Sinister Street by Compton Mackenzie (great books to read TXT) 📕
Description
Michael Fane arrives in the thin red house in Carlington Road to his new family of Nurse, Cook, Annie the housemaid, his younger sister Stella, and the occasional presence of Mother. From here, the novel follows the next twenty years of his life as he tries to find his place in the upper echelons of Edwardian society, through prep school, studies at Oxford, and his emergence into the wide world. The setting is rich in period detail, and the characters portrayed are vivid and more nuanced in their actions and stories than first impressions imply.
Sinister Street was an immediate critical success on publication, although not without some worry for its openness to discuss less salubrious scenes, and it was a favourite of George Orwell and John Betjeman. Compton Mackenzie had attended both St. James’ school and St. Mary’s College at Oxford and the novel is at least partly autobiographical, but for the same measure was praised as an accurate portrayal of that experience; Max Beerbohm said “There is no book on Oxford like it. It gives you the actual Oxford experience.” Although originally published in two volumes (in 1913 and 1914) for commercial reasons, the two form a single novel and have been brought back together again for this edition.
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- Author: Compton Mackenzie
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“Here we are, you two dreamers,” said Sylvia, pulling them to a stop by a narrow turning which led straight from the pavement unexpectedly, without any dip down into a road.
“Through here? How fascinating!” said Michael.
They passed between two posts, and in another three minutes stopped in front of a door set in a wall.
“I’ve got the key,” said Sylvia, and she unlocked the door.
“But this is extraordinary,” Michael exclaimed. “Aren’t we walking through a garden?”
“Yes, it’s quite a long garden,” Sylvia informed him. There was a smell of damp earth here that sweetened the harshness of the fog, and Michael thought that he had never imagined anything so romantic as following Lily in single file along the narrow gravel path of a mysterious garden like this. There must have been thirty yards of path, before they walked up the steps of what seemed to be a sort of balcony.
“She’s downstairs,” said Sylvia, tapping upon a glass door with the key. A woman’s figure appeared with an orange-shaded lamp in the passage.
“Open quickly, Mrs. Gainsborough. We’re frozen,” Sylvia called. As the woman opened the door, Sylvia went on in her deep voice:
“We’ve brought an old friend of Lily’s back from the dance. It wasn’t really worth going to. Oh, I oughtn’t to have said that, ought I?” she laughed, turning round to Michael. “Come in and get warm. This is Mrs. Gainsborough, who’s the queen of cards.”
“Get along with you, you great saucy thing,” said Mrs. Gainsborough, laughing.
She was a woman of enormous size with a triplication of chins. Her crimson cheeks shone with the same glister as her black dress; and her black hair, so black that it must have been dyed, was parted in the middle and lay in a chignon upon her neck. She seemed all the larger, sitting in this small room full of Victorian finery, and Michael was amused to hear her address Sylvia as “great.”
“We want something to eat and something to drink, you lovely old mountain,” Sylvia said.
Mrs. Gainsborough doubled herself up and smacked her knees in a tempest of wheezy laughter.
“Sit here, you terrors, while I get the cloth on the dining-room table,” and out she went, her laughter dying in sibilations along the diminutive corridor. Lily had flung herself down in an armchair near the fire. Behind her stood a small mahogany table on which was a glass case of hummingbirds; by her elbow on the wall was a white china bell coronated with a filigree of gilt, and by chance the antimacassar on the chair was of Berlin wool checkered black and blue. She in her pierrette’s dress of black with light blue pompons looked strangely remote from present time in that setting. Michael could not connect this secluded house with anything which had made an impression upon him during his experience of the underworld. Here was nothing that was not cozy and old-fashioned; here was no sign of decay, whether in the fabric of the house or in the attitude of the people living there. This small square room with the heavy furniture that occupied so much of the space had no demirep demeanor. That horsehair sofa with lyre-shaped sides and back of floriated wood; that brass birdcage hanging in the window against the curtains of maroon serge; those cabinets in miniature, some lacquered, some of plain wood with tiny drop-handles of brass; those black chairs with seats of gilded cane; those trays with marquetery in mother-of-pearl of wreaths and rivulets and parrots; that tablecloth like a dish of black Sèvres; those simpering steel engravings—there was nothing that did not bespeak the sobriety of the Victorian prime here miraculously preserved. Lily and Sylvia in such dresses belonged to a period of fantasy; Mrs. Gainsborough was in keeping with her furniture; and Michael, as he looked at himself in the glass overmantel, did not think that he was seeming very intrusive.
“Whose are these rooms?” he asked. Lily was adorable, but he did not believe they were her creation or discovery.
“I found them,” said Sylvia. “The old girl who owns the house is bad, but beautiful. Aren’t you, you most astonishing but attractive mammoth?” This was addressed to Mrs. Gainsborough, who was at the moment panting into the room for some accessory to the dining-table.
“Get along with you,” the landlady chuckled. “Now don’t go to sleep, Lily. Your supper is just on ready.” She went puffing from the room in busy mirthfulness.
“She’s one of the best,” said Sylvia. “This house
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