A young man stumbles into a rural public house in western Ireland claiming to be on the run after having killed his father. He immediately becomes a source of awe and an object of adoration, and even love. But what happens when the inhabitants of this tiny village find out all is not as the stranger claims?
J. M. Synge first presented The Playboy of the Western World at the Abbey Theatre in Dublin on the 26th of January, 1907. The performance immediately offended Irish nationalists by seemingly insulting the Irish people and language, and the general public, by being an offense against moral order. Before it was even finished, it was disrupted by a riot that soon spread out into the city. When it was performed in 1911 in the U.S., the play was again greeted with scorn and the company arrested for an immoral performance.
But as Synge himself attempts to explain in the preface to his play, rather than attack Irish Gaelic, he wanted to show the relationship between the imagination of the Irish country people and their speech, which is “rich and living,” and that his use of such language reflects reality in a way missing from other modern drama. He later insisted that his plot was not to be taken as social realism, but died in 1909 before the play finally gained broader appeal in the wider world. Since then the significance of The Playboy of the Western World has been recognized and celebrated both for its characterizations and its rich use of dialect.
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and have you no shame, Michael James, to be quitting off for the whole night, and leaving myself lonesome in the shop?
Michael
Good-humouredly. Isn’t it the same whether I go for the whole night or a part only? and I’m thinking it’s a queer daughter you are if you’d have me crossing backward through the Stooks of the Dead Women, with a drop taken.
Pegeen
If I am a queer daughter, it’s a queer father’d be leaving me lonesome these twelve hours of dark, and I piling the turf with the dogs barking, and the calves mooing, and my own teeth rattling with the fear.
Jimmy
Flatteringly. What is there to hurt you, and you a fine, hardy girl would knock the head of any two men in the place?
Pegeen
Working herself up. Isn’t there the harvest boys with their tongues red for drink, and the ten tinkers is camped in the east glen, and the thousand militia—bad cess to them!—walking idle through the land. There’s lots surely to hurt me, and I won’t stop alone in it, let himself do what he will.
Michael
If you’re that afeard, let Shawn Keogh stop along with you. It’s the will of God, I’m thinking, himself should be seeing to you now. They all turn on Shawn.
Shawn
In horrified confusion. I would and welcome, Michael James, but I’m afeard of Father Reilly; and what at all would the Holy Father and the Cardinals of Rome be saying if they heard I did the like of that?
Michael
With contempt. God help you! Can’t you sit in by the hearth with the light lit and herself beyond in the room? You’ll do that surely, for I’ve heard tell there’s a queer fellow above, going mad or getting his death, maybe, in the grip of the ditch, so she’d be safer this night with a person here.
Shawn
With plaintive despair. I’m afeard of Father Reilly, I’m saying. Let you not be tempting me, and we near married itself.
Philly
With cold contempt. Lock him in the west room. He’ll stay then and have no sin to be telling to the priest.
Michael
To Shawn, getting between him and the door. Go up now.
Shawn
At the top of his voice. Don’t stop me, Michael James. Let me out of the door, I’m saying, for the love of the Almighty God. Let me out Trying to dodge past him.. Let me out of it, and may God grant you His indulgence in the hour of need.
Michael
Loudly. Stop your noising, and sit down by the hearth. Gives him a push and goes to counter laughing.
Shawn
Turning back, wringing his hands. Oh, Father Reilly and the saints of God, where will I hide myself today? Oh, St. Joseph and St. Patrick and St. Brigid, and St. James, have mercy on me now! Shawn turns round, sees door clear, and makes a rush for it.
Michael
Catching him by the coattail. You’d be going, is it?
Shawn
Screaming. Leave me go, Michael James, leave me go, you old Pagan, leave me go, or I’ll get the curse of the priests on you, and of the scarlet-coated bishops of the courts of Rome. With a sudden movement he pulls himself out of his coat, and disappears out of the door, leaving his coat in Michael’s hands.
Michael
Turning round, and holding up coat. Well, there’s the coat of a Christian man. Oh, there’s sainted glory this day in the lonesome west; and by the will of God I’ve got you a decent man, Pegeen, you’ll have no call to be spying after if you’ve a score of young girls, maybe, weeding in your fields.
Pegeen
Taking up the defence of her property. What right have you to be making game of a poor fellow for minding the priest, when it’s your own the fault is, not paying a penny potboy to stand along with me and give me courage in the doing of my work? She snaps the coat away from him, and goes behind counter with it.
Michael
Taken aback. Where would I get a potboy? Would you have me send the bellman screaming in the streets of Castlebar?
Shawn
Opening the door a chink and putting in his head, in a small voice. Michael James!
Michael
Imitating him. What ails you?
Shawn
The queer dying fellow’s beyond looking over the ditch. He’s come up, I’m thinking, stealing your hens. Looks over his shoulder. God help me, he’s following me now, He runs into room. and if he’s heard what I said, he’ll be having my life, and I going home lonesome in the darkness of the night.
For a perceptible moment they watch the door with curiosity. Someone coughs outside. Then Christy Mahon, a slight young man, comes in very tired and frightened and dirty.
Christy
In a small voice. God save all here!
Men
God save you kindly.
Christy
Going to the counter. I’d trouble you for a glass of porter, woman of the house. He puts down coin.
Pegeen
Serving him. You’re one of the tinkers, young fellow, is beyond camped in the glen?
Christy
I am not; but I’m destroyed walking.
Michael
Patronizingly. Let you come up then to the fire. You’re looking famished with the cold.
Christy
God reward you. He takes up his glass and goes a little way across to the left, then stops and looks about him. Is it often the police do be coming into this place, master of the house?
Michael
If you’d come in better hours, you’d have seen “Licensed for the sale of Beer and Spirits, to be consumed on the premises,” written in white letters above the door, and what would the polis want spying on me, and not a decent house within four miles, the way every living Christian is a bona fide, saving one widow alone?
Christy
With relief. It’s a safe house,
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