The Story of My Life by Helen Keller (books to read for self improvement .TXT) ๐
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Helen Keller was just nineteen months old when, in 1882, she was struck with an illness that rendered her deaf, blind, and unable to communicate beyond basic signs. When she was seven, the arrival of Anne Sullivan, a partially blind teacher, catalysed Helenโs learning and created a completely new way of teaching deafblind children. In The Story of My Life, written when Helen was twenty-three, Helen recounts her childhood and the wonders of a blossoming understanding of the world around her, along with her efforts to become the first deafblind person to earn a B.A. degree.
This volume also contains many of her letters, and is substantiated by Anne Sullivanโs own writing and correspondence on Helenโs tuition, along with numerous other accounts. The story was later adapted for both theater and film on multiple occasions as The Miracle Worker, a title bestowed on Anne Sullivan by Mark Twain.
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- Author: Helen Keller
Read book online ยซThe Story of My Life by Helen Keller (books to read for self improvement .TXT) ๐ยป. Author - Helen Keller
I began my studies with eagerness. Before me I saw a new world opening in beauty and light, and I felt within me the capacity to know all things. In the wonderland of Mind I should be as free as another. Its people, scenery, manners, joys, tragedies should be living, tangible interpreters of the real world. The lecture-halls seemed filled with the spirit of the great and the wise, and I thought the professors were the embodiment of wisdom. If I have since learned differently, I am not going to tell anybody.
But I soon discovered that college was not quite the romantic lyceum I had imagined. Many of the dreams that had delighted my young inexperience became beautifully less and โfaded into the light of common day.โ Gradually I began to find that there were disadvantages in going to college.
The one I felt and still feel most is lack of time. I used to have time to think, to reflect, my mind and I. We would sit together of an evening and listen to the inner melodies of the spirit, which one hears only in leisure moments when the words of some loved poet touch a deep, sweet chord in the soul that until then had been silent. But in college there is no time to commune with oneโs thoughts. One goes to college to learn, it seems, not to think. When one enters the portals of learning, one leaves the dearest pleasuresโ โsolitude, books and imaginationโ โoutside with the whispering pines. I suppose I ought to find some comfort in the thought that I am laying up treasures for future enjoyment, but I am improvident enough to prefer present joy to hoarding riches against a rainy day.
My studies the first year were French, German, history, English composition and English literature. In the French course I read some of the works of Corneille, Moliรจre, Racine, Alfred de Musset and Sainte-Beuve, and in the German those of Goethe and Schiller. I reviewed rapidly the whole period of history from the fall of the Roman Empire to the eighteenth century, and in English literature studied critically Miltonโs poems and โAreopagitica.โ
I am frequently asked how I overcome the peculiar conditions under which I work in college. In the classroom I am of course practically alone. The professor is as remote as if he were speaking through a telephone. The lectures are spelled into my hand as rapidly as possible, and much of the individuality of the lecturer is lost to me in the effort to keep in the race. The words rush through my hand like hounds in pursuit of a hare which they often miss. But in this respect I do not think I am much worse off than the girls who take notes. If the mind is occupied with the mechanical process of hearing and putting words on paper at pell-mell speed, I should not think one could pay much attention to the subject under consideration or the manner in which it is presented. I cannot make notes during the lectures, because my hands are busy listening. Usually I jot down what I can remember of them when I get home. I write the exercises, daily themes, criticisms and hour-tests, the mid-year and final examinations, on my typewriter, so that the professors have no difficulty in finding out how little I know. When I began the study of Latin prosody, I devised and explained to my professor a system of signs indicating the different meters and quantities.
I use the Hammond typewriter. I have tried many machines, and I find the Hammond is the best adapted to the peculiar needs of my work. With this machine movable type shuttles can be used, and one can have several shuttles, each with a different set of charactersโ โGreek, French, or mathematical, according to the kind of writing one wishes to do on the typewriter. Without it, I doubt if I could go to college.
Very few of the books required in the various courses are printed for the blind, and I am obliged to have them spelled into my hand. Consequently I need more time to prepare my lessons than other girls. The manual part takes longer, and I have perplexities which they have not. There are days when the close attention I must give to details chafes my spirit, and the thought that I must spend hours reading a few chapters, while in the world without other girls are laughing and singing and dancing, makes me rebellious; but I soon recover my buoyancy and laugh the discontent out of my heart. For, after all, everyone who wishes to gain true knowledge must climb the Hill Difficulty alone, and since there is no royal road to the summit, I must zigzag it in my own way. I slip back many times, I fall, I stand still, I run against the edge of hidden obstacles, I lose my temper and find it again and keep it better, I trudge on, I gain a little, I feel encouraged, I get more eager and climb higher and begin to see the widening horizon. Every struggle is a victory. One more effort and I reach the luminous cloud, the blue depths of the sky,
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