Dangerous Liaisons by Pierre Choderlos de Laclos (the reading list .TXT) π
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Dangerous Liaisons (Les Liaisons dangereuses) is an early French novel by Pierre Choderlos de Laclos, first published in four volumes in 1782. At the time of its publication novels were a new literary form, and Laclos chose to present his story in an epistolary style, composing the novel solely of a series of letters written by the major characters to each other. It was first translated into English in 1812 and has since become universally regarded as one the most significant early French novels.
The story is framed around the Marquise de Merteuil and the Vicomte de Valmont, two narcissistic French aristocrats and rivals who enjoy games of seduction and manipulation, and who most especially enjoy one-upping each other. The letters they send to each other portray an interconnected web of seduction, revenge, and malice, and are interspersed with the more innocent letters of their victims.
Dangerous Liaisons has often been seen as a depiction of the corruption and depravity of the French nobility shortly before the French Revolution, thereby making a negative statement about the Ancien RΓ©gime. But itβs also a depiction of the timeless problems surrounding sex and love, and a realistic portrayal of desires that are often beyond our control. As Laclos enjoyed the patronage of Louis Philippe II, the Duke of OrlΓ©ans, and as other royalist and conservative figures like Queen Marie Antoinette enjoyed the book, itβs likely it wasnβt seen as a morality tale until after the French Revolution.
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- Author: Pierre Choderlos de Laclos
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Moreover, a remark I am astonished you have not made, is, that nothing is so difficult in love, as to write what one does not feel. I mean to write with the appearance of truth; it is not but the same phrases are used; they are not arranged in the same manner; or rather, they are arranged with too much perspicuity, and that is worse.
Read over your letter again; it displays so much regularity that you are discovered in every phrase. I am inclined to think your Presidente is so unfashionable as not to perceive it; but what is that to the purpose? the consequence will be still the same; that is the defect of romance; the author racks his brain, heats his imagination, and the reader is unmoved. Heloise is the only exception I know; and notwithstanding the great talents of the author, from this observation alone, I have ever been of opinion, that the work is grounded in truth; not so in speaking; the custom of conversation gives it an air of tenderness, to which the facility of tears still greatly adds; expressive desires blend themselves with the languishing look, and, at last, incoherent speeches more readily bring on that turbulence of passion, which is the true eloquence of love; but above all, the presence of the beloved object banishes reflection, and makes us wish to be overcome.
Believe me, my dear Viscount, she does not desire you should write any more; retrieve your error, and wait for the opportunity of speaking to her. This woman has more fortitude than I expected; her defence is good, and were it not for the length of her letter, and the pretence she gives you for a replication in her grateful phrase, she would not at all have betrayed herself.
And what, I think, ought to ascertain your success is, she exhausts all her strength at once; and I foresee she will persist in it, for the defence of a word, and will have none left for the crisis.
I send you back your two letters, and, if you are prudent, they should be the last till after the happy moment. It is too late to say anything of the little Volanges, who comes on very well, and gives me great satisfaction. I believe I shall have done before you, which ought to make you very happy. Farewell for today!
Aug. 24, 17β β.
Letter 34 Viscount Valmont to the Marchioness de MerteuilYou write enchantingly, my charming friend; but why take so much trouble to prove a position which all the world knows, that to make a quick progress in love matters, it is better to speak than write? This, I believe, is the full contents of your letter; and is it not the first elements of the art of seduction? I will only remark, that you make but one exception to this principle, and that there are two: with children, who take this step through timidity, and give themselves up through ignorance, you must add the women of genius, who are dupes to self-love and vanity, which leads them into the snare. For example; I am very certain that the Countess de Bβ βΈΊ-, who answered, without hesitating, my first letter, had then no more affection for me, than I had for her; and that in this connection she had no other view, than being engaged with a person whom she imagined would do her honour.
However, a lawyer will tell you, that the maxim is not applicable to the question; for you suppose that it is at my option to write or speak, which is not the case. Since the affair of the 20th, my cruel charmer, who keeps on the defensive, has studiously avoided meeting me, a piece of address which totally disconcerts me: so that if it should continue, she will oblige me to think seriously on the means of regaining this advantage; as I most assuredly will not be baffled by her in this manner; even my letters are the occasion of a little warfare: not satisfied with giving no reply, she even refuses receiving them, and I am under the necessity of a new stratagem for each, which does not always succeed.
You may recollect in what a simple manner I delivered the first; the second was not more difficult. She required I should return her letter; I gave her mine instead of it, without her having the least suspicion. But whether from vexation to have been duped, whether through capriciousness or virtue, for she will oblige me to believe she is virtuous, she has obstinately refused the third. I expect, however, from the embarrassment that this refusal had like to put her in, she will in future be more cautious.
However, I was not much astonished that she would not receive that letter, which I offered her in a very plain mannerβ βthat would have been granting somethingβ βand I expect a longer defence. After this effort, which was only an essay by way of trial, I put a cover over my letter, and taking the opportunity when she was at her toilette, when Madame de Rosemonde and her waiting-maid were present, I sent it her by my huntsman, ordering him to tell her that it was the paper she asked me for. I rightly judged that she would dread a scandalous explanation, which a refusal would necessarily have brought on; and indeed she took the letter. My ambassador, who had orders to observe her countenance diligently, and who is a shrewd fellow, perceived only a slight blush, with more embarrassment than anger.
I applauded myself, being very certain that she would either keep this letter, or, if she meant to return it, she must take an opportunity when we were alone, and then could not avoid a conference. About an hour after, one of her people came into my room, from his mistress, and delivered me a packet, folded in another form than my own,
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