Vanity Fair by William Makepeace Thackeray (best thriller novels to read TXT) 📕
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Vanity Fair is perhaps Thackeray’s most famous novel. First serialized over the course of 19 volumes in Punch Magazine and first printed as a single volume in 1849, the novel cemented Thackeray’s literary fame and kept him busy with frequent revisions and even lecture circuits.
The story is framed as a puppet play, narrated by an unreliable narrator, that presents the story of Becky Sharp and Emmy Sedley and the people in their lives as they struggle through the Napoleonic Wars. The story itself, like many other Thackeray novels, is a satire of the lives of the Victorian English of a certain class. Thackeray packed the novel with allusions, many of which were difficult even for his contemporary readers; part of the heavy revisions he later made were making the allusions more accessible to his evolving audience.
As part of his satirical bent, Thackeray made a point to make each character flawed, so that there are no “heroes” in the book—hence the subtitle “A Novel Without a Hero.” Thackeray’s goal was not only to entertain, but to instruct; to that end, he wanted the reader to look within themselves after finishing the unhappy conclusion, in which there’s no hint as to how society might be able to improve on the evils shadowed in the events of novel.
Vanity Fair received glowing praise by its critical contemporaries, and remains a popular book well into modern times, having been adapted repeatedly for film, radio, and television.
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- Author: William Makepeace Thackeray
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Sir Pitt went off after this benediction, and the solemn Tinker, rushlight in hand, led the way up the great bleak stone stairs, past the great dreary drawing-room doors, with the handles muffled up in paper, into the great front bedroom, where Lady Crawley had slept her last. The bed and chamber were so funereal and gloomy, you might have fancied, not only that Lady Crawley died in the room, but that her ghost inhabited it. Rebecca sprang about the apartment, however, with the greatest liveliness, and had peeped into the huge wardrobes, and the closets, and the cupboards, and tried the drawers which were locked, and examined the dreary pictures and toilette appointments, while the old charwoman was saying her prayers. “I shouldn’t like to sleep in this yeer bed without a good conscience, Miss,” said the old woman.
“There’s room for us and a half-dozen of ghosts in it,” says Rebecca. “Tell me all about Lady Crawley and Sir Pitt Crawley, and everybody, my dear Mrs. Tinker.”
But old Tinker was not to be pumped by this little cross-questioner; and signifying to her that bed was a place for sleeping, not conversation, set up in her corner of the bed such a snore as only the nose of innocence can produce. Rebecca lay awake for a long, long time, thinking of the morrow, and of the new world into which she was going, and of her chances of success there. The rushlight flickered in the basin. The mantelpiece cast up a great black shadow, over half of a mouldy old sampler, which her defunct ladyship had worked, no doubt, and over two little family pictures of young lads, one in a college gown, and the other in a red jacket like a soldier. When she went to sleep, Rebecca chose that one to dream about.
At four o’clock, on such a roseate summer’s morning as even made Great Gaunt Street look cheerful, the faithful Tinker, having wakened her bedfellow, and bid her prepare for departure, unbarred and unbolted the great hall door (the clanging and clapping whereof startled the sleeping echoes in the street), and taking her way into Oxford Street, summoned a coach from a stand there. It is needless to particularize the number of the vehicle, or to state that the driver was stationed thus early in the neighbourhood of Swallow Street, in hopes that some young buck, reeling homeward from the tavern, might need the aid of his vehicle, and pay him with the generosity of intoxication.
It is likewise needless to say that the driver, if he had any such hopes as those above stated, was grossly disappointed; and that the worthy Baronet whom he drove to the City did not give him one single penny more than his fare. It was in vain that Jehu appealed and stormed; that he flung down Miss Sharp’s bandboxes in the gutter at the ’Necks, and swore he would take the law of his fare.
“You’d better not,” said one of the ostlers; “it’s Sir Pitt Crawley.”
“So it is, Joe,” cried the Baronet, approvingly; “and I’d like to see the man can do me.”
“So should oi,” said Joe, grinning sulkily, and mounting the Baronet’s baggage on the roof of the coach.
“Keep the box for me, Leader,” exclaims the Member of Parliament to the coachman; who replied, “Yes, Sir Pitt,” with a touch of his hat, and rage in his soul (for he had promised the box to a young gentleman from Cambridge, who would have given a crown to a certainty), and Miss Sharp was accommodated with a back seat inside the carriage, which might be said to be carrying her into the wide world.
How the young man from Cambridge sulkily put his five greatcoats in front; but was reconciled when little Miss Sharp was made to quit the carriage, and mount up beside him—when he covered her up in one of his Benjamins, and became perfectly good-humoured—how the asthmatic gentleman, the prim lady, who declared upon her sacred honour she had never travelled in a public carriage before (there is always such a lady in a coach—Alas! was; for the coaches, where are they?), and the fat widow with the brandy-bottle, took their places inside—how the porter asked them all for money, and got sixpence from the gentleman and five greasy halfpence from the fat widow—and how the carriage at length drove away—now threading the dark lanes of Aldersgate, anon clattering by the Blue Cupola of St. Paul’s, jingling rapidly by the strangers’ entry of Fleet-Market, which, with Exeter ’Change, has now departed to the world of shadows—how they passed the White Bear in Piccadilly, and saw the dew rising up from the market-gardens of Knightsbridge—how Turnhamgreen, Brentwood, Bagshot, were passed—need not be told here. But the writer of these pages, who has pursued in former days, and in the same bright weather, the same remarkable journey, cannot but think of it with a sweet and tender regret. Where is the road now, and its merry incidents of life? Is there no Chelsea or Greenwich for the old honest pimple-nosed coachmen? I wonder where are they, those good fellows? Is old Weller alive or dead? and the waiters, yea, and the inns at which they waited, and the cold rounds of beef inside, and the stunted ostler, with his blue nose and clinking pail, where is he, and where is his generation? To those great geniuses now in petticoats, who shall write novels for the beloved reader’s children, these men and things will be as much legend and history as Nineveh, or Coeur de Lion, or Jack Sheppard. For them stagecoaches will have become romances—a team of four bays
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