The Moon and Sixpence by W. Somerset Maugham (most popular novels .txt) ๐
Description
The Moon and Sixpence tells the story of English stockbroker Charles Strickland, who abandons his wife and child to travel to Paris to become a painter. First published in 1919 in the United Kingdom by Heinemann, the story is inspired by the life of the French artist Paul Gauguin. Itโs told in episodic form from a first-person perspective. The narrator, who came to know Strickland through his wifeโs literary parties, begins the story as Strickland leaves for Paris. Stricklandโs new life becomes a stark contrast to his life in London. While he was once a well-off banker living a comfortable life, he must now sleep in cheap hotels while suffering both illness and hunger.
Maugham spent a year in Paris in 1904, which is when he first heard the story of Gauguin, the banker who left his family and profession to pursue his passion for art. He heard the story from others who had known and worked with Gauguin. Ten years later Maugham travelled to Tahiti where he met others who had known Gauguin during the artistโs time there. Inspired by the stories he heard, Maugham wrote The Moon and Sixpence. Although based on the life of Paul Gauguin, the story is a work of fiction.
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- Author: W. Somerset Maugham
Read book online ยซThe Moon and Sixpence by W. Somerset Maugham (most popular novels .txt) ๐ยป. Author - W. Somerset Maugham
โWhy did I always think your pictures beautiful, Dirk? I admired them the very first time I saw them.โ
Stroeveโs lips trembled a little.
โGo to bed, my precious. I will walk a few steps with our friend, and then I will come back.โ
XXDirk Stroeve agreed to fetch me on the following evening and take me to the cafรฉ at which Strickland was most likely to be found. I was interested to learn that it was the same as that at which Strickland and I had drunk absinthe when I had gone over to Paris to see him. The fact that he had never changed suggested a sluggishness of habit which seemed to me characteristic.
โThere he is,โ said Stroeve, as we reached the cafรฉ.
Though it was October, the evening was warm, and the tables on the pavement were crowded. I ran my eyes over them, but did not see Strickland.
โLook. Over there, in the corner. Heโs playing chess.โ
I noticed a man bending over a chessboard, but could see only a large felt hat and a red beard. We threaded our way among the tables till we came to him.
โStrickland.โ
He looked up.
โHulloa, fatty. What do you want?โ
โIโve brought an old friend to see you.โ
Strickland gave me a glance, and evidently did not recognise me. He resumed his scrutiny of the chessboard.
โSit down, and donโt make a noise,โ he said.
He moved a piece and straightway became absorbed in the game. Poor Stroeve gave me a troubled look, but I was not disconcerted by so little. I ordered something to drink, and waited quietly till Strickland had finished. I welcomed the opportunity to examine him at my ease. I certainly should never have known him. In the first place his red beard, ragged and untrimmed, hid much of his face, and his hair was long; but the most surprising change in him was his extreme thinness. It made his great nose protrude more arrogantly; it emphasized his cheekbones; it made his eyes seem larger. There were deep hollows at his temples. His body was cadaverous. He wore the same suit that I had seen him in five years before; it was torn and stained, threadbare, and it hung upon him loosely, as though it had been made for someone else. I noticed his hands, dirty, with long nails; they were merely bone and sinew, large and strong; but I had forgotten that they were so shapely. He gave me an extraordinary impression as he sat there, his attention riveted on his gameโ โan impression of great strength; and I could not understand why it was that his emaciation somehow made it more striking.
Presently, after moving, he leaned back and gazed with a curious abstraction at his antagonist. This was a fat, bearded Frenchman. The Frenchman considered the position, then broke suddenly into jovial expletives, and with an impatient gesture, gathering up the pieces, flung them into their box. He cursed Strickland freely, then, calling for the waiter, paid for the drinks, and left. Stroeve drew his chair closer to the table.
โNow I suppose we can talk,โ he said.
Stricklandโs eyes rested on him, and there was in them a malicious expression. I felt sure he was seeking for some gibe, could think of none, and so was forced to silence.
โIโve brought an old friend to see you,โ repeated Stroeve, beaming cheerfully.
Strickland looked at me thoughtfully for nearly a minute. I did not speak.
โIโve never seen him in my life,โ he said.
I do not know why he said this, for I felt certain I had caught a gleam of recognition in his eyes. I was not so easily abashed as I had been some years earlier.
โI saw your wife the other day,โ I said. โI felt sure youโd like to have the latest news of her.โ
He gave a short laugh. His eyes twinkled.
โWe had a jolly evening together,โ he said. โHow long ago is it?โ
โFive years.โ
He called for another absinthe. Stroeve, with voluble tongue, explained how he and I had met, and by what an accident we discovered that we both knew Strickland. I do not know if Strickland listened. He glanced at me once or twice reflectively, but for the most part seemed occupied with his own thoughts; and certainly without Stroeveโs babble the conversation would have been difficult. In half an hour the Dutchman, looking at his watch, announced that he must go. He asked whether I would come too. I thought, alone, I might get something out of Strickland, and so answered that I would stay.
When the fat man had left I said:
โDirk Stroeve thinks youโre a great artist.โ
โWhat the hell do you suppose I care?โ
โWill you let me see your pictures?โ
โWhy should I?โ
โI might feel inclined to buy one.โ
โI might not feel inclined to sell one.โ
โAre you making a good living?โ I asked, smiling.
He chuckled.
โDo I look it?โ
โYou look half starved.โ
โI am half starved.โ
โThen come and letโs have a bit of dinner.โ
โWhy do you ask me?โ
โNot out of charity,โ I answered coolly. โI donโt really care a twopenny damn if you starve or not.โ
His eyes lit up again.
โCome on, then,โ he said, getting up. โIโd like a decent meal.โ
XXII let him take me to a restaurant of his choice, but on the way I bought a paper. When we had ordered our dinner, I propped it against a bottle of St. Galmier and began to read. We ate in silence. I
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