The Moon and Sixpence by W. Somerset Maugham (most popular novels .txt) 📕
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The Moon and Sixpence tells the story of English stockbroker Charles Strickland, who abandons his wife and child to travel to Paris to become a painter. First published in 1919 in the United Kingdom by Heinemann, the story is inspired by the life of the French artist Paul Gauguin. It’s told in episodic form from a first-person perspective. The narrator, who came to know Strickland through his wife’s literary parties, begins the story as Strickland leaves for Paris. Strickland’s new life becomes a stark contrast to his life in London. While he was once a well-off banker living a comfortable life, he must now sleep in cheap hotels while suffering both illness and hunger.
Maugham spent a year in Paris in 1904, which is when he first heard the story of Gauguin, the banker who left his family and profession to pursue his passion for art. He heard the story from others who had known and worked with Gauguin. Ten years later Maugham travelled to Tahiti where he met others who had known Gauguin during the artist’s time there. Inspired by the stories he heard, Maugham wrote The Moon and Sixpence. Although based on the life of Paul Gauguin, the story is a work of fiction.
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- Author: W. Somerset Maugham
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“You seem to like making a fool of yourself,” she said.
His round eyes grew rounder still, and his brow puckered in dismay as he saw that she was angry.
“Sweetheart, have I vexed you? I’ll never take another. It was only because I was bilious. I lead a sedentary life. I don’t take enough exercise. For three days I hadn’t …”
“For goodness sake, hold your tongue,” she interrupted, tears of annoyance in her eyes.
His face fell, and he pouted his lips like a scolded child. He gave me a look of appeal, so that I might put things right, but, unable to control myself, I shook with helpless laughter.
We went one day to the picture-dealer in whose shop Stroeve thought he could show me at least two or three of Strickland’s pictures, but when we arrived were told that Strickland himself had taken them away. The dealer did not know why.
“But don’t imagine to yourself that I make myself bad blood on that account. I took them to oblige Monsieur Stroeve, and I said I would sell them if I could. But really—” He shrugged his shoulders. “I’m interested in the young men, but voyons, you yourself, Monsieur Stroeve, you don’t think there’s any talent there.”
“I give you my word of honour, there’s no one painting today in whose talent I am more convinced. Take my word for it, you are missing a good affair. Some day those pictures will be worth more than all you have in your shop. Remember Monet, who could not get anyone to buy his pictures for a hundred francs. What are they worth now?”
“True. But there were a hundred as good painters as Monet who couldn’t sell their pictures at that time, and their pictures are worth nothing still. How can one tell? Is merit enough to bring success? Don’t believe it. Du reste, it has still to be proved that this friend of yours has merit. No one claims it for him but Monsieur Stroeve.”
“And how, then, will you recognise merit?” asked Dirk, red in the face with anger.
“There is only one way—by success.”
“Philistine,” cried Dirk.
“But think of the great artists of the past—Raphael, Michaelangelo, Ingres, Delacroix—they were all successful.”
“Let us go,” said Stroeve to me, “or I shall kill this man.”
XXIIII saw Strickland not infrequently, and now and then played chess with him. He was of uncertain temper. Sometimes he would sit silent and abstracted, taking no notice of anyone; and at others, when he was in a good humour, he would talk in his own halting way. He never said a clever thing, but he had a vein of brutal sarcasm which was not ineffective, and he always said exactly what he thought. He was indifferent to the susceptibilities of others, and when he wounded them was amused. He was constantly offending Dirk Stroeve so bitterly that he flung away, vowing he would never speak to him again; but there was a solid force in Strickland that attracted the fat Dutchman against his will, so that he came back, fawning like a clumsy dog, though he knew that his only greeting would be the blow he dreaded.
I do not know why Strickland put up with me. Our relations were peculiar. One day he asked me to lend him fifty francs.
“I wouldn’t dream of it,” I replied.
“Why not?”
“It wouldn’t amuse me.”
“I’m frightfully hard up, you know.”
“I don’t care.”
“You don’t care if I starve?”
“Why on earth should I?” I asked in my turn.
He looked at me for a minute or two, pulling his untidy beard. I smiled at him.
“What are you amused at?” he said, with a gleam of anger in his eyes.
“You’re so simple. You recognise no obligations. No one is under any obligation to you.”
“Wouldn’t it make you uncomfortable if I went and hanged myself because I’d been turned out of my room as I couldn’t pay the rent?”
“Not a bit.”
He chuckled.
“You’re bragging. If I really did you’d be overwhelmed with remorse.”
“Try it, and we’ll see,” I retorted.
A smile flickered in his eyes, and he stirred his absinthe in silence.
“Would you like to play chess?” I asked.
“I don’t mind.”
We set up the pieces, and when the board was ready he considered it with a comfortable eye. There is a sense of satisfaction in looking at your men all ready for the fray.
“Did you really think I’d lend you money?” I asked.
“I didn’t see why you shouldn’t.”
“You surprise me.”
“Why?”
“It’s disappointing to find that at heart you are sentimental. I should have liked you better if you hadn’t made that ingenuous appeal to my sympathies.”
“I should have despised you if you’d been moved by it,” he answered.
“That’s better,” I laughed.
We began to play. We were both absorbed in the game. When it was finished I said
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