Short Fiction by Aleksandr Kuprin (nonfiction book recommendations .txt) 📕
Description
Aleksandr Kuprin was one of the most celebrated Russian authors of the early twentieth century, writing both novels (including his most famous, The Duel) and short fiction. Along with Chekhov and Bunin, he did much to draw attention away from the “great Russian novel” and to make short fiction popular. His work is famed for its descriptive qualities and sense of place, but it always centers on the souls of the stories’ subjects. The themes of his work are wide and varied, and include biblical parables, bittersweet romances, spy fiction, and farce, among many others. In 1920, under some political pressure, Kuprin left Russia for France, and his later work primarily adopts his new homeland for the setting.
This collection comprises the best individual translations into English of each of his short stories and novellas available in the public domain, presented in chronological order of their translated publication.
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- Author: Aleksandr Kuprin
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“D’ you see? With these two fingers I run over the ’ole pianner. Nothin’ wonderful in it: one, two, three—ready. Any man who wasn’t stupid could learn easily. That’s all it is. Most ordinary business. I thank you.”
The pickpocket swung on his heel as if to return to his seat.
“Yasha!” The gentleman in the sandy suit said with meaning weight. “Yasha!” he repeated sternly.
Yasha stopped. His back was turned to the barrister, but he evidently gave his representative an imploring look, because the latter frowned and shook his head.
“Yasha!” he said for the third time, in a threatening tone.
“Huh!” The young thief grunted in vexation and turned to face the solicitor. “Where’s your little watch, sir?” he said in a piping voice.
“Ach,” the Karaim brought himself up sharp.
“You see—now you say ‘Ach,’ ” Yasha continued reproachfully. “All the while you were admiring me right ’and, I was operatin’ yer watch with my left. Just with these two little fingers, under the scarf. That’s why we carry a scarf. Since your chain’s not worth anything—a present from some mamselle and the watch is a gold one, I’ve left you the chain as a keepsake. Take it,” he added with a sigh, holding out the watch.
“But. … That is clever,” the barrister said in confusion. “I didn’t notice it at all.”
“That’s our business,” Yasha said with pride.
He swaggered back to his comrades. Meantime the orator took a drink from his glass and continued.
“Now, gentlemen, our next collaborator will give you an exhibition of some ordinary card tricks, which are worked at fairs, on steamboats and railways. With three cards, for instance, an ace, a queen, and a six, he can quite easily. … But perhaps you are tired of these demonstrations, gentlemen.” …
“Not at all. It’s extremely interesting,” the chairman answered affably. “I should like to ask one question—that is if it is not too indiscreet—what is your own speciality?”
“Mine. … H’m. … No, how could it be an indiscretion? … I work the big diamond shops … and my other business is banks,” answered the orator with a modest smile. “Don’t think this occupation is easier than others. Enough that I know four European languages, German, French, English, and Italian, without speaking of Polish, Ukrainian and Yiddish. But shall I show you some more experiments, Mr. Chairman?”
The chairman looked at his watch.
“Unfortunately the time is too short,” he said. “Wouldn’t it be better to pass on to the substance of your business? Besides the experiments we have just seen have amply convinced us of the talent of your esteemed associates. … Am I not right, Isaac Abramovich?”
“Yes, yes … absolutely,” the Karaim barrister readily confirmed.
“Admirable,” the gentleman in the sandy suit kindly agreed. “My dear Count”—he turned to a blonde, curly-haired man, with a face like a billiard-maker on a bank-holiday—“put your instruments away. They will not be wanted. I have only a few words more to say, gentlemen. Now that you have convinced yourselves that our art, although it does not enjoy the patronage of high-placed individuals, is nevertheless an art; and you have probably come to my opinion that this art is one which demands many personal qualities besides constant labour, danger, and unpleasant misunderstandings—you will also, I hope, believe that it is possible to become attached to its practice and to love and esteem it, however strange that may appear at first sight. Picture to yourselves that a famous poet of talent, whose tales and poems adorn the pages of our best magazines, is suddenly offered the chance of writing verses at a penny a line, signed into the bargain, as an advertisement for ‘Cigarettes Jasmine’—or that a slander was spread about one of you distinguished barristers, accusing him of making a business of concocting evidence for divorce cases, or of writing petitions from the cabmen to the governor in public-houses! Certainly your relatives, friends and acquaintances wouldn’t believe it. But the rumour has already done its poisonous work, and you have to live through minutes of torture. Now picture to yourselves that such a disgraceful and vexatious slander, started by God knows whom, begins to threaten not only your good name and your quiet digestion, but your freedom, your health, and even your life!
“This is the position of us thieves, now being slandered by the newspapers. I must explain. There is in existence a class of scum—passez-moi le mot—whom we call their ‘Mothers’ Darlings.’ With these we are unfortunately confused. They have neither shame nor conscience, a dissipated riffraff, mothers’ useless darlings, idle, clumsy drones, shop assistants who commit unskilful thefts. He thinks nothing of living on his mistress, a prostitute, like the male mackerel, who always swims after the female and lives on her excrements. He is capable of robbing a child with violence in a dark alley, in order to get a penny: he will kill a man in his sleep and torture an old woman. These men are the pests of our profession. For them the beauties and the traditions of the art have no existence. They watch us real, talented thieves like a pack of jackals after a lion. Suppose I’ve managed to bring off an important job—we won’t mention the fact that I have to leave two-thirds of what I get to the receivers who sell the goods and discount the notes, or the customary subsidies to our incorruptible police—I still have to share out something to each one of these parasites, who have
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