The Ambassadors by Henry James (read people like a book .TXT) 📕
Description
A middle-aged man named Lambert Strether is sent to Paris by his wealthy wife-to-be in order to convince her son Chad to return home to America and take over the lucrative family business. This turns out to be much easier said than done, as Strether finds Chad much better adapted to European life than anyone expected.
James’ characteristically dense prose is matched by a cast of subtly-realized characters who rarely say exactly what they mean. Widely regarded as one of James’ best novels, The Ambassadors explores themes of love, duty, and aging, all told through the eyes of a man who wonders if life hasn’t passed him by.
This ebook follows the 1909 New York Edition, with one important exception: Since 1950, it has been generally agreed that the New York Edition had incorrectly ordered the first two chapters of Book XI. This text follows the convention of most printings since then, and the chapters have been returned to what is believed to have been James’ intended order.
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- Author: Henry James
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There were instants at which he could ask whether, since there had been fundamentally so little question of his keeping anything, the fate after all decreed for him hadn’t been only to be kept. Kept for something, in that event, that he didn’t pretend, didn’t possibly dare as yet to divine; something that made him hover and wonder and laugh and sigh, made him advance and retreat, feeling half ashamed of his impulse to plunge and more than half afraid of his impulse to wait. He remembered for instance how he had gone back in the sixties with lemon-coloured volumes in general on the brain as well as with a dozen—selected for his wife too—in his trunk; and nothing had at the moment shown more confidence than this invocation of the finer taste. They were still somewhere at home, the dozen—stale and soiled and never sent to the binder; but what had become of the sharp initiation they represented? They represented now the mere sallow paint on the door of the temple of taste that he had dreamed of raising up—a structure he had practically never carried further. Strether’s present highest flights were perhaps those in which this particular lapse figured to him as a symbol, a symbol of his long grind and his want of odd moments, his want moreover of money, of opportunity, of positive dignity. That the memory of the vow of his youth should, in order to throb again, have had to wait for this last, as he felt it, of all his accidents—that was surely proof enough of how his conscience had been encumbered. If any further proof were needed it would have been to be found in the fact that, as he perfectly now saw, he had ceased even to measure his meagreness, a meagreness that sprawled, in this retrospect, vague and comprehensive, stretching back like some unmapped Hinterland from a rough coast-settlement. His conscience had been amusing itself for the forty-eight hours by forbidding him the purchase of a book; he held off from that, held off from everything; from the moment he didn’t yet call on Chad he wouldn’t for the world have taken any other step. On this evidence, however, of the way they actually affected him he glared at the lemon-coloured covers in confession of the subconsciousness that, all the same, in the great desert of the years, he must have had of them. The green covers at home comprised, by the law of their purpose, no tribute to letters; it was of a mere rich kernel of economics, politics, ethics that, glazed and, as Mrs. Newsome maintained rather against his view, preeminently pleasant to touch, they formed the specious shell. Without therefore any needed instinctive knowledge of what was coming out, in Paris, on the bright highway, he struck himself at present as having more than once flushed with a suspicion: he couldn’t otherwise at present be feeling so many fears confirmed. There were “movements” he was too late for: weren’t they, with the fun of them, already spent? There were sequences he had missed and great gaps in the procession: he might have been watching it all recede in a golden cloud of dust. If the playhouse wasn’t closed his seat had at least fallen to somebody else. He had had an uneasy feeling the night before that if he was at the theatre at all—though he indeed justified the theatre, in the specific sense, and with a grotesqueness to which his imagination did all honour, as something he owed poor Waymarsh—he should have been there with, and as might have been said, for Chad.
This suggested the question of whether he could properly have taken him to such a play, and what effect—it was a point that suddenly rose—his peculiar responsibility might be held in general to have on his choice of entertainment. It had literally been present to him at the Gymnase—where one was held moreover comparatively safe—that having his young friend at his side would have been an odd feature of the work of redemption; and this quite in spite of the fact that the picture presented might well, confronted with Chad’s own private stage, have seemed the pattern of propriety. He clearly hadn’t come out in the name of propriety but to visit unattended equivocal performances; yet still less had he done so to undermine his authority by sharing them with the graceless youth. Was he to renounce all amusement for the sweet sake of that authority? and would such renouncement give him for Chad a moral glamour? The little problem bristled the more by reason of poor Strether’s fairly open sense of the irony of things. Were there then sides on which his predicament threatened to look rather droll to him? Should he have to pretend to believe—either to himself or the wretched boy—that there was anything that could make the latter worse? Wasn’t some such pretence on the other hand involved in the assumption of possible processes that would make him better? His greatest uneasiness seemed to peep at
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