Hadji Murád by Leo Tolstoy (best mobile ebook reader .txt) 📕
Description
In this short novel, Tolstoy fictionalizes the final days of Hadji Murád, a legendary Avar separatist who fought against, and later with, Russia, as the Russian Empire was struggling to annex Chechnya and the surrounding land in the late 1840s.
The novel opens with the narrator finding a thistle crushed in a blooming field, which reminds him of Hadji Murád and his tragic tale. As the narrator recounts the story, the reader is quickly thrust into the rich, colorful history of the Caucuses, and its people’s fight against Russian imperialism.
Hadji Murád is portrayed as a legendary and imposing, yet friendly and approachable figure. Despite his reputation, it seems that his best days are behind him; as the novel opens, Murád is fleeing Shamil, a powerful imam who has captured Murád’s family. Murád finds himself thrust between the invading Russians on one side, and Shamil’s vengeance on the other.
As Murád and his tiny but loyal group of warriors try to forge alliances in their attempt to rescue Murád’s family, they quickly find themselves politically outclassed. The Russians are Murád’s enemies, yet only they can help him in his struggle against Shamil; and after years of losses incurred by Murád’s guerrilla tactics, the Russians would like his help but cannot trust him. Shamil, on the other hand, is a deep link to the region’s complex web of tribal blood feuds, vengeances, reprisals, and quarrels over honor. He’s one of the few powers left standing between the Russians and their control of the Caucuses, but Murád, having crossed him, can’t rescue his family from Shamil’s clutches without the help of the Russians.
Murád’s impossible position, the contradiction between his legendary past and his limping, dignified, and ultimately powerless present, and the struggle against a mighty empire by a people torn by internecine conflict, form the major thematic threads of the novel.
The novel was one of the last that Tolstoy finished before his death, and was only published posthumously in 1912. Tolstoy himself served in the Crimean War, and the war scenes portrayed in the novel echo his personal experiences. As the story progresses, Tolstoy characterizes various real-life historical personalities besides Hadji Murád and Shamil, including Emperor Nicholas I, Mikhail Loris-Melikov, and Count Vorontsov-Dashkov, making this a fascinating piece of historical fiction. Despite this being such a late entry in Tolstoy’s corpus, it has been highly praised by critics both contemporary and modern, with the famous critic Harold Bloom going so far as to say that Hadji Murád is “my personal touchstone for the sublime of prose fiction, to me the best story in the world, or at least the best I have ever read.”
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- Author: Leo Tolstoy
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Especially attractive to Tolstoy is the religious fervour of self-abnegation, and the readiness for self-sacrifice in a great cause, which were so frequently shown by the mountaineers.
We are more closely akin to the men of other lands than we often realise; and lest someone reading this book should say to himself, “Yes, the Russians are so-and-so, but we are not as they …” it may be well to mention that the elder Vorontsóv’s mother was an Englishwoman, a Herbert of the Pembroke family. For that fact, and for much else, I am indebted to Mr. J. F. Baddeley, and especially for his version of the song of the blood-feud sung by Khanéfii, which I have borrowed.
The footnotes are not part of the original work, but belong to the translation.
Aylmer Maude.
Hadji Murád II was returning home by the fields. It was midsummer; the hay harvest was over, and they were just beginning to reap the rye. At that season of the year there is a delightful variety of flowers—red, white, and pink scented tufty clover; milk-white ox-eye daisies with their bright yellow centers and pleasant spicy smell; yellow honey-scented rape blossoms; tall campanulas with white and lilac bells, tulip-shaped; creeping vetch; yellow, red, and pink scabious; plantains with faintly-scented, neatly-arranged purple, slightly pink-tinged blossoms; cornflowers, bright blue in the sunshine and when still young, but growing paler and redder towards evening or when growing old; and delicate quickly-withering almond-scented dodder flowers. I gathered a large nosegay of these different flowers, and was going home, when I noticed in a ditch, in full bloom, a beautiful thistle plant of the crimson kind, which in our neighborhood they call “Tartar” and carefully avoid when mowing—or, if they do happen to cut it down, throw out from among the grass for fear of pricking their hands. Thinking to pick this thistle and put it in the center of my nosegay, I climbed down into the ditch, and, after driving away a velvety bumblebee that had penetrated deep into one of the flowers and had there fallen sweetly asleep, I set to work to pluck the flower. But this proved a very difficult task. Not only did the stalk prick on every side—even through the handkerchief I wrapped round my hand—but it was so tough that I had to struggle with it for nearly five minutes, breaking the fibers one by one; and when I had at last plucked it, the stalk was all frayed and the flower itself no longer seemed so fresh and beautiful. Moreover, owing to a coarseness and stiffness, it did not seem in place among the delicate blossoms of my nosegay. I felt sorry to have vainly destroyed a flower that looked beautiful in its proper place, and I threw it away.
“But what energy and tenacity! With what determination it defended itself, and how dearly it sold its life!” thought I to myself, recollecting the effort it had cost me to pluck the flower. The way home led across black-earth fields that had just been ploughed up. I ascended the dusty path. The ploughed field belonged to a landed proprietor, and was so large that on both sides and before me to the top of the hill nothing was visible but evenly furrowed and moist earth. The land was well tilled, and nowhere was there a blade of grass or any kind of plant to be seen; it was all black. “Ah, what a destructive creature is man. … How many different plant-lives he destroys to support his own existence!” thought I, involuntarily looking around for some living thing in this lifeless black field. In front of me to the right of the road I saw some kind of little clump, and drawing nearer I found it was the same kind of thistle as that which I had vainly plucked and thrown away. This “Tartar” plant had three branches. One was broken and stuck out like the stump of a mutilated arm. Each of the other two bore a flower, once red but now blackened. One stalk was broken and half of it hung down with a soiled flower at its tip. The other, though also soiled with black mud, still stood erect. Evidently a cartwheel had passed over the plant, but it had risen again, and that was why, though erect, it stood twisted to one side, as if a piece of its body had been torn from it, its bowels drawn out, an arm torn off, and one of its eyes plucked out; and yet it stood firm and did not surrender to man, who had destroyed all its brothers around it. …
“What energy!” I thought. “Man has conquered everything, and destroyed millions of plants, yet this one won’t submit.” And I remembered a Caucasian episode of years ago, which I had partly seen myself, partly heard of from eyewitnesses, and in part imagined.
The episode, as it has taken shape in my memory and imagination, was as follows.
It happened towards the end of 1851.
On a cold November evening Hadji Murád rode into
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