Short Fiction by O. Henry (librera reader txt) π
Description
William Sydney Porter, known to readers as O. Henry, was a true raconteur. As a draftsman, a bank teller, a newspaper writer, a fugitive from justice in Central America, and a writer living in New York City, he told stories at each stop and about each stop. His stories are known for their vivid characters who come to life, and sometimes death, in only a few pages. But the most famous characteristic of O. Henryβs stories are the famous βtwistβ endings, where the outcome comes as a surprise both to the characters and the readers. O. Henryβs work was widely recognized and lauded, so much so that a few years after his death an award was founded in his name to recognize the best American short story (now stories) of the year.
This collection gathers all of his available short stories that are in the U.S. public domain. They were published in various popular magazines of the time, as well as in the Houston Post, where they were not attributed to him until many years after his death.
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- Author: O. Henry
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The marquis drank. A little grievous cry, as if from a sudden wound, came from the girlβs lips. David, with his glass in his hand, stepped forward three paces and faced the marquis. There was little of a shepherd in his bearing.
βJust now,β he said, calmly, βyou did me the honor to call me βmonsieur.β May I hope, therefore that my marriage to mademoiselle has placed me somewhat nearer to you inβ βlet us say, reflected rankβ βhas given me the right to stand more as an equal to monseigneur in a certain little piece of business I have in my mind?β
βYou may hope, shepherd,β sneered the marquis.
βThen,β said David, dashing his glass of wine into the contemptuous eyes that mocked him, βperhaps you will condescend to fight me.β
The fury of the great lord outbroke in one sudden curse like a blast from a horn. He tore his sword from its black sheath; he called to the hovering landlord: βA sword there, for this lout!β He turned to the lady, with a laugh that chilled her heart, and said: βYou put much labour upon me, madame. It seems I must find you a husband and make you a widow in the same night.β
βI know not swordplay,β said David. He flushed to make the confession before his lady.
βββI know not swordplay,βββ mimicked the marquis. βShall we fight like peasants with oaken cudgels? Hola! FranΓ§ois, my pistols!β
A postilion brought two shining great pistols ornamented with carven silver, from the carriage holsters. The marquis tossed one upon the table near Davidβs hand. βTo the other end of the table,β he cried; βeven a shepherd may pull a trigger. Few of them attain the honour to die by the weapon of a De Beaupertuys.β
The shepherd and the marquis faced each other from the ends of the long table. The landlord, in an ague of terror, clutched the air and stammered: βM-M-Monseigneur, for the love of Christ! not in my house!β βdo not spill bloodβ βit will ruin my customβ ββ The look of the marquis, threatening him, paralyzed his tongue.
βCoward,β cried the lord of Beaupertuys, βcease chattering your teeth long enough to give the word for us, if you can.β
Mine hostβs knees smote the floor. He was without a vocabulary. Even sounds were beyond him. Still, by gestures he seemed to beseech peace in the name of his house and custom.
βI will give the word,β said the lady, in a clear voice. She went up to David and kissed him sweetly. Her eyes were sparkling bright, and colour had come to her cheek. She stood against the wall, and the two men levelled their pistols for her count.
βUnβ βdeuxβ βtrois!β
The two reports came so nearly together that the candles flickered but once. The marquis stood, smiling, the fingers of his left hand resting, outspread, upon the end of the table. David remained erect, and turned his head very slowly, searching for his wife with his eyes. Then, as a garment falls from where it is hung, he sank, crumpled, upon the floor.
With a little cry of terror and despair, the widowed maid ran and stooped above him. She found his wound, and then looked up with her old look of pale melancholy. βThrough his heart,β she whispered. βOh, his heart!β
βCome,β boomed the great voice of the marquis, βout with you to the carriage! Daybreak shall not find you on my hands. Wed you shall be again, and to a living husband, this night. The next we come upon, my lady, highwayman or peasant. If the road yields no other, then the churl that opens my gates. Out with you into the carriage!β
The marquis, implacable and huge, the lady wrapped again in the mystery of her cloak, the postilion bearing the weaponsβ βall moved out to the waiting carriage. The sound of its ponderous wheels rolling away echoed through the slumbering village. In the hall of the Silver Flagon the distracted landlord wrung his hands above the slain poetβs body, while the flames of the four and twenty candles danced and flickered on the table.
The Right BranchThree leagues, then, the road ran, and turned into a puzzle. It joined with another and a larger road at right angles. David stood, uncertain, for a while, and then took the road to the right.
Whither it led he knew not, but he was resolved to leave Vernoy far behind that night. He travelled a league and then passed a large chΓ’teau which showed testimony of recent entertainment. Lights shone from every window; from the great stone gateway ran a tracery of wheel tracks drawn in the dust by the vehicles of the guests.
Three leagues farther and David was weary. He rested and slept for a while on a bed of pine boughs at the roadside. Then up and on again along the unknown way.
Thus for five days he travelled the great road, sleeping upon Natureβs balsamic beds or in peasantsβ ricks, eating of their black, hospitable bread, drinking from streams or the willing cup of the goatherd.
At length he crossed a great bridge and set his foot within the smiling city that has crushed or crowned more poets than all the rest of the world. His breath came quickly as Paris sang to him in a little undertone her vital chant of greetingβ βthe hum of voice and foot and wheel.
High up under the eaves of an old house in the Rue Conti, David paid for lodging, and set himself, in a wooden chair, to his poems. The street, once sheltering citizens of import and consequence, was now given over to those who ever follow in the wake of decline.
The houses were tall and still possessed of a ruined dignity, but many of them were empty
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