The Great Gatsby by F. Scott Fitzgerald (top e book reader txt) 📕
Description
The Great Gatsby is a novel that needs no introduction for a certain generation of American readers. Long taught as required reading in American schools, critics have consistently held it up alongside Moby Dick, Huck Finn, and To Kill a Mockingbird as perhaps the quintessential Great American Novel.
Nick Carraway is a young Midwestern man freshly arrived in New York to make his fortune. He rents a shabby apartment in Long Island next door to a sumptuous mansion: the home of the mysterious and wealthy Jay Gatsby. Carraway spends time catching up with his distant cousin Daisy and her industry-baron husband Tom before being invited to one of Gatsby’s wildly lavish weekend parties. There he meets Jordan, a flapper and a golf star, and an intricate web of romances and betrayals begins to unfold.
The novel is a colorful study of America’s Jazz Age—a term said to be coined by Fitzgerald himself—complete with wealthy socialites living in hedonistic abandon, libertine flappers, jazz bands, roaring roadsters, and greasy speakeasies populated with shady grifters. Contrasted against the glamorous lives of wealthy socialites is the entrenched lower class, who live in gray, dingy squalor among smoldering ash-heaps. Fitzgerald uses the setting to examine the American Dream: the idea that anyone in America can achieve success through hard work and dedication. Gatsby has spent his life reaching for his dream. Some say he’s already achieved it. But has he? Is the dream even real for the hard-working poor that Gatsby and Tom race past in their glittering cars on the way to the decadent city?
Fitzgerald wrote much of his real life into the novel. Like Carraway, he was a Midwesterner educated at an Ivy-league school who went to live on Long Island. Despite his meager finances he hobnobbed with socialites, and spent his career struggling for money to maintain the grand style his romantic interests were accustomed to.
The cover art, titled Celestial Eyes, was commissioned from Francis Cugat, who completed it before the novel was finished. The huge eyes gazing down on the blazing city so moved Fitzgerald that he wrote them into the story.
Fitzgerald saw the novel as a purely artistic work, free of the pulp pandering required by his shorter commissions—but despite that, contemporary reviews were mixed, and it sold poorly. Fitzgerald thought it a failure, and died believing the novel to be fatally obscure. Only during World War II did it come back to the public consciousness, buoyed by the support of a ring of writers and critics and printed as an Armed Service Edition to be sent to soldiers on the front. Now it is an American classic.
Read free book «The Great Gatsby by F. Scott Fitzgerald (top e book reader txt) 📕» - read online or download for free at americanlibrarybooks.com
- Author: F. Scott Fitzgerald
Read book online «The Great Gatsby by F. Scott Fitzgerald (top e book reader txt) 📕». Author - F. Scott Fitzgerald
And it was from Cody that he inherited money—a legacy of twenty-five thousand dollars. He didn’t get it. He never understood the legal device that was used against him, but what remained of the millions went intact to Ella Kaye. He was left with his singularly appropriate education; the vague contour of Jay Gatsby had filled out to the substantiality of a man.
He told me all this very much later, but I’ve put it down here with the idea of exploding those first wild rumours about his antecedents, which weren’t even faintly true. Moreover he told it to me at a time of confusion, when I had reached the point of believing everything and nothing about him. So I take advantage of this short halt, while Gatsby, so to speak, caught his breath, to clear this set of misconceptions away.
It was a halt, too, in my association with his affairs. For several weeks I didn’t see him or hear his voice on the phone—mostly I was in New York, trotting around with Jordan and trying to ingratiate myself with her senile aunt—but finally I went over to his house one Sunday afternoon. I hadn’t been there two minutes when somebody brought Tom Buchanan in for a drink. I was startled, naturally, but the really surprising thing was that it hadn’t happened before.
They were a party of three on horseback—Tom and a man named Sloane and a pretty woman in a brown riding-habit, who had been there previously.
“I’m delighted to see you,” said Gatsby, standing on his porch. “I’m delighted that you dropped in.”
As though they cared!
“Sit right down. Have a cigarette or a cigar.” He walked around the room quickly, ringing bells. “I’ll have something to drink for you in just a minute.”
He was profoundly affected by the fact that Tom was there. But he would be uneasy anyhow until he had given them something, realizing in a vague way that that was all they came for. Mr. Sloane wanted nothing. A lemonade? No, thanks. A little champagne? Nothing at all, thanks … I’m sorry—
“Did you have a nice ride?”
“Very good roads around here.”
“I suppose the automobiles—”
“Yeah.”
Moved by an irresistible impulse, Gatsby turned to Tom, who had accepted the introduction as a stranger.
“I believe we’ve met somewhere before, Mr. Buchanan.”
“Oh, yes,” said Tom, gruffly polite, but obviously not remembering. “So we did. I remember very well.”
“About two weeks ago.”
“That’s right. You were with Nick here.”
“I know your wife,” continued Gatsby, almost aggressively.
“That so?”
Tom turned to me.
“You live near here, Nick?”
“Next door.”
“That so?”
Mr. Sloane didn’t enter into the conversation, but lounged back haughtily in his chair; the woman said nothing either—until unexpectedly, after two highballs, she became cordial.
“We’ll all come over to your next party, Mr. Gatsby,” she suggested. “What do you say?”
“Certainly; I’d be delighted to have you.”
“Be ver’ nice,” said Mr. Sloane, without gratitude. “Well—think ought to be starting home.”
“Please don’t hurry,” Gatsby urged them. He had control of himself now, and he wanted to see more of Tom. “Why don’t you—why don’t you stay for supper? I wouldn’t be surprised if some other people dropped in from New York.”
“You come to supper with me,” said the lady enthusiastically. “Both of you.”
This included me. Mr. Sloane got to his feet.
“Come along,” he said—but to her only.
“I mean it,” she insisted. “I’d love to have you. Lots of room.”
Gatsby looked at me questioningly. He wanted to go and he didn’t see that Mr. Sloane had determined he shouldn’t.
“I’m afraid I won’t be able to,” I said.
“Well, you come,” she urged, concentrating on Gatsby.
Mr. Sloane murmured something close to her ear.
“We won’t be late if we start now,” she insisted aloud.
“I haven’t got a horse,” said Gatsby. “I used to ride in the army, but I’ve never bought a horse. I’ll have to follow you in my car. Excuse me for just a minute.”
The rest of us walked out on the porch, where Sloane and the lady began an impassioned conversation aside.
“My God, I believe the man’s coming,” said Tom. “Doesn’t he know she doesn’t want him?”
“She says she does want him.”
“She has a big dinner party and he won’t know a soul there.” He frowned. “I wonder where in the devil he met Daisy. By God, I may be old-fashioned in my ideas, but women run around too much these days to suit me. They meet all kinds of crazy fish.”
Suddenly Mr. Sloane and the lady walked down the steps and mounted their horses.
“Come on,” said Mr. Sloane to Tom, “we’re late. We’ve got to go.” And then to me: “Tell him we couldn’t wait, will you?”
Tom and I shook hands, the rest of us exchanged a cool nod, and they trotted quickly down the drive, disappearing under the August foliage just as Gatsby, with hat and light overcoat in hand, came out the front door.
Tom was evidently perturbed at Daisy’s running around alone, for on the following Saturday night he came with her to Gatsby’s party. Perhaps his presence gave the evening its peculiar quality of oppressiveness—it stands out in my memory from Gatsby’s other parties that summer. There were the same people, or at least the same sort of people, the same profusion of champagne, the same many-coloured, many-keyed commotion, but I felt an unpleasantness in the air, a pervading harshness that hadn’t been there before. Or perhaps I had merely grown used to it, grown to accept West Egg as a world complete in itself, with its own standards and its own great figures, second to nothing because it had no consciousness of being so, and now I was looking at it again, through Daisy’s
Comments (0)