The Extraordinary Adventures of Arsène Lupin, Gentleman-Burglar by Maurice Leblanc (white hot kiss .txt) 📕
Description
Arsène Lupin, with his characteristic wit, plots over the course of nine short stories to steal many of France’s best antiques and artworks from under their owners’ noses. Only his classic opponent Detective Ganimard has the brilliance to attempt to foil Arsène’s plans, albeit with mixed results.
This first collection of nine Arsène Lupin stories were originally serialised in the magazine Je Sais Tout from 1905 and translated into English in 1910. The final story of the set features an unauthorised Sherlock Holmes whose appearance annoyed Arthur Conan Doyle; the character’s name was changed to “Herlock Sholmes” for later stories. Arsène Lupin later went on to feature in over fifty stories by Maurice Leblanc along with many other books, films and plays around the world.
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- Author: Maurice Leblanc
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Suddenly, I experienced an immense relief; a milk-wagon, whose sound was familiar to me, passed along the boulevard; and, at the same time, I had an impression that the light of a new day was trying to steal through the closed window-blinds.
At last, daylight penetrated the room; other vehicles passed along the boulevard; and all the phantoms of the night vanished. Then I put one arm out of the bed, slowly and cautiously. My eyes were fixed upon the curtain, locating the exact spot at which I must fire; I made an exact calculation of the movements I must make; then, quickly, I seized my revolver and fired.
I leaped from my bed with a cry of deliverance, and rushed to the window. The bullet had passed through the curtain and the window-glass, but it had not touched the man—for the very good reason that there was none there. Nobody! Thus, during the entire night, I had been hypnotized by a fold of the curtain. And, during that time, the malefactors. … Furiously, with an enthusiasm that nothing could have stopped, I turned the key, opened the door, crossed the antechamber, opened another door, and rushed into the library. But amazement stopped me on the threshold, panting, astounded, more astonished than I had been by the absence of the man. All the things that I supposed had been stolen, furniture, books, pictures, old tapestries, everything was in its proper place.
It was incredible. I could not believe my eyes. Notwithstanding that uproar, those noises of removal. … I made a tour, I inspected the walls, I made a mental inventory of all the familiar objects. Nothing was missing. And, what was more disconcerting, there was no clue to the intruders, not a sign, not a chair disturbed, not the trace of a footstep.
“Well! Well!” I said to myself, pressing my hands on my bewildered head, “surely I am not crazy! I heard something!”
Inch by inch, I made a careful examination of the room. It was in vain. Unless I could consider this as a discovery: Under a small Persian rug, I found a card—an ordinary playing card. It was the seven of hearts; it was like any other seven of hearts in French playing-cards, with this slight but curious exception: The extreme point of each of the seven red spots or hearts was pierced by a hole, round and regular as if made with the point of an awl.
Nothing more. A card and a letter found in a book. But was not that sufficient to affirm that I had not been the plaything of a dream?
Throughout the day, I continued my searches in the library. It was a large room, much too large for the requirements of such a house, and the decoration of which attested the bizarre taste of its founder. The floor was a mosaic of multicolored stones, formed into large symmetrical designs. The walls were covered with a similar mosaic, arranged in panels, Pompeiian allegories, Byzantine compositions, frescoes of the Middle Ages. A Bacchus bestriding a cask. An emperor wearing a gold crown, a flowing beard, and holding a sword in his right hand.
Quite high, after the style of an artist’s studio, there was a large window—the only one in the room. That window being always open at night, it was probable that the men had entered through it, by the aid of a ladder. But, again, there was no evidence. The bottom of the ladder would have left some marks in the soft earth beneath the window; but there were none. Nor were there any traces of footsteps in any part of the yard.
I had no idea of informing the police, because the facts I had before me were so absurd and inconsistent. They would laugh at me. However, as I was then a reporter on the staff of the Gil Blas, I wrote a lengthy account of my adventure and it was published in the paper on the second day thereafter. The article attracted some attention, but no one took it seriously. They regarded it as a work of fiction rather than a story of real life. The Saint-Martins rallied me. But Daspry, who took an interest in such matters, came to see me, made a study of the affair, but reached no conclusion.
A few mornings later, the doorbell rang, and Antoine came to inform me that a gentleman desired to see me. He would not give his name. I directed Antoine to show him up. He was a man of about forty years of age with a very dark complexion, lively features, and whose correct dress, slightly frayed, proclaimed a taste that contrasted strangely with his rather vulgar manners. Without any preamble, he said to me—in a rough voice that confirmed my suspicion as to his social position:
“Monsieur, whilst in a café, I picked up a copy of the Gil Blas, and read your article. It interested me very much.”
“Thank you.”
“And here I am.”
“Ah!”
“Yes, to talk to you. Are all the facts related by you quite correct?”
“Absolutely so.”
“Well, in that case, I can, perhaps, give you some information.”
“Very well; proceed.”
“No, not yet. First, I must be sure that the facts are exactly as you have related them.”
“I have given you my word. What further proof do you want?”
“I must remain alone in this room.”
“I do not understand,” I said, with surprise.
“It’s an idea that occurred to me when reading your article. Certain details established an extraordinary coincidence with another case that came under my notice. If I am mistaken, I shall say nothing more. And the only means of ascertaining the truth is by my remaining in the room alone.”
What was
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