Middlemarch by George Eliot (ebook and pdf reader TXT) 📕
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“George Eliot” was the pen-name of Mary Ann Evans, one of the greatest of English novelists of the Victorian era. Her long novel Middlemarch, subtitled A Study of Provincial Life, is generally considered to be her finest work.
Published in eight installments between 1871 and 1872, Middlemarch tells the intertwined stories of a variety of people living in the vicinity of the (fictional) midlands town of Middlemarch during the early 1830s, the time of the great Reform Act. The novel is remarkable for its realistic treatment of situation, character and relationships and also demonstrates its author’s accurate knowledge of political issues, medicine, politics, and rural economy. Yet it also includes several touches of humor.
The novel’s main characters include: Dorothea Brooke, a religiously-inclined and very intelligent young woman who marries a much older man believing that she can assist him in his scholarly studies; Dr. Tertius Lydgate, a doctor who comes to Middlemarch to further his medical research and implement his ideas for treatment, but whose plans are thrown into disarray by an unwise marriage; Fred Vincy, an idle young man, the son of the town’s Mayor, who gets into a mire of debt; and several others.
The initial reception of the novel by critics was mixed, with a number of unfavorable reviews, but its reputation has grown through time and Middlemarch is now generally considered to be one of the best novels ever written in English.
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- Author: George Eliot
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“Is there anything the matter, papa?”
He did not answer, but Mrs. Vincy said, “Oh, my dear, have you heard nothing? It won’t be long before it reaches you.”
“Is it anything about Tertius?” said Rosamond, turning pale. The idea of trouble immediately connected itself with what had been unaccountable to her in him.
“Oh, my dear, yes. To think of your marrying into this trouble. Debt was bad enough, but this will be worse.”
“Stay, stay, Lucy,” said Mr. Vincy. “Have you heard nothing about your uncle Bulstrode, Rosamond?”
“No, papa,” said the poor thing, feeling as if trouble were not anything she had before experienced, but some invisible power with an iron grasp that made her soul faint within her.
Her father told her everything, saying at the end, “It’s better for you to know, my dear. I think Lydgate must leave the town. Things have gone against him. I dare say he couldn’t help it. I don’t accuse him of any harm,” said Mr. Vincy. He had always before been disposed to find the utmost fault with Lydgate.
The shock to Rosamond was terrible. It seemed to her that no lot could be so cruelly hard as hers to have married a man who had become the centre of infamous suspicions. In many cases it is inevitable that the shame is felt to be the worst part of crime; and it would have required a great deal of disentangling reflection, such as had never entered into Rosamond’s life, for her in these moments to feel that her trouble was less than if her husband had been certainly known to have done something criminal. All the shame seemed to be there. And she had innocently married this man with the belief that he and his family were a glory to her! She showed her usual reticence to her parents, and only said, that if Lydgate had done as she wished he would have left Middlemarch long ago.
“She bears it beyond anything,” said her mother when she was gone.
“Ah, thank God!” said Mr. Vincy, who was much broken down.
But Rosamond went home with a sense of justified repugnance towards her husband. What had he really done—how had he really acted? She did not know. Why had he not told her everything? He did not speak to her on the subject, and of course she could not speak to him. It came into her mind once that she would ask her father to let her go home again; but dwelling on that prospect made it seem utter dreariness to her: a married woman gone back to live with her parents—life seemed to have no meaning for her in such a position: she could not contemplate herself in it.
The next two days Lydgate observed a change in her, and believed that she had heard the bad news. Would she speak to him about it, or would she go on forever in the silence which seemed to imply that she believed him guilty? We must remember that he was in a morbid state of mind, in which almost all contact was pain. Certainly Rosamond in this case had equal reason to complain of reserve and want of confidence on his part; but in the bitterness of his soul he excused himself;—was he not justified in shrinking from the task of telling her, since now she knew the truth she had no impulse to speak to him? But a deeper-lying consciousness that he was in fault made him restless, and the silence between them became intolerable to him; it was as if they were both adrift on one piece of wreck and looked away from each other.
He thought, “I am a fool. Haven’t I given up expecting anything? I have married care, not help.” And that evening he said—
“Rosamond, have you heard anything that distresses you?”
“Yes,” she answered, laying down her work, which she had been carrying on with a languid semi-consciousness, most unlike her usual self.
“What have you heard?”
“Everything, I suppose. Papa told me.”
“That people think me disgraced?”
“Yes,” said Rosamond, faintly, beginning to sew again automatically.
There was silence. Lydgate thought, “If she has any trust in me—any notion of what I am, she ought to speak now and say that she does not believe I have deserved disgrace.”
But Rosamond on her side went on moving her fingers languidly. Whatever was to be said on the subject she expected to come from Tertius. What did she know? And if he were innocent of any wrong, why did he not do something to clear himself?
This silence of hers brought a new rush of gall to that bitter mood in which Lydgate had been saying to himself that nobody believed in him—even Farebrother had not come forward. He had begun to question her with the intent that their conversation should disperse the chill fog which had gathered between them, but he felt his resolution checked by despairing resentment. Even this trouble, like the rest, she seemed to regard as if it were hers alone. He was always to her a being apart, doing what she objected to. He started from his chair with an angry impulse, and thrusting his hands in his pockets, walked up and down the room. There was an underlying consciousness all the while that he should have to master this anger, and tell her everything, and convince her of the facts. For he had almost learned the lesson that he must bend himself to her nature, and that because she came short in her sympathy, he must give the more. Soon he recurred to his intention of opening himself: the
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