Major Barbara by George Bernard Shaw (different e readers .TXT) 📕
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Major Barbara is a three-act play that premiered at the Court Theatre in 1905, and was subsequently published in 1907. It portrays idealist Barbara Undershaft, a Major in the Salvation Army, and her encounter with her long-estranged father who has made his fortune as a “dealer of death” in the munitions industry. Barbara doesn’t wish to be associated with her father’s ill-gotten wealth, but can’t prevent him from donating to the Salvation Army and eventually converting her family to his capitalist views on how best to help the poor.
In the preface, Shaw addresses his critics and explicates his actual attitudes towards the Salvation Army, versus the attitudes and fates portrayed by his characters and responded to by the critics. He continues on to discuss the issues of wealth and poverty, religion and science, and how they all fit into his views of society.
Major Barbara is one of the most controversial of Shaw’s work and was greeted with decidedly mixed reviews, yet it endures as one of his most famous plays.
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- Author: George Bernard Shaw
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As Mr. Stuart-Glennie traced the evolution of society to the conflict of races, his theory made some sensation among Socialists—that is, among the only people who were seriously thinking about historical evolution at all—by its collision with the class-conflict theory of Karl Marx. Nietzsche, as I gather, regarded the slave-morality as having been invented and imposed on the world by slaves making a virtue of necessity and a religion of their servitude. Mr. Stuart-Glennie regards the slave-morality as an invention of the superior white race to subjugate the minds of the inferior races whom they wished to exploit, and who would have destroyed them by force of numbers if their minds had not been subjugated. As this process is in operation still, and can be studied at first hand not only in our Church schools and in the struggle between our modern proprietary classes and the proletariat, but in the part played by Christian missionaries in reconciling the black races of Africa to their subjugation by European Capitalism, we can judge for ourselves whether the initiative came from above or below. My object here is not to argue the historical point, but simply to make our theatre critics ashamed of their habit of treating Britain as an intellectual void, and assuming that every philosophical idea, every historic theory, every criticism of our moral, religious and juridical institutions, must necessarily be either imported from abroad, or else a fantastic sally (in rather questionable taste) totally unrelated to the existing body of thought. I urge them to remember that this body of thought is the slowest of growths and the rarest of blossomings, and that if there is such a thing on the philosophic plane as a matter of course, it is that no individual can make more than a minute contribution to it. In fact, their conception of clever persons parthenogenetically bringing forth complete original cosmogonies by dint of sheer “brilliancy” is part of that ignorant credulity which is the despair of the honest philosopher, and the opportunity of the religious impostor.
The Gospel of St. Andrew UndershaftIt is this credulity that drives me to help my critics out with Major Barbara by telling them what to say about it. In the millionaire Undershaft I have represented a man who has become intellectually and spiritually as well as practically conscious of the irresistible natural truth which we all abhor and repudiate: to wit, that the greatest of evils and the worst of crimes is poverty, and that our first duty—a duty to which every other consideration should be sacrificed—is not to be poor. “Poor but honest,” “the respectable poor,” and such phrases are as intolerable and as immoral as “drunken but amiable,” “fraudulent but a good after-dinner speaker,” “splendidly criminal,” or the like. Security, the chief pretence of civilization, cannot exist where the worst of dangers, the danger of poverty, hangs over everyone’s head, and where the alleged protection of our persons from violence is only an accidental result of the existence of a police force whose real business is to force the poor man to see his children starve whilst idle people overfeed pet dogs with the money that might feed and clothe them.
It is exceedingly difficult to make people realize that an evil is an evil. For instance, we seize a man and deliberately do him a malicious injury: say, imprison him for years. One would not suppose that it needed any exceptional clearness of wit to recognize in this an act of diabolical cruelty. But in England such a recognition provokes a stare of surprise, followed by an explanation that the outrage is punishment or justice or something else that is all right, or perhaps by a heated attempt to argue that we should all be robbed and murdered in our beds if such senseless villainies as sentences of imprisonment were not committed daily. It is useless to argue that even if this were true, which it is not, the alternative to adding crimes of our own to the crimes from which we suffer is not helpless submission. Chickenpox is an evil; but if I were to declare that we must either submit to it or else repress it sternly by seizing everyone who suffers from it and punishing them by inoculation with smallpox, I should be laughed at; for though nobody could deny that the result would be to prevent chickenpox to some extent by making people avoid it much more carefully, and to effect a further apparent prevention by making them conceal it very anxiously, yet people would have sense enough to see that the deliberate propagation of
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