the Green Forest, and the Smiling Pond as well as to the animals’ Great World.
The animals of Burgess’s stories are anthropomorphized, undoubtedly, but not caricatured: these are not the twee creatures of Disney cartoons. Their behaviour is explained in ways that would be understandable to a human child—this is fiction, after all—but Burgess’s “little people of the forest” are not simply humans dressed in fur and feathers. The original illustrations in Burgess’s books (by Harrison Cady, not reproduced in this edition) show the animals wearing clothes, but Burgess’s own descriptions of animals are more natural and metaphorical, and less fantastic. For example, he describes Chatterer the Red Squirrel, “who always wears a red coat with vest of white,” a compact way of communicating the look of a squirrel that many of today’s children will never have seen with their own eyes. Less pleasantly, it is Peter Rabbit’s fur and flesh that is rent when Hooty the Owl tears Peter’s “coat” one night on the Old Pasture.
Burgess has tremendous respect for the creatures he depicts, as well as for their natural home. While the presentation of the Green Meadow is hardly “Nature, red in tooth and claw,” it is surprisingly unsentimental. Peter Rabbit, for example, lives a highly anxious life under threat from the many predators who would enjoy having him for dinner; similarly, Happy Jack Squirrel experiences days and nights of terror when Shadow the Weasel discovers Happy Jack’s home and hunts him relentlessly. During a long, hard winter, Granny Fox and Reddy Fox come close to starving, and Old Man Coyote leads Bowser the Hound on a dangerous chase that may result in one or the other dying. Despite other fanciful, sentimental elements of storytelling, Burgess does not sugarcoat prey/predator relationships or the precarity of wild animals’ lives.
Burgess is a clear conservationist in his representations of hunting. The animals are highly aware of hunters and their “dreadful guns.” It is a notable moment in this collection when Farmer Brown’s Boy decides he will no longer use his gun to harm the little people of the Green Meadow and the Green Forest. The stories are also notable in their detailed representation of a largely intact forest, something few children in the twenty-first century will experience.
On the other hand, these are books for children, and they contain plenty of sweetness and light. Animal pairings—such as when Peter Rabbit meets the dainty Little Miss Fuzzytail, the future Mrs. Rabbit—are vague but sentimental and soon lead to proud new families of Rabbits, Ducks, Deer, and Owls. The “little people” celebrate the arrival of each spring’s babies, mark each other’s new relationships and homes, play together, and even help each other survive. They laugh, tease, and trick each other—a fanciful interpretation of animal behaviour that could lead to a reader’s life-long fascination with, and respect for, forest creatures—and for generations of readers, they did just that.
The stories are also more didactic than most twenty-first-century authors would dare to be. There are morals associated with most stories, often attributed to the animal about whom the story is being told. Through this practical teaching, Burgess suggests a correspondence between how animals and humans live; but he consistently clarifies that animal intelligence is different from, but certainly no less than, human intelligence.
Unlike the bouncy rhyming verses of many of today’s children’s books, Burgess’s sentences have a somewhat old-fashioned cadence, creating the distinct and appealing music of traditional storytelling. Burgess’s episodic chapters are eminently readable and particularly come to life when they are voiced by animated reading-aloud. For older readers looking for something different to share with children, or for new readers beginning to tackle “chapter books,” the tales of the Green Meadow Stories collection are a delightful place to discover Burgess and his animal friends.
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- Author: Thornton W. Burgess
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“I’ll do it,” said he. “I’ll make a journey! That’s what I’ll do! I’ll make a journey and see the Great World.
“By staying here and sitting still
I’m sure I’ll simply grow quite ill.
A change of scene is what I need
To be from all my trouble freed.”
Of course if Peter had really stopped to think the matter over thoroughly he would have known that running away from one kind of trouble is almost sure to lead to other troubles. But Peter is one of those who does his thinking afterward. Peter is what is called impulsive. That is, he does things and then thinks about them later, and often wishes he hadn’t done them. So now the minute the idea of making a journey popped into his head, he made up his mind that he would do it, and that was all there was to it. You see, Peter never looks ahead. If he could get rid of the trouble that bothered him now, which, you know, was nothing but lonesomeness, he wouldn’t worry about the troubles he might get into later.
Now the minute Peter made up his mind to make a journey, he began to feel better. His lost appetite returned, and the first thing he did was to eat a good meal of sweet clover.
“Let me see,” said he, as he filled his big stomach, “I believe I’ll visit the Old Pasture. It’s a long way off and I’ve never been there, but I’ve heard Sammy Jay say that it’s a very wonderful place, and I don’t believe it is any more dangerous than the Green Meadows and the Green Forest, now that Old Man Coyote and Reddy and Granny Fox are all living here. I’ll start tonight when I am sure that Old Man Coyote is nowhere around, and I won’t tell a soul where I am going.”
So Peter settled himself and tried to sleep the long day away, but his mind was so full of the long journey he was going to make that he couldn’t sleep much, and when he did have a nap, he dreamed of wonderful sights and adventures out in the Great World.
At last he saw jolly, round, red Mr. Sun drop down to his bed behind the Purple Hills. Old Mother West Wind came hurrying back from her day’s work and gathered her children, the Merry Little Breezes, into her big bag, and then she, too, started for her home behind the Purple Hills. A little star came out and winked at Peter, and then way over on the edge of the Green Forest he heard Old Man Coyote laugh. Peter grinned. That was what he had been waiting for, since it meant that Old Man Coyote was so far away that there was nothing to fear from him.
Peter hopped out from the dear, safe Old Briar-patch, looked this way and that way, and then, with his heart in his mouth, started towards the Old Pasture as fast as he could go, lipperty—lipperty—lip.
III Hooty the Owl Changes His Hunting GroundsA full stomach makes a pleasant day;
An empty stomach turns the whole world gray.
Hooty the Owl sat on the tip-top of a tall dead tree in the Green Forest while the Black Shadows crept swiftly among the trees. He was talking to himself. It wouldn’t have done for him to have spoken aloud what he was saying to himself, for then the little people in feathers and fur on whom he likes to make his dinner would have heard him and known just where he was. So he said it to himself, and sat so still that he looked for all the world like a part of the tree on which he was sitting. What he was saying was this:
“Towhit, towhoo! Towhit, towhoo!
Will someone tell me what to do?
My children have an appetite
That keeps me hunting all the night,
And though their stomachs I may stuff
They never seem to have enough.
Towhit, towhoo! Towhit, towhoo!
Will someone tell me what to do?”
When it was dark enough he gave his fierce hunting call—“Whooo-hoo-hoo, whoo-hoo!”
Now that is a terrible sound in the dark woods, very terrible indeed to the little forest people, because it sounds so fierce and hungry. It makes them jump and shiver, and that is just what Hooty wants them to do, for in doing it one of them is likely to make just the least scratching with his claws, or to rustle a leaf. If he does, Hooty, whose ears are very, very wonderful, is almost sure to hear, and with his great yellow eyes see him, and then—Hooty has his dinner.
The very night when Peter Rabbit started on his journey to the Old Pasture, Hooty the Owl had made up his mind that something had got to be done to get more food for those hungry babies of his up in the big hemlock-tree in the darkest corner of the Green Forest. Hunting was very poor, very poor indeed, and Hooty was at his wits’ end to know what he should do. He had hooted and hooted in vain in the Green Forest, and he had sailed back and forth over the Green Meadows like a great black shadow without seeing so much as a single Mouse.
“It’s all because of Old Man Coyote and Granny and Reddy Fox,” said Hooty angrily. “They’ve spoiled the hunting. Yes, sir, that’s just what they have done! If I expect to feed those hungry babies of mine, I must find new hunting grounds. I believe I’ll go up to the Old Pasture. Perhaps I’ll have better luck up there.”
So Hooty the Owl spread his broad wings and started for the Old Pasture just a little while after Peter Rabbit had started for the same place. Of course he didn’t know that Peter was on his way there, and of course Peter didn’t know that Hooty even thought of the Old Pasture. If
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