Little Dorrit by Charles Dickens (suggested reading .TXT) 📕
Description
Little Dorrit, like many of Charles Dickens’ novels, was originally published in serial form over a period of about 18 months, before appearing in book form in 1857.
The novel focuses on the experiences of its protagonist Arthur Clenham, who has spent some twenty years in China helping his father run the family business there. After his father dies, Arthur returns home to London. His mother gives him little in the way of welcome. She is a cold, bitter woman who has brought Arthur up under a strict religious regime concentrating on the punitive aspects of the Old Testament. Despite this upbringing, or perhaps in reaction to it, Arthur is a kind, considerate man. He is intrigued by a slight young woman he encounters working as a part-time seamstress for his mother, whom his mother calls simply “Little Dorrit.” Arthur senses some mystery about her mother’s employment of Little Dorrit, and proceeds to investigate.
There are several subplots and a whole host of characters. Compared to some of Dickens’ work, Little Dorrit features a good deal of intrigue and tension. There are also some strong strands of humor, in the form of the fictional “Circumlocution Office,” whose sole remit is “How Not To Do It,” and which stands in the way of any improvement of British life. Also very amusing are the rambling speeches of Flora, a woman with whom Arthur was enamored before he left for China, but whose shallowness he now perceives only too well.
Little Dorrit has been adapted for the screen many times, and by the BBC in 2010 in a limited television series which featured Claire Foy as Little Dorrit, Matthew Macfayden as Arthur Clenham, and Andy Serkis as the villain Rigaud.
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- Author: Charles Dickens
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His door was opened, and the head of the elder Chivery was put in a very little way, without being turned towards him.
“I am off the Lock, Mr. Clennam, and going out. Can I do anything for you?”
“Many thanks. Nothing.”
“You’ll excuse me opening the door,” said Mr. Chivery; “but I couldn’t make you hear.”
“Did you knock?”
“Half-a-dozen times.”
Rousing himself, Clennam observed that the prison had awakened from its noontide doze, that the inmates were loitering about the shady yard, and that it was late in the afternoon. He had been thinking for hours.
“Your things is come,” said Mr. Chivery, “and my son is going to carry ’em up. I should have sent ’em up but for his wishing to carry ’em himself. Indeed he would have ’em himself, and so I couldn’t send ’em up. Mr. Clennam, could I say a word to you?”
“Pray come in,” said Arthur; for Mr. Chivery’s head was still put in at the door a very little way, and Mr. Chivery had but one ear upon him, instead of both eyes. This was native delicacy in Mr. Chivery—true politeness; though his exterior had very much of a turnkey about it, and not the least of a gentleman.
“Thank you, sir,” said Mr. Chivery, without advancing; “it’s no odds me coming in. Mr. Clennam, don’t you take no notice of my son (if you’ll be so good) in case you find him cut up anyways difficult. My son has a ’art, and my son’s ’art is in the right place. Me and his mother knows where to find it, and we find it sitiwated correct.”
With this mysterious speech, Mr. Chivery took his ear away and shut the door. He might have been gone ten minutes, when his son succeeded him.
“Here’s your portmanteau,” he said to Arthur, putting it carefully down.
“It’s very kind of you. I am ashamed that you should have the trouble.”
He was gone before it came to that; but soon returned, saying exactly as before, “Here’s your black box:” which he also put down with care.
“I am very sensible of this attention. I hope we may shake hands now, Mr. John.”
Young John, however, drew back, turning his right wrist in a socket made of his left thumb and middle-finger and said as he had said at first, “I don’t know as I can. No; I find I can’t!” He then stood regarding the prisoner sternly, though with a swelling humour in his eyes that looked like pity.
“Why are you angry with me,” said Clennam, “and yet so ready to do me these kind services? There must be some mistake between us. If I have done anything to occasion it I am sorry.”
“No mistake, sir,” returned John, turning the wrist backwards and forwards in the socket, for which it was rather tight. “No mistake, sir, in the feelings with which my eyes behold you at the present moment! If I was at all fairly equal to your weight, Mr. Clennam—which I am not; and if you weren’t under a cloud—which you are; and if it wasn’t against all rules of the Marshalsea—which it is; those feelings are such, that they would stimulate me, more to having it out with you in a Round on the present spot than to anything else I could name.”
Arthur looked at him for a moment in some wonder, and some little anger. “Well, well!” he said. “A mistake, a mistake!” Turning away, he sat down with a heavy sigh in the faded chair again.
Young John followed him with his eyes, and, after a short pause, cried out, “I beg your pardon!”
“Freely granted,” said Clennam, waving his hand without raising his sunken head. “Say no more. I am not worth it.”
“This furniture, sir,” said Young John in a voice of mild and soft explanation, “belongs to me. I am in the habit of letting it out to parties without furniture, that have the room. It an’t much, but it’s at your service. Free, I mean. I could not think of letting you have it on any other terms. You’re welcome to it for nothing.”
Arthur raised his head again to thank him, and to say he could not accept the favour. John was still turning his wrist, and still contending with himself in his former divided manner.
“What is the matter between us?” said Arthur.
“I decline to name it, sir,” returned Young John, suddenly turning loud and sharp. “Nothing’s the matter.”
Arthur looked at him again, in vain, for an explanation of his behaviour. After a while, Arthur turned away his head again. Young John said, presently afterwards, with the
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