Right Ho, Jeeves by P. G. Wodehouse (love letters to the dead TXT) 📕
Description
Right Ho, Jeeves is the second novel to feature P. G. Wodehouse’s popular Bertie Wooster and Jeeves characters. Bertie, a member of the English upper class and one of the “idle rich,” tries his best to arrange relationships between two pairs of his friends. Though he means well, Bertie’s bumbling attempts wind up doing more harm than good (as usual), leaving it to his valet, Jeeves, to see if he can sort things out.
A smooth, easy, and often hilarious read, Right Ho, Jeeves is an excellent example of why Bertie Wooster and Jeeves have become such iconic literary figures.
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- Author: P. G. Wodehouse
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I never had. Most improbable, I considered, and it didn’t seem to me to check up with her statement that the stars were God’s daisy chain. I mean, you can’t have it both ways.
However, I was in no mood to dissect and criticize. I saw that I had been wrong in supposing that the stars were not germane to the issue. Quite a decent cue they had provided, and I leaped on it promptly: “Talking of shedding tears—”
But she was now on the subject of rabbits, several of which were messing about in the park to our right.
“Oh, look. The little bunnies!”
“Talking of shedding tears—”
“Don’t you love this time of the evening, Mr. Wooster, when the sun has gone to bed and all the bunnies come out to have their little suppers? When I was a child, I used to think that rabbits were gnomes, and that if I held my breath and stayed quite still, I should see the fairy queen.”
Indicating with a reserved gesture that this was just the sort of loony thing I should have expected her to think as a child, I returned to the point.
“Talking of shedding tears,” I said firmly, “it may interest you to know that there is an aching heart in Brinkley Court.”
This held her. She cheesed the rabbit theme. Her face, which had been aglow with what I supposed was a pretty animation, clouded. She unshipped a sigh that sounded like the wind going out of a rubber duck.
“Ah, yes. Life is very sad, isn’t it?”
“It is for some people. This aching heart, for instance.”
“Those wistful eyes of hers! Drenched irises. And they used to dance like elves of delight. And all through a foolish misunderstanding about a shark. What a tragedy misunderstandings are. That pretty romance broken and over just because Mr. Glossop would insist that it was a flatfish.”
I saw that she had got the wires crossed.
“I’m not talking about Angela.”
“But her heart is aching.”
“I know it’s aching. But so is somebody else’s.”
She looked at me, perplexed.
“Somebody else? Mr. Glossop’s, you mean?”
“No, I don’t.”
“Mrs. Travers’s?”
The exquisite code of politeness of the Woosters prevented me clipping her one on the ear-hole, but I would have given a shilling to be able to do it. There seemed to me something deliberately fatheaded in the way she persisted in missing the gist.
“No, not Aunt Dahlia’s, either.”
“I’m sure she is dreadfully upset.”
“Quite. But this heart I’m talking about isn’t aching because of Tuppy’s row with Angela. It’s aching for a different reason altogether. I mean to say—dash it, you know why hearts ache!”
She seemed to shimmy a bit. Her voice, when she spoke, was whispery: “You mean—for love?”
“Absolutely. Right on the bull’s-eye. For love.”
“Oh, Mr. Wooster!”
“I take it you believe in love at first sight?”
“I do, indeed.”
“Well, that’s what happened to this aching heart. It fell in love at first sight, and ever since it’s been eating itself out, as I believe the expression is.”
There was a silence. She had turned away and was watching a duck out on the lake. It was tucking into weeds, a thing I’ve never been able to understand anyone wanting to do. Though I suppose, if you face it squarely, they’re no worse than spinach. She stood drinking it in for a bit, and then it suddenly stood on its head and disappeared, and this seemed to break the spell.
“Oh, Mr. Wooster!” she said again, and from the tone of her voice, I could see that I had got her going.
“For you, I mean to say,” I proceeded, starting to put in the fancy touches. I dare say you have noticed on these occasions that the difficulty is to plant the main idea, to get the general outline of the thing well fixed. The rest is mere detail work. I don’t say I became glib at this juncture, but I certainly became a dashed glibber than I had been.
“It’s having the dickens of a time. Can’t eat, can’t sleep—all for love of you. And what makes it all so particularly rotten is that it—this aching heart—can’t bring itself up to the scratch and tell you the position of affairs, because your profile has gone and given it cold feet. Just as it is about to speak, it catches sight of you sideways, and words fail it. Silly, of course, but there it is.”
I heard her give a gulp, and I saw that her eyes had become moistish. Drenched irises, if you care to put it that way.
“Lend you a handkerchief?”
“No, thank you. I’m quite all right.”
It was more than I could say for myself. My efforts had left me weak. I don’t know if you suffer in the same way, but with me the act of talking anything in the nature of real mashed potatoes always induces a sort of prickly sensation and a hideous feeling of shame, together with a marked starting of the pores.
I remember at my Aunt Agatha’s place in Hertfordshire once being put on the spot and forced to enact the role of King Edward III saying goodbye to that girl of his, Fair Rosamund, at some sort of pageant in aid of the Distressed Daughters of the Clergy. It involved some rather warmish medieval dialogue, I recall, racy of the days when they called a spade a spade, and by the time the whistle blew, I’ll bet no Daughter of the Clergy was half as distressed as I was. Not a dry stitch.
My reaction now was very similar. It was a highly liquid Bertram who, hearing his vis-à-vis give a couple of hiccups and start to speak bent an attentive ear.
“Please don’t say any more, Mr. Wooster.”
Well, I wasn’t going to, of course.
“I understand.”
I was glad to hear this.
“Yes, I understand. I won’t be so silly as to pretend not to know what you mean. I suspected this at Cannes, when you used to stand and stare at me without speaking a word, but with whole volumes in your eyes.”
If Angela’s shark had
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