Sons and Lovers by D. H. Lawrence (best short novels .txt) 📕

children were alone. The stay-at-home mothers stood gossiping at the corners of the alley, as the twilight sank, folding their arms under their white aprons.

Mrs. Morel was alone, but she was used to it. Her son and her little girl slept upstairs; so, it seemed, her home was there behind her, fixed and stable. But she felt wretched with the coming child. The world seemed a dreary place, where nothing else would happen for her⁠—at least until William grew up. But for herself, nothing but this dreary endurance⁠—till the children grew up. And the children! She could not afford to have this third. She did not want it. The father was serving beer in a public house, swilling himself drunk. She despised him, and was tied to him. This coming child was too much for her. If it were not for William and Annie, she was sick of it, the struggle with poverty and ugliness and meanness.

She went into the front garden, feeling too heavy to take herself out, yet unable to stay indoors. The heat suffocated her. And looking ahead, the prospect of her life made her feel as if she were buried alive.

The front garden was a small square with a privet hedge. There she stood, trying to soothe herself with the scent of flowers and the fading, beautiful evening. Opposite her small gate was the stile that led uphill, under the tall hedge between the burning glow of the cut pastures. The sky overhead throbbed and pulsed with light. The glow sank quickly off the field; the earth and the hedges smoked dusk. As it grew dark, a ruddy glare came out on the hilltop, and out of the glare the diminished commotion of the fair.

Sometimes, down the trough of darkness formed by the path under the hedges, men came lurching home. One young man lapsed into a run down the steep bit that ended the hill, and went with a crash into the stile. Mrs. Morel shuddered. He picked himself up, swearing viciously, rather pathetically, as if he thought the stile had wanted to hurt him.

She went indoors, wondering if things were never going to alter. She was beginning by now to realise that they would not. She seemed so far away from her girlhood, she wondered if it were the same person walking heavily up the back garden at the Bottoms as had run so lightly up the breakwater at Sheerness ten years before.

“What have I to do with it?” she said to herself. “What have I to do with all this? Even the child I am going to have! It doesn’t seem as if I were taken into account.”

Sometimes life takes hold of one, carries the body along, accomplishes one’s history, and yet is not real, but leaves oneself as it were slurred over.

“I wait,” Mrs. Morel said to herself⁠—“I wait, and what I wait for can never come.”

Then she straightened the kitchen, lit the lamp, mended the fire, looked out the washing for the next day, and put it to soak. After which she sat down to her sewing. Through the long hours her needle flashed regularly through the stuff. Occasionally she sighed, moving to relieve herself. And all the time she was thinking how to make the most of what she had, for the children’s sakes.

At half-past eleven her husband came. His cheeks were very red and very shiny above his black moustache. His head nodded slightly. He was pleased with himself.

“Oh! Oh! waitin’ for me, lass? I’ve bin ’elpin’ Anthony, an’ what’s think he’s gen me? Nowt b’r a lousy hae’f-crown, an’ that’s ivry penny⁠—”

“He thinks you’ve made the rest up in beer,” she said shortly.

“An’ I ’aven’t⁠—that I ’aven’t. You b’lieve me, I’ve ’ad very little this day, I have an’ all.” His voice went tender. “Here, an’ I browt thee a bit o’ brandysnap, an’ a coconut for th’ children.” He laid the gingerbread and the coconut, a hairy object, on the table. “Nay, tha niver said thankyer for nowt i’ thy life, did ter?”

As a compromise, she picked up the coconut and shook it, to see if it had any milk.

“It’s a good ’un, you may back yer life o’ that. I got it fra’ Bill Hodgkisson. ‘Bill,’ I says, ‘tha non wants them three nuts, does ter? Arena ter for gi’ein’ me one for my bit of a lad an’ wench?’ ‘I ham, Walter, my lad,’ ’e says; ‘ta’e which on ’em ter’s a mind.’ An’ so I took one, an’ thanked ’im. I didn’t like ter shake it afore ’is eyes, but ’e says, ‘Tha’d better ma’e sure it’s a good ’un, Walt.’ An’ so, yer see, I knowed it was. He’s a nice chap, is Bill Hodgkisson, ’e’s a nice chap!”

“A man will part with anything so long as he’s drunk, and you’re drunk along with him,” said Mrs. Morel.

“Eh, tha mucky little ’ussy, who’s drunk, I sh’d like ter know?” said Morel. He was extraordinarily pleased with himself, because of his day’s helping to wait in the Moon and Stars. He chattered on.

Mrs. Morel, very tired, and sick of his babble, went to bed as quickly as possible, while he raked the fire.

Mrs. Morel came of a good old burgher family, famous independents who had fought with Colonel Hutchinson, and who remained stout Congregationalists. Her grandfather had gone bankrupt in the lace-market at a time when so many lace-manufacturers were ruined in Nottingham. Her father, George Coppard, was an engineer⁠—a large, handsome, haughty man, proud of his fair skin and blue eyes, but more proud still of his integrity. Gertrude resembled her mother in her small build. But her temper, proud and unyielding, she had from the Coppards.

George Coppard was bitterly galled by his own poverty. He became foreman of the engineers in the dockyard at Sheerness. Mrs. Morel⁠—Gertrude⁠—was the second daughter. She favoured her mother, loved her mother best of all; but she had the Coppards’ clear, defiant blue eyes and their broad brow. She remembered to have hated her