Kipps by H. G. Wells (distant reading txt) 📕
Description
Kipps is the story of Arthur “Artie” Kipps, an illegitimate orphan raised by his aunt and uncle on the southern coast of England in the town of New Romney. Kipps falls in love with neighbor friend Ann Pornick but soon loses touch with her as he begins an apprenticeship at a drapery establishment in the port town of Folkestone. After a drunken evening with his new friend Chitterlow, an aspiring playwright, Kipps discovers he is to inherit a house and sizable income from his grandfather. Kipps then struggles to understand what his new-found wealth means in terms of his place in society and his love life.
While today H. G. Wells is best known for his “scientific romances” such as The Time Machine and The Island of Doctor Moreau, Wells considered Kipps his favorite work. Wells worked closely with (some say pestered) his publisher Macmillan to employ creative promotional schemes, and thanks to a cheap edition sales blossomed to over 200,000 during the first two decades of publication. It was during this period that his prior futuristic works became more available and popular with American audiences.
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- Author: H. G. Wells
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“Eh?” said Chitterlow.
“Kipps,” said Kipps, smiling a little cynically.
“What about him?”
“He’s me.” He tapped his breastbone with his middle finger to indicate his essential self.
He leant forward very gravely towards Chitterlow. “Look ’ere, Chit’low,” he said, “you haven’t no business putting my name into play. You mustn’t do things like that. You’d lose me my crib, right away.” And they had a little argument—so far as Kipps could remember. Chitterlow entered upon a general explanation of how he got his names. These, he had for the most part got out of a newspaper that was still, he believed, “lying about.” He even made to look for it, and while he was doing so Kipps went on with the argument, addressing himself more particularly to the photograph of the girl in tights. He said that at first her costume had not commended her to him, but now he perceived she had an extremely sensible face. He told her she would like Buggins if she met him; he could see she was just that sort. She would admit, all sensible people would admit, that using names in plays was wrong. You could, for example, have the law of him.
He became confidential. He explained that he was already in sufficient trouble for stopping out all night without having his name put in plays. He was certain to be in the deuce of a row, the deuce of a row. Why had he done it? Why hadn’t he gone at ten? Because one thing leads to another. One thing, he generalized, always does lead to another. …
He was trying to tell her that he was utterly unworthy of Miss Walshingham, when Chitterlow gave up the search and suddenly accused him of being drunk and talking “Rot—.”
V SwappedHe awoke on the thoroughly comfortable sofa that had had all its springs removed, and although he had certainly not been intoxicated, he awoke with what Chitterlow pronounced to be, quite indisputably, a Head and a Mouth. He had slept in his clothes and he felt stiff and uncomfortable all over, but the head and mouth insisted that he must not bother over little things like that. In the head was one large, angular idea that it was physically painful to have there. If he moved his head the angular idea shifted about in the most agonising way. This idea was that he had lost his situation and was utterly ruined and that it really mattered very little. Shalford was certain to hear of his escapade, and that coupled with that row about the Manchester window—!
He raised himself into a sitting position under Chitterlow’s urgent encouragement.
He submitted apathetically to his host’s attentions. Chitterlow, who admitted being a “bit off it” himself and in need of an egg-cupful of brandy, just an egg-cupful neat, dealt with that Head and Mouth as a mother might deal with the fall of an only child. He compared it with other Heads and Mouths that he had met, and in particular to certain experienced by the Hon. Thomas Norgate. “Right up to the last,” said Chitterlow, “he couldn’t stand his liquor. It happens like that at times.” And after Chitterlow had pumped on the young beginner’s head and given him some anchovy paste piping hot on buttered toast, which he preferred to all the other remedies he had encountered, Kipps resumed his crumpled collar, brushed his clothes, tacked up his knee, and prepared to face Mr. Shalford and the reckoning for this wild, unprecedented night, the first “night out” that ever he had taken.
Acting on Chitterlow’s advice to have a bit of a freshener before returning to the Emporium, Kipps walked some way along the Leas and back and then went down to a shop near the Harbour to get a cup of coffee. He found that extremely reinvigorating, and he went on up the High Street to face the inevitable terrors of the office, a faint touch of pride in his depravity tempering his extreme self-abasement. After all, it was not an unmanly headache; he had been out all night, and he had been drinking and his physical disorder was there to witness the fact. If it wasn’t for the thought of Shalford he would have been even a proud man to discover himself at last in such a condition. But the thought of Shalford was very dreadful. He met two of the apprentices snatching a walk before shop began. At the sight of them he pulled his spirits together, put his hat back from his pallid brow, thrust his hands into his trouser pockets and adopted an altogether more dissipated carriage; he met their innocent faces with a wan smile. Just for a moment he was glad that his patch at the knee was, after all, visible and that some at least of the mud on his clothes had refused to move at Chitterlow’s brushing. What wouldn’t they think he had been up to? He passed them without speaking. He could imagine how they regarded his back. Then he recollected Mr. Shalford. …
The deuce of a row certainly and perhaps—! He tried to think of plausible versions of the affair. He could explain he had been run down by rather a wild sort of fellow who was riding a bicycle, almost stunned for the moment (even now he felt the effects of the concussion in his head) and had been given whiskey to restore him, and “the fact is, sir”—with an upward inflection of the voice, an upward inflection of the eyebrows and an air of its being the last thing one would have expected whiskey to do, the manifestation indeed of a practically unique physiological weakness—“it got into my ’ed!”
Put like that it didn’t look so bad.
He got to the Emporium a little before eight and the housekeeper with whom
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