Little Dorrit by Charles Dickens (suggested reading .TXT) 📕
Description
Little Dorrit, like many of Charles Dickens’ novels, was originally published in serial form over a period of about 18 months, before appearing in book form in 1857.
The novel focuses on the experiences of its protagonist Arthur Clenham, who has spent some twenty years in China helping his father run the family business there. After his father dies, Arthur returns home to London. His mother gives him little in the way of welcome. She is a cold, bitter woman who has brought Arthur up under a strict religious regime concentrating on the punitive aspects of the Old Testament. Despite this upbringing, or perhaps in reaction to it, Arthur is a kind, considerate man. He is intrigued by a slight young woman he encounters working as a part-time seamstress for his mother, whom his mother calls simply “Little Dorrit.” Arthur senses some mystery about her mother’s employment of Little Dorrit, and proceeds to investigate.
There are several subplots and a whole host of characters. Compared to some of Dickens’ work, Little Dorrit features a good deal of intrigue and tension. There are also some strong strands of humor, in the form of the fictional “Circumlocution Office,” whose sole remit is “How Not To Do It,” and which stands in the way of any improvement of British life. Also very amusing are the rambling speeches of Flora, a woman with whom Arthur was enamored before he left for China, but whose shallowness he now perceives only too well.
Little Dorrit has been adapted for the screen many times, and by the BBC in 2010 in a limited television series which featured Claire Foy as Little Dorrit, Matthew Macfayden as Arthur Clenham, and Andy Serkis as the villain Rigaud.
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- Author: Charles Dickens
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In those early days, the turnkey first began profoundly to consider a question which cost him so much mental labour, that it remained undetermined on the day of his death. He decided to will and bequeath his little property of savings to his godchild, and the point arose how could it be so “tied up” as that only she should have the benefit of it? His experience on the lock gave him such an acute perception of the enormous difficulty of “tying up” money with any approach to tightness, and contrariwise of the remarkable ease with which it got loose, that through a series of years he regularly propounded this knotty point to every new insolvent agent and other professional gentleman who passed in and out.
“Supposing,” he would say, stating the case with his key on the professional gentleman’s waistcoat; “supposing a man wanted to leave his property to a young female, and wanted to tie it up so that nobody else should ever be able to make a grab at it; how would you tie up that property?”
“Settle it strictly on herself,” the professional gentleman would complacently answer.
“But look here,” quoth the turnkey. “Supposing she had, say a brother, say a father, say a husband, who would be likely to make a grab at that property when she came into it—how about that?”
“It would be settled on herself, and they would have no more legal claim on it than you,” would be the professional answer.
“Stop a bit,” said the turnkey. “Supposing she was tenderhearted, and they came over her. Where’s your law for tying it up then?”
The deepest character whom the turnkey sounded, was unable to produce his law for tying such a knot as that. So, the turnkey thought about it all his life, and died intestate after all.
But that was long afterwards, when his goddaughter was past sixteen. The first half of that space of her life was only just accomplished, when her pitiful and plaintive look saw her father a widower. From that time the protection that her wondering eyes had expressed towards him, became embodied in action, and the Child of the Marshalsea took upon herself a new relation towards the Father.
At first, such a baby could do little more than sit with him, deserting her livelier place by the high fender, and quietly watching him. But this made her so far necessary to him that he became accustomed to her, and began to be sensible of missing her when she was not there. Through this little gate, she passed out of childhood into the care-laden world.
What her pitiful look saw, at that early time, in her father, in her sister, in her brother, in the jail; how much, or how little of the wretched truth it pleased God to make visible to her; lies hidden with many mysteries. It is enough that she was inspired to be something which was not what the rest were, and to be that something, different and laborious, for the sake of the rest. Inspired? Yes. Shall we speak of the inspiration of a poet or a priest, and not of the heart impelled by love and self-devotion to the lowliest work in the lowliest way of life!
With no earthly friend to help her, or so much as to see her, but the one so strangely assorted; with no knowledge even of the common daily tone and habits of the common members of the free community who are not shut up in prisons; born and bred in a social condition, false even with a reference to the falsest condition outside the walls; drinking from infancy of a well whose waters had their own peculiar stain, their own unwholesome and unnatural taste; the Child of the Marshalsea began her womanly life.
No matter through what mistakes and discouragements, what ridicule (not unkindly meant, but deeply felt) of her youth and little figure, what humble consciousness of her own babyhood and want of strength, even in the matter of lifting and carrying; through how much weariness and hopelessness, and how many secret tears; she drudged on, until recognised as useful, even indispensable. That time came. She took the place of eldest of the three, in all things but precedence; was the head of the fallen family; and bore, in her own heart, its anxieties and shames.
At thirteen, she could read and keep accounts, that is, could put down in words and figures how much the bare necessaries that they wanted would cost, and how much less they had to buy them with. She had been, by snatches of a few weeks at a time, to an evening school outside, and got her sister and brother sent to day-schools by desultory starts, during three or four years. There was no instruction for any of them at home; but she knew well—no one better—that a man so broken as to be the Father of the Marshalsea, could be no father to his own children.
To these scanty means of improvement, she added another of her own contriving. Once, among the heterogeneous crowd of inmates there appeared a dancing-master. Her sister had a great desire to learn the dancing-master’s art, and seemed to have a taste that way. At thirteen years old, the Child of the Marshalsea presented herself to the dancing-master, with a little bag in her hand,
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