The Story of the Amulet by E. Nesbit (important books to read txt) 📕
Description
In this conclusion to the Psammead Trilogy, Cyril, Anthea, Robert, and Jane are reunited with the cantankerous Sand-fairy. While the old creature can’t grant them wishes anymore, it points them towards an old Egyptian amulet that can grant their hearts’ desire—in this case the return of their parents and baby brother. While their amulet is only half of a whole, it still acts as a time portal which they use to visit locales like Ancient Egypt, Babylon, Atlantis, and even a utopian future in search of the missing other half.
Perhaps one of E. Nesbit’s most personal works, The Story of the Amulet benefited from her interest in the ancient world, particularly Egypt. With the help of A. E. Wallis Budge, to whom the book is dedicated—then Head of the Assyrian Departments of the British Museum and translator of the Egyptian Book of the Dead—she conducted extensive research on the topic and is thus able to bring an exquisite attention to detail. For example, the titular amulet is shaped after the tyet, an Egyptian symbol also known as the “knot of Isis.” Likewise, the inscription at the back of the amulet is written in authentic Egyptian hieroglyphs.
A staunch supporter of democratic socialism and a founding member of the Fabian Society, E. Nesbit cultivated friendships with other like-minded writers, such as George Bernard Shaw and H. G. Wells, whose influence on this book is easy to notice. She practiced what she preached, so much so that despite her literary successes, her acts of charity brought her close to bankruptcy.
These political beliefs are prominently displayed in the book. The children encounter memorable characters during their adventures, chief among them the Queen of Babylon, who causes quite a stir when she later pays them a call in their contemporary London. When the visiting Queen witnesses the squalid living conditions of the London working class, she’s amazed at how poorly they’re treated compared to the slaves of her own Babylon. Likewise, the utopian future—which features a wink to her friend H. G. Wells, the “great reformer”—is a striking contrast in terms of the happiness, care, and education of the general populace.
The book’s legacy can be found in the works of other writers. Most notably, C. S. Lewis incorporated several elements in his Chronicles of Narnia: the Calormene civilization of The Horse and His Boy draws heavily from The Amulet’s Babylon, and the episode in The Magician’s Nephew where Jadis, the White Witch, causes chaos during her short stay in London is also a direct homage to the aforementioned visit from the Queen. The format of these stories, where a group of people take their audience on adventures through time and space to learn about distant cultures, is an uncanny precursor to the popular British TV series Doctor Who.
Read free book «The Story of the Amulet by E. Nesbit (important books to read txt) 📕» - read online or download for free at americanlibrarybooks.com
- Author: E. Nesbit
Read book online «The Story of the Amulet by E. Nesbit (important books to read txt) 📕». Author - E. Nesbit
It seemed no time at all before the woman said—
“It’s nearly time now. We ought to be getting on towards the palace. It’s as well to be early.”
So they went to the palace, and when they got there it was more splendid than anything they had seen yet.
For it was glowing with colours, and with gold and silver and black and white—like some magnificent embroidery. Flight after flight of broad marble steps led up to it, and at the edges of the stairs stood great images, twenty times as big as a man—images of men with wings like chain armour, and hawks’ heads, and winged men with the heads of dogs. And there were the statues of great kings.
Between the flights of steps were terraces where fountains played, and the Queen’s Guard in white and scarlet, and armour that shone like gold, stood by twos lining the way up the stairs; and a great body of them was massed by the vast door of the palace itself, where it stood glittering like an impossibly radiant peacock in the noonday sun.
All sorts of people were passing up the steps to seek audience of the Queen. Ladies in richly-embroidered dresses with fringy flounces, poor folks in plain and simple clothes, dandies with beards oiled and curled.
And Cyril, Robert, Anthea and Jane, went with the crowd.
At the gate of the palace the Psammead put one eye cautiously out of the basket and whispered—
“I can’t be bothered with queens. I’ll go home with this lady. I’m sure she’ll get me some sand if you ask her to.”
“Oh! don’t leave us,” said Jane. The woman was giving some last instructions in Court etiquette to Anthea, and did not hear Jane.
“Don’t be a little muff,” said the Psammead quite fiercely. “It’s not a bit of good your having a charm. You never use it. If you want me you’ve only got to say the name of power and ask the charm to bring me to you.”
“I’d rather go with you,” said Jane. And it was the most surprising thing she had ever said in her life.
Everyone opened its mouth without thinking of manners, and Anthea, who was peeping into the Psammead’s basket, saw that its mouth opened wider than anybody’s.
“You needn’t gawp like that,” Jane went on. “I’m not going to be bothered with queens any more than it is. And I know, wherever it is, it’ll take jolly good care that it’s safe.”
“She’s right there,” said everyone, for they had observed that the Psammead had a way of knowing which side its bread was buttered.
She turned to the woman and said, “You’ll take me home with you, won’t you? And let me play with your little girls till the others have done with the Queen.”
“Surely I will, little heart!” said the woman.
And then Anthea hurriedly stroked the Psammead and embraced Jane, who took the woman’s hand, and trotted contentedly away with the Psammead’s bag under the other arm.
The others stood looking after her till she, the woman, and the basket were lost in the many-coloured crowd. Then Anthea turned once more to the palace’s magnificent doorway and said—
“Let’s ask the porter to take care of our Babylonian overcoats.”
So they took off the garments that the woman had lent them and stood amid the jostling petitioners of the Queen in their own English frocks and coats and hats and boots.
“We want to see the Queen,” said Cyril; “we come from the far Empire where the sun never sets!”
A murmur of surprise and a thrill of excitement ran through the crowd. The door-porter spoke to a black man, he spoke to someone else. There was a whispering, waiting pause. Then a big man, with a cleanly-shaven face, beckoned them from the top of a flight of red marble steps.
They went up; the boots of Robert clattering more than usual because he was so nervous. A door swung open, a curtain was drawn back. A double line of bowing forms in gorgeous raiment formed a lane that led to the steps of the throne, and as the children advanced hurriedly there came from the throne a voice very sweet and kind.
“Three children from the land where the sun never sets! Let them draw hither without fear.”
In another minute they were kneeling at the throne’s foot, saying, “O Queen, live forever!” exactly as the woman had taught them. And a splendid dream-lady, all gold and silver and jewels and snowy drift of veils, was raising Anthea, and saying—
“Don’t be frightened, I really am so glad you came! The land where the sun never sets! I am delighted to see you! I was getting quite too dreadfully bored for anything!”
And behind Anthea the kneeling Cyril whispered in the ears of the respectful Robert—
“Bobs, don’t say anything to Panther. It’s no use upsetting her, but we didn’t ask for Jane’s address, and the Psammead’s with her.”
“Well,” whispered Robert, “the charm can bring them to us at any moment. It said so.”
“Oh, yes,” whispered Cyril, in miserable derision, “we’re all right, of course. So we are! Oh, yes! If we’d only got the charm.”
Then Robert saw, and he murmured, “Crikey!” at the foot of the throne of Babylon; while Cyril hoarsely whispered the plain English fact—
“Jane’s got the charm round her neck, you silly cuckoo.”
“Crikey!” Robert repeated in heartbroken undertones.
VII “The Deepest Dungeon Below the Castle Moat”The Queen threw three of the red and gold embroidered cushions off the throne on to the marble steps that led up to it.
“Just make yourselves comfortable there,” she said. “I’m simply dying to talk to you, and to hear all about your wonderful country and how you got here, and everything, but I have to do justice every morning. Such a bore, isn’t it? Do you do justice in your
Comments (0)